Displaying items by tag: Dennis Seuling

All right, we’ve got great release news for you here at The Bits today.

But first, we’ve got more new disc reviews to share with you. Available now for your reading enjoyment are…

My reviews of Chris Miller and Phil Lord’s Project Hail Mary (2025) in 4K UHD from Amazon MGM Studios, Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K UHD from Lionsgate Limited, Wolfgang Peterson’s Outreak (1995) in 4K UHD from Shout! Studios, and Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (that last one a joint review with Todd).

Tim’s look at Looney Tunes Cartoons: The Complete Series (2020-24) on Blu-ray from the Warner Archive Collection and Ken Hughes’ Night School (1981) in 4K UHD from Vinegar Syndrome.

Stephen’s take on Béla Ternovszky’s Cat City Collection (1986-2007) on Blu-ray from Deaf Crocodile Films and Abel Ferrera’s Body Snatchers (1993) in 4K UHD from Vinegar Syndrome.

Dennis’ look at Robert Zemeckis’ Flight (2012) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s thoughts on Mercedes the Muse’s Rise of the Super Tromettes (2025) on Blu-ray from Troma and MVD Entertainment, Alex Phillips’ Anything That Moves (2025) on Blu-ray from Vinegar Syndrome, and Vinegar Syndrome Film Archive Presents: Reviver 3 on Blu-ray.

Watch for more new disc reviews all next week from the whole team!

Now then… the big news today is that our friends at the Criterion Collection have just unveiled an extraordinary batch of new Blu-ray and 4K Ultra HD titles for November, and it’s one of their best slates in a long while. [Read on here...]

All right, we’re slowly getting back up to speed here at The Bits this week. The site itself seems be working well at the moment, which is good. (Knock wood.) And I’m getting back into the swings of things here as site editor after visiting family.

The whole Bits team’s working on more Blu-ray and 4K reviews, and I myself have spent the last two days working on a few myself. To that end…

I’ve just posted my reviews of John Carney’s Sing Street: 10th Anniversary Edition (2016) in 4K Ultra HD from Lionsgate Limited, as well as Phil Lord and Chris Miller’s Project Hail Mary (2026) in 4K Ultra HD from Amazon MGM Studios and Alliance Entertainment.

Tim has turned in his thoughts on Robert Z. Leonard’s The Cardboard Lover (1928) on Blu-ray from Undercrank Productions.

Stephen’s taken a look at Tim Burton’s Mars Attacks! (1996) in 4K Ultra HD Steelbook from Warner Bros. Discovery Home Entertainment.

Dennis has shared his take on Phil Karlson’s Framed (1975) on Blu-ray from Imprint Films.

Stuart has delivered reviews of Jean Becker’s A Man Named Rocca (1961) on Blu-ray from Kino Lorber Studio Classics.

And Todd has offered his thoughts on Shūji Terayama’s The Boxer (1977) on Blu-ray from Radiance, as well as Aleshea Harris’s Is God Is (2026) on Blu-ray from Amazon MGM and Alliance.

What’s more, I’ve had the chance to complete a few additional reviews as well, so you can look forward to my thoughts on Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K Ultra HD from Lionsgate Limited tomorrow, as well as Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (a joint review with Todd) on Thursday.

And more reviews are definitely forthcoming from the whole team.

Now then… I wanted to say a few humble but important words today about the new challenges we’re dealing with here at The Digital Bits—challenges sadly now occupying almost everyone who runs a physical media website these days. [Read on here...]

Hi, everyone—Bill here!

So I’m just back from a ten-day trip to the Upper Midwest to visit various members of my family, and I’m finally getting back into the swing of things here in the office after recovering from my travels.

For the record, I spent a week with my mother in North Dakota, during which time we went to Medora to see the new Theodore Roosevelt Presidential Library, as well as to tour both the North and South units of Theodore Roosevelt National Park. The library was extraordinary and a world-class experience, and the park was every bit as amazing as ever—the North Dakota Badlands are one of the most stunning places on the face of the Earth.

On the way back from the Badlands, I was also able to visit my stepbrother and his family, as well as my niece, her husband, and their new baby in Fargo. And then I flew to Chicago, Illinois to spend three more days with my brother. A good time was had by all, I certainly saw some amazing sights, and I even managed to get a little relaxation in there too, though my plane trip home was a classic air travel nightmare (made all the worse by the lackluster customer service team at American Airlines—ugh).

Anyway, I’ll be posting a new video for our subscribers on The Bits’ Patreon page later this afternoon. And I’ll be back here on The Bits website to recap all of the 4K and Blu-ray announcement news that happened in my absence starting on Monday.

In the meantime, we’ve just posted the latest update of our Release Dates & Cover Artwork section (click here) featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-orders links, thanks to our own Russell Hammond.

And our crack Bits disc review team (including Tim, Stephen, Stuart, Todd, and Dennis) posted an impressive slate of new Blu-ray and 4K Ultra HD reviews here on the site while I was away, so I just wanted to all everyone’s attention to them. [Read on here...]

Hi Everyone, it’s Bill here!

We’ve posted a few more great new disc reviews here at the website this past week, including…

Tim’s look at Robert Fuest’s The Final Programme (1973) in 4K UHD from Severin Films and Craig R. Baxley’s Stone Cold (1991) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ thoughts on Martin Scorsese’s Alice Doesn’t Live Here Anymore (1974) on Blu-ray from Criterion.

And Stephen’s take on John Woo’s Bullet in the Heat (1990) in 4K Ultra HD from Imprint.

Also, be sure to keep checking back here on the website—specifically here on our Reviews page—because lots more Blu-ray and 4K reviews are forthcoming all next week and the week after.

However, I wanted to let you know that I’ll be taking a break over that time (I should return on August 5-6). As you may know, I’ve been dealing with this frustrating AI scraping issue here on The Digital Bits which has had a major impact on the website’s functionality. And frankly, I’m exhausted. [Read on here...]

We’ve got more new disc reviews for you today here at The Bits, and then I’m going to share my thoughts on Chrisopher Nolan’s The Odyssey!

But first, reviews. Today we have…

Tim’s look at Enrique López Eguiluz’s Frankenstein’s Bloody Terror (1968) on Blu-ray 3D from Kino Cult (with the help of the 3-D Film Archive), Lam Nai-Choi’s Men from the Gutter (1983) on Blu-ray from Vinegar Syndrome, and George Stevens, Jr.’s George Stevens: A Filmmaker’s Journey (1984) in 4K Ultra HD from the Warner Archive Collection.

Todd’s take on Howard Winters’ (aka Cecil Howard) Dead Boyz Can’t Fly (1992) on Blu-ray from Vinegar Syndrome, Stephen Fung’s Tai Chi Zero (2012) on Blu-ray from Imprint Films, and Tom Bema’s Colony Mutation (1995) on Blu-ray from Visual Vengeance.

Stephen’s thoughts on Otakar Vávra’s Krakatit (1948) on 4K Ultra HD from Deaf Crocodile and Paul Lynch’s Prom Night (1980) on 4K Ultra HD from Synapse Films.

Dennis’ look at Ronald Neame and Cliff Owen’s A Man Could Get Killed (1966) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s take on Gerry and Silvia Anderson’s classic “Supermarionation” series Supercar: The Complete Series (1961-62) on Blu-ray from Imprint Television.

More reviews are forthcoming, so be sure to keep checking back!

Before we continue today… a quick update: Disney and Lucasfilm’s 4K Ultra HD of Star Wars: The Mandalorian and Grogu (2026) is now available for pre-order on Amazon here, here, and here (in various configurations and SKUs). Street date is 8/25. [Read on here...]

Greetings, friends!

We’ve got some great release news for you today, specifically of Criterion’s latest monthly Blu-ray and 4K slate, which we’ll get to in a minute.

But first, I wanted to catch you all up on the latest disc reviews we’ve shared here at The Bits, if you’re interested.

Available now are…

Tim’s look at the Mortal Kombat Kollection (1995-97) in 4K Ultra HD from Arrow Video and the Silent Night, Deadly Night: Parts 1 & 2 – Limited Edition (1984) in 4K Ultra HD from Imprint Films.

Stephen’s thoughts on William Friedkin’s To Live and Die in L.A. (1985) in 4K UHD from Arrow Video, David Lynch’s The Elephant Man (1980) in 4K UHD from Criterion, and Phil Joanou’s State of Grace (1990) in 4K UHD from Imprint Films.

Todd’s take on Silvio Amadio’s So Lovely, So Young, So Vicious (1975) on Blu-ray from Raro Video, Matthew Shear’s Fantasy Life (2025) on DVD from Greenwich Entertainment, David Hemmings’ The Survivor (1981) on Blu-ray from Indicator, Ray McKinnon’s The Accountant (2001) and Randy and the Mob (2007) on Blu-ray from Lightyear Entertainment, and Mika Ninagawa’s Helter Skelter (2012) and Sakuran (2006) on Blu-ray from 88 Films.

Dennis’ review of David Butler’s King Richard and the Crusaders (1954) on Blu-ray from the Warner Archive Collection.

And finally, Stuart’s thoughts on Gerry and Sylvia Anderson’s “Supermarionation” classic Stingray: The Complete Series (1964-65) on Blu-ray from Imprint Television!

More reviews are forthcoming, as always, so be sure to keep checking back daily for them.

Now then… let’s get to that announcement news, shall we?

Our friends at the Criterion Collection have just announced their full October slate. [Read on here...]

Afternoon, everyone! We hope you all had a great weekend, and that those of you here in the States enjoyed a great 4th of July weekend as America celebrated its 250th anniversary.

We’ve got a couple of things to share with you today, but first as always we have a few new disc reviews for you…

Stephen has turned in his thoughts on Val Guest’s Toomorrow (1970) on Blu-ray from Deaf Crocodile Films, Oliver Stone’s Talk Radio (1988) on Blu-ray from Kino Lorber Studio Classics, and Frank Henenlotter’s Frankenhooker (1990) on Blu-ray from Refuse Films.

Tim’s look at The Eurocrypt of Christopher Lee: Collection 2 Blu-ray box set from Severin Films, Rod Serling’s Night Gallery: The Complete Collection on Blu-ray from Imprint Films, Ringo Lam’s The Adventurers (1995) on Blu-ray from Eureka Entertainment, and Tobe Hooper’s The Mangler (1995) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s take on Michael Winner’s You Must Be Joking! (1965) on Blu-ray from Indicator Films.

And finally, Dennis’ reviews of Howard Zieff’s Private Benjamin (1980) and Victor Fleming’s Captains Courageous (1937) on Blu-ray from the Warner Archive Collection, as well as Robert Alan Aurthur’s The Lost Man (1969) on Blu-ray from Kino Lorber Studio Classics.

As always, lots more reviews are forthcoming, so be sure to check back for them!

Now then, the big release news today is that Kevin Costner’s Dances with Wolves: Extended Edition (1990) is premiering at the Locarno Film Festival in August (in Locarno Switzerland) in a new 4K restoration completed by the Zurich-based Cinegrell! [Read on here...]

We’ve got a big post for you here at The Bits today, and per usual we start with new disc reviews. Today, we offer…

Tim’s look at Charles Lamont’s Abbott and Costello Meet the Invisible Man (1951) in 4K Ultra HD from Kino Lorber Studio Classics and Tinto Brass’ The Key (1983) in 4K Ultra HD from Cult Epics.

Stephen’s thoughts on Vincent Ward’s What Dreams May Come (1998) and Gordon Douglas’ Them! (1954) both in 4K Ultra HD from Shout! Studios.

Todd’s take on Stefan Ruzowitzky’s Icefall (2025) on Blu-ray from Decal, Brewce Longo’s Coven of the Black Cube (2024) on Blu-ray from Blood Sick, and Michel Franco’s Dreams (2025) on Blu-ray from Greenwich and Kino Lorber.

Stuart’s look at Irving Reis’ All My Sons (1948) and John Gilling’s The Man Inside (1958) both on Blu-ray from Indicator.

And finally, Dennis’ take on Leon Prudovsky’s My Neighbor Adolf (2022) on Blu-ray from Cohen Media and Kino Lorber.

More reviews for forthcoming, as always, so be sure to keep checking back.

Now then… let’s have some recent announcement news…

First, Warner Bros. officially announced the 8/11 4K Ultra HD release of Tim Burton’s Mars Attacks! (1996) in honor of the film’s 30th anniversary. The 4K disc will include a pair of new features: Looking Back on Mars Attacks! and Ack! Ack! Aesthetic. As is already well known, because pre-orders have been open for a while now, there will be wide release and Steelbook versions [Read on here...]

All right, we've had another bout with AI scraping and other AI-related shenanigans here at The Bits website this week, but our meat-brain team has fought back valiantly and all is well here at the site again.

As such, we've got a bunch of news to catch you all up on here today and we have lots more new disc reviews to share with you, including...

Tim’s take on Hal Ashby’s Let’s Spend the Night Together (1983) on Blu-ray from Kino Lorber Studio Classics and Jess Franco’s Vampyros Lesbos (1971) in 4K UHD from Severin Films.

Stephen’s look at Huang Chiang-hua’s Legend of the Sacred Stone (2000) on Blu-ray from Deaf Crocodile, Lucio Fulci’s Conquest (1983) in 4K UHD from Cauldron Films, and William Dear’s Harry and the Hendersons (1987) in 4K UHD from Kino Lober Studio Classics.

Todd thoughts on Imprint’s Directed by John Mackenzie (1980-92) Blu-ray box set, and Bradley Bell and Pablo Jones-Soler’s Charli XCX: Alone Together (2021) on Blu-ray from Kino Lorber.

Stuart’s take on Lewis Allen’s Another Time, Another Place (1958) and the Directed by David Lean: Volume II (1949-55) box set both on Blu-ray from Imprint.

And finally, Dennis’ look at Brian Levant’s Beethoven (1992) and Tomas Alfredson’s The Snowman (2017) both on Blu-ray from Kino Lorber Studio Classics.

As always, more reviews are forthcoming, so be sure to keep checking back!

Now then, we have a few pieces of great title announcement news for you today. First, Sony has officially set Ben Stiller’s The Cable Guy (1996) for 30th anniversary 4K UHD release on 10/6—something we first revealed was coming to our Patreon subscribers several weeks ago! The disc will include a new 4K Dolby Vision presentation restored from the original camera negative, with both a new Dolby Atmos mix and the original English 5.1 audio mix. The package will also include legacy extras as well as a new feature: A 30th Anniversary Conversation with Ben Stiller and Matthew Broderick, from the 2026 Tribeca Film Festival. Great news indeed! [Read on here...]

We’ve got more new disc reviews for you to close out the week here at The Bits, including…

Stephen’s reviews of Rango Lam’s City on Fire (1987) and John Woo’s The Killer (1989) in 4K Ultra HD from Imprint.

Stuart’s thoughts on John Guillermin’s House of Cards (1968) on Blu-ray from Kino Lorber Studio Classics, the Spencer Tracy Collection on Blu-ray from the Warner Archive Collection—which includes Bad Day on Black Rock (1955), Fury (1936), Libeled Lady (1936), and Northwest Passage (1941)—and the Directed by David Lean: Volume II box set on Blu-ray from Imprint—which includes The Passionate Friends (1949), Madeleine (1950), The Sound Barrier (1952), Hobson’s Choice (1954), and Summertime (1955).

Tim’s look at Tobe Hooper’s Salem’s Lot (1979) in 4K Ultra HD from our friends at Arrow Video.

And Dennis’ take on Brian Levant’s Beethoven (1992) on Blu-ray from Kino Lorber Studio Classics.

More reviews are in the works for release here all next week, so be sure to keep checking back for them.

Now then… the first thing to be said today is that Phil Lord and Chris Miller’s Project Hail Mary (2026) is now available for pre-order on Amazon.com in Blu-ray, DVD, and 4K Ultra HD (click here for the link). This is an Amazon MGM Studios release. The street date isn’t yet official, but we believe it will be on or about 8/11. Look for the disc to include audio commentary with the directors, deleted scenes, and the Earth’s Favorite Eridian featurette. You can see the cover artwork above left. [Read on here...]