Displaying items by tag: Imprint Films

Welcome to a new week Bits readers—and nearly the start of September!

We’re kicking things off today with several new disc reviews, including…

Stephen’s look at Robert Altman’s Popeye (1980) in 4K Ultra HD from Paramount via Alliance.

Stuart’s review of Robin Davis’ Le Choc (1982) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s review of James Sweeney’s Twinless (2025) on Blu-ray from Lionsgate.

Watch for more new disc reviews all this week!

And our own Russell Hammond has updated the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. We’re an Amazon Affiliate, so whenever you order or pre-order literally anything from Amazon, you’re helping to support our work here at The Bits and we appreciate it!

Now then… we’ve finally gotten a look at Warner’s official press release for Gone with the Wind (1939) in 4K Ultra HD.

There will be three versions—a standard 4K package, a 4K Steelbook, and the Walmart-exclusive (here in the States) 4K Steelbook Collector’s Edition box set with swag. Each will be a 3-disc set containing the film in 4K Ultra HD, split over two discs, plus a Blu-ray of bonus features. No Blu-ray version is included in any of the US SKUs, but you do get a Digital code. [Read on here...]

We’ve got one more new disc review for you to close out the week here at The Bits, which is…

Tim’s review of Gordon Hessler’s Murders in the Rue Morgue (1971) in 4K Ultra HD from Hammer Films in the UK!

Meanwhile, I’ve just gotten my hands on Arrow’s new Forbidden Planet (1956) 4K UHD release, and I can’t wait to give it a spin—that’s another “holy grail” title for me personally, and I bet for a lot of you guys as well. Watch for a review early next week.

All right… speaking of Arrow, the label’s November has indeed been revealed, and it’s a dandy!

Here’s what’s coming...

• the Coen Brothers’ Fargo (1998) – 4K (UK only)
• John Badams’ Wargames (1983) – 4K (UK only)
• Desmond Davis’ Clash of the Titans (1981) – 4K / Blu-ray (US, UK, Canada)
• Robert Aldrich’s The Dirty Dozen (1967) – 4K / Blu-ray (US, UK, Canada)
• ShawScope: Street Gangs of Hong Kong – Blu-ray (US, UK, Canada) – includes The Delinquent (1973), The Teahouse (1974), Big Brother Cheng (1975), Big Bad Sis (1976), The Big Holdup (1975), The Convict Killer (1980), The Brothers (1979)
• The Blade Spares None (1971) / The Hurricane (1972) – Blu-ray (US, UK, Canada)

Not bad at all! And The Dirty Dozen is a very nice surprise. Here’s hoping they’re going to do Where Eagle Dare (1968) at some point too. [Read on here...]

Afternoon, Bits readers!

We have several more new disc reviews for you today, including…

Tim’s look at Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD from Imprint Films, Roger Spottiswoode’s Terror Train (1980) in 4K UHD from Kino Lorber Studio Classics, and Jesús Franco’s She Killed in Ecstasy (1971) in 4K UHD from Severin Films.

Stuart’s thoughts on the Essential Film Noir: Collection 6 Blu-ray box set from Imprint Films.

Dennis’ take on Christian Duguay’s The Assignment (1997) on Blu-ray from Imprint and Robert Zemeckis’ Flight (2012) in 4K UHD from KL Studio Classics (with an assist by Tim).

Stephen’s look at Tobe Hooper’s Lifeforce (1985) in 4K Ultra HD from Imprint.

And finally Todd’s review of Ash Avildsen’s Queen of the Ring (2024) on Blu-ray from Kino Lorber.

I also want to let you know that we have a ton of additional reviews in the works, including some really good titles. So watch for those over the coming days and especially next week.

Now then, our friends at Arrow Video are going to announce their November slate on social media tomorrow, and I would not be at all surprised if Desmond Davis’ Clash of the Titans (1981) was among them. Arrow has SO many great titles cooking for 4K in the coming months—we can’t wait for new announcements. So keep an eye out in the morning and we’ll check back here tomorrow to fill you in on the news. [Read on here...]

We’ve got more new disc reviews to share with you today here on The Bits, including...

Stephen’s look at Nathan Juran’s The 7th Voyage of Sinbad (1958) in 4K Ultra HD from Sony Pictures Home Entertainment.

Tim’s review of Simon McQuoid’s Mortal Kombat II (2026) in 4K Ultra HD from Warner Bros.

Stuart’s take on the Brit Noir Collection I and II collections on Blu-ray from Kino Lorber Studio Classics, as well as the Youth Gone Wild! 1950s Juvenile Delinquency box set on Blu-ray from Imprint Films.

And finally, Todd’s thoughts on Alex Chandon’s Cradle of Fear (2001) on Blu-ray from Unearthed Films, and Todd Norris’ The Paranormal (1998) and Donald Farmer’s Scream Dream (1989) both on Blu-ray from Visual Vengeance and Wild Eye.

Now then... just a couple of quick announcements to mention today...

Imprint Films has recently announced their September slate, which includes Toshiharu Ikeda’s Cursed Village in Yudono Mountains (1984) and Kunio Watanabe’s Chushingura: The Loyal 47 Ronin (1958) on Blu-ray for Imprint Asia, Ridley Scott’s G.I. Jane (1997) in 4K UHD (the wide release), Richard Attenborough’s Oh! What A Lovely War (1969), David Greene’s The Strange Affair (1968), Basil Dearden’s Only When I Larf (1968), Sidney Hayers’ All Coppers Are... (1972), and Peter Collinson’s And Then There Were None (aka Ten Little Indians) (1974) on Blu-ray, and Richard Fleischer’s Red Sonja (1985) and the Deathstalker Collection (films 1-3, 1983-2025) in 4K Ultra HD Steelbook. [Read on here...]

All right, we’re slowly getting back up to speed here at The Bits this week. The site itself seems be working well at the moment, which is good. (Knock wood.) And I’m getting back into the swings of things here as site editor after visiting family.

The whole Bits team’s working on more Blu-ray and 4K reviews, and I myself have spent the last two days working on a few myself. To that end…

I’ve just posted my reviews of John Carney’s Sing Street: 10th Anniversary Edition (2016) in 4K Ultra HD from Lionsgate Limited, as well as Phil Lord and Chris Miller’s Project Hail Mary (2026) in 4K Ultra HD from Amazon MGM Studios and Alliance Entertainment.

Tim has turned in his thoughts on Robert Z. Leonard’s The Cardboard Lover (1928) on Blu-ray from Undercrank Productions.

Stephen’s taken a look at Tim Burton’s Mars Attacks! (1996) in 4K Ultra HD Steelbook from Warner Bros. Discovery Home Entertainment.

Dennis has shared his take on Phil Karlson’s Framed (1975) on Blu-ray from Imprint Films.

Stuart has delivered reviews of Jean Becker’s A Man Named Rocca (1961) on Blu-ray from Kino Lorber Studio Classics.

And Todd has offered his thoughts on Shūji Terayama’s The Boxer (1977) on Blu-ray from Radiance, as well as Aleshea Harris’s Is God Is (2026) on Blu-ray from Amazon MGM and Alliance.

What’s more, I’ve had the chance to complete a few additional reviews as well, so you can look forward to my thoughts on Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K Ultra HD from Lionsgate Limited tomorrow, as well as Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (a joint review with Todd) on Thursday.

And more reviews are definitely forthcoming from the whole team.

Now then… I wanted to say a few humble but important words today about the new challenges we’re dealing with here at The Digital Bits—challenges sadly now occupying almost everyone who runs a physical media website these days. [Read on here...]

We’ve got more new disc reviews for you today here at The Bits, and then I’m going to share my thoughts on Chrisopher Nolan’s The Odyssey!

But first, reviews. Today we have…

Tim’s look at Enrique López Eguiluz’s Frankenstein’s Bloody Terror (1968) on Blu-ray 3D from Kino Cult (with the help of the 3-D Film Archive), Lam Nai-Choi’s Men from the Gutter (1983) on Blu-ray from Vinegar Syndrome, and George Stevens, Jr.’s George Stevens: A Filmmaker’s Journey (1984) in 4K Ultra HD from the Warner Archive Collection.

Todd’s take on Howard Winters’ (aka Cecil Howard) Dead Boyz Can’t Fly (1992) on Blu-ray from Vinegar Syndrome, Stephen Fung’s Tai Chi Zero (2012) on Blu-ray from Imprint Films, and Tom Bema’s Colony Mutation (1995) on Blu-ray from Visual Vengeance.

Stephen’s thoughts on Otakar Vávra’s Krakatit (1948) on 4K Ultra HD from Deaf Crocodile and Paul Lynch’s Prom Night (1980) on 4K Ultra HD from Synapse Films.

Dennis’ look at Ronald Neame and Cliff Owen’s A Man Could Get Killed (1966) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s take on Gerry and Silvia Anderson’s classic “Supermarionation” series Supercar: The Complete Series (1961-62) on Blu-ray from Imprint Television.

More reviews are forthcoming, so be sure to keep checking back!

Before we continue today… a quick update: Disney and Lucasfilm’s 4K Ultra HD of Star Wars: The Mandalorian and Grogu (2026) is now available for pre-order on Amazon here, here, and here (in various configurations and SKUs). Street date is 8/25. [Read on here...]

Greetings, friends!

We’ve got some great release news for you today, specifically of Criterion’s latest monthly Blu-ray and 4K slate, which we’ll get to in a minute.

But first, I wanted to catch you all up on the latest disc reviews we’ve shared here at The Bits, if you’re interested.

Available now are…

Tim’s look at the Mortal Kombat Kollection (1995-97) in 4K Ultra HD from Arrow Video and the Silent Night, Deadly Night: Parts 1 & 2 – Limited Edition (1984) in 4K Ultra HD from Imprint Films.

Stephen’s thoughts on William Friedkin’s To Live and Die in L.A. (1985) in 4K UHD from Arrow Video, David Lynch’s The Elephant Man (1980) in 4K UHD from Criterion, and Phil Joanou’s State of Grace (1990) in 4K UHD from Imprint Films.

Todd’s take on Silvio Amadio’s So Lovely, So Young, So Vicious (1975) on Blu-ray from Raro Video, Matthew Shear’s Fantasy Life (2025) on DVD from Greenwich Entertainment, David Hemmings’ The Survivor (1981) on Blu-ray from Indicator, Ray McKinnon’s The Accountant (2001) and Randy and the Mob (2007) on Blu-ray from Lightyear Entertainment, and Mika Ninagawa’s Helter Skelter (2012) and Sakuran (2006) on Blu-ray from 88 Films.

Dennis’ review of David Butler’s King Richard and the Crusaders (1954) on Blu-ray from the Warner Archive Collection.

And finally, Stuart’s thoughts on Gerry and Sylvia Anderson’s “Supermarionation” classic Stingray: The Complete Series (1964-65) on Blu-ray from Imprint Television!

More reviews are forthcoming, as always, so be sure to keep checking back daily for them.

Now then… let’s get to that announcement news, shall we?

Our friends at the Criterion Collection have just announced their full October slate. [Read on here...]

Afternoon, everyone! We hope you all had a great weekend, and that those of you here in the States enjoyed a great 4th of July weekend as America celebrated its 250th anniversary.

We’ve got a couple of things to share with you today, but first as always we have a few new disc reviews for you…

Stephen has turned in his thoughts on Val Guest’s Toomorrow (1970) on Blu-ray from Deaf Crocodile Films, Oliver Stone’s Talk Radio (1988) on Blu-ray from Kino Lorber Studio Classics, and Frank Henenlotter’s Frankenhooker (1990) on Blu-ray from Refuse Films.

Tim’s look at The Eurocrypt of Christopher Lee: Collection 2 Blu-ray box set from Severin Films, Rod Serling’s Night Gallery: The Complete Collection on Blu-ray from Imprint Films, Ringo Lam’s The Adventurers (1995) on Blu-ray from Eureka Entertainment, and Tobe Hooper’s The Mangler (1995) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s take on Michael Winner’s You Must Be Joking! (1965) on Blu-ray from Indicator Films.

And finally, Dennis’ reviews of Howard Zieff’s Private Benjamin (1980) and Victor Fleming’s Captains Courageous (1937) on Blu-ray from the Warner Archive Collection, as well as Robert Alan Aurthur’s The Lost Man (1969) on Blu-ray from Kino Lorber Studio Classics.

As always, lots more reviews are forthcoming, so be sure to check back for them!

Now then, the big release news today is that Kevin Costner’s Dances with Wolves: Extended Edition (1990) is premiering at the Locarno Film Festival in August (in Locarno Switzerland) in a new 4K restoration completed by the Zurich-based Cinegrell! [Read on here...]

We’ve got a big post for you here at The Bits today, and per usual we start with new disc reviews. Today, we offer…

Tim’s look at Charles Lamont’s Abbott and Costello Meet the Invisible Man (1951) in 4K Ultra HD from Kino Lorber Studio Classics and Tinto Brass’ The Key (1983) in 4K Ultra HD from Cult Epics.

Stephen’s thoughts on Vincent Ward’s What Dreams May Come (1998) and Gordon Douglas’ Them! (1954) both in 4K Ultra HD from Shout! Studios.

Todd’s take on Stefan Ruzowitzky’s Icefall (2025) on Blu-ray from Decal, Brewce Longo’s Coven of the Black Cube (2024) on Blu-ray from Blood Sick, and Michel Franco’s Dreams (2025) on Blu-ray from Greenwich and Kino Lorber.

Stuart’s look at Irving Reis’ All My Sons (1948) and John Gilling’s The Man Inside (1958) both on Blu-ray from Indicator.

And finally, Dennis’ take on Leon Prudovsky’s My Neighbor Adolf (2022) on Blu-ray from Cohen Media and Kino Lorber.

More reviews for forthcoming, as always, so be sure to keep checking back.

Now then… let’s have some recent announcement news…

First, Warner Bros. officially announced the 8/11 4K Ultra HD release of Tim Burton’s Mars Attacks! (1996) in honor of the film’s 30th anniversary. The 4K disc will include a pair of new features: Looking Back on Mars Attacks! and Ack! Ack! Aesthetic. As is already well known, because pre-orders have been open for a while now, there will be wide release and Steelbook versions [Read on here...]

We’re closing out the week here at The Bits with more new disc reviews today, including…

Stephen’s in-depth look at George A. Romero’s Day of the Dead (1985) in 4K Ultra HD from Scream and Shout! Factory.

Tim’s review of Chin-Ku Lu and Chang Cheh’s Bastard Swordsman (1983) on Blu-ray from Arrow Video’s Shawscope: Volume Three box set.

And Stuart’s take on Ken Hughes’ Jazz Boat (1960) on Blu-ray from Powerhouse Films and Indicator, as well as Ralph Thomas’ Hot Enough for June (1964) on Blu-ray from Via Vision’s Imprint Films.

More reviews are forthcoming, as always, so be sure to keep checking back!

Now then… Arrow Video’s Toy Robot Video sub-label has just revealed its September slate of Blu-ray and 4K Ultra HD titles—it’s first official announcements ever. And it’s pretty great for fans of a certain kind of deep genre titles. [Read on here...]