Displaying items by tag: Imprint Films

“It was the best of times, it was the worst of times…”

We’ve got some terrific news from our friends at the Warner Archive Collection today, and you can probably guess what it is based upon the thumbnail at the left and the banner at the top of the page.

Unfortunately, we’ve also got some bad news for fans of physical media.

But we’ll get to all that in a minute. First, let’s recap a bunch of the new disc reviews the team has shared here on the site over the last several days…

Tim has offered his thoughts on Steve Oedekerk’s Ace Ventura: When Nature Calls (1995) in 4K Ultra HD from Via Vision Entertainment.

Stephen’s taken a look at Norman Jewison’s Jesus Christ Superstar (1973) in both Blu-ray and 4K Ultra HD from Kino Lorber Studio Classics, as well as Chris Huang’s Demigod: The Legend Begins (2022) on Blu-ray from Deaf Crocodile, and Martin Scorsese’s New York, New York (1977) on Blu-ray from Imprint Films.

Dennis has reviewed Jorge Dorado’s Mindscape (2013) and Philip Noyce’s Catch a Fire (2006) on Blu-ray from Kino Lorber Studio Classics, along with Philip Kaufman’s Henry & June (1990) on Blu-ray from Imprint Films.

Todd has delivered his take on Fumihiko Sori’s Ping Pong (2002) on Blu-ray from 88 Films, Mauro Bolognini’s Corruption (1963) and Grzegorz Krolikiewicz’s The Dancing Hawk (1977) on Blu-ray from Radiance Films, and David Markey’s Desperate Teenage Lovedolls (1984) and Lovedolls Superstar (1986) on Blu-ray from MVD Visual.

And finally, Stuart has delivered a look at Luchino Visconti’s Conservation Piece (1974) on Blu-ray from Raro Video and Kino Lorber, as well as Bruce Beresford’s King David (1985) on Blu-ray from Imprint Films, and Sophie Hyde’s Jimpa (2025) on Blu-ray from Kino Lorber.

As always, more new disc reviews are already cooking from the team, so be sure to keep checking back for them all week here at The Bits!

And before we continue with today’s news, our own Russell Hammond has also turned in the latest update of our Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. As you know, we’re an Amazon Affiliate, which means that whenever you order literally anything from Amazon after clicking to them from one of our links, you’re helping to support our work here at the site and we really do appreciate it.

Now then, let’s get to the news… [Read on here...]

We’ve got MAJOR 4K Ultra HD and Blu-ray release news to share with you today, folks!

But first, as always, let’s catch you up on the latest disc reviews from the team here…

Stephen has offered his thoughts on Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films, as well as Martin Scorsese’s New York, New York (1977) in 4K Ultra HD from the MVD Marquee Collection.

Tim has shared his take on Aaron Horvath and Michael Jelenic’s The Super Mario Bros. Movie (2023) in 4K Ultra HD from Universal and Blu-ray 3D from Turbine Media, as well as The Super Mario Galaxy Movie (2026) in 4K Ultra HD from Universal.

Todd has taken a look at Bret McCormick’s Highway to Hell (1990), Jeffrey Arsenault’s Date with a Vampire (2000), and Les Sekely’s Vampire Time Travelers (1998) on Blu-ray from Visual Vengeance and Wild Eye Releasing.

And finally, Stuart has delivered a review of Yves Boisset’s La Travestie (1988) on Blu-ray from Indicator and Powerhouse Films.

More reviews are forthcoming, so be sure to keep your eyes peeled for them!

Now then… the first big announcement today is that our friends at the Warner Archive Collection have just revealed their November/December slate of titles, and it’s frankly amazing and straight up epic! [Read on here...]

We’ve got a few new disc reviews to start the new week off today, including…

Tim’s thoughts on Charles Lamont’s Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s look at James Ivory’s Maurice (1987) in 4K Ultra HD from the Cohen Film Collection and Kino Lorber.

Todd’s take on the 6-film After Dark: Neo-Noir Cinema – Collection Four (1990-97) on Blu-ray from Imprint Films (which includes Wild at Heart, Unlawful Entry, The Getaway, Mulholland Falls, Freeway, and City of Industry).

And Stuart’s reviews of Bertrand Blier’s Buffet froid (1979) on Blu-ray from Indicator and Jean Aurel’s Manon 70 (1968) on Blu-ray from Kino Lorber Studio Classics.

Now then… the big release news is that Sony Pictures Home Entertainment and Marvel have just officially set Destin Daniel Cretton’s Spider-Man: Brand New Day (2026) for release on Blu-ray, DVD, 4K Ultra HD Steelbook format on 12/15, with the Digital release expected next week on 10/6! [Read on here...]

Welcome to a new week Bits readers—and nearly the start of September!

We’re kicking things off today with several new disc reviews, including…

Stephen’s look at Robert Altman’s Popeye (1980) in 4K Ultra HD from Paramount via Alliance.

Stuart’s review of Robin Davis’ Le Choc (1982) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s review of James Sweeney’s Twinless (2025) on Blu-ray from Lionsgate.

Watch for more new disc reviews all this week!

And our own Russell Hammond has updated the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. We’re an Amazon Affiliate, so whenever you order or pre-order literally anything from Amazon, you’re helping to support our work here at The Bits and we appreciate it!

Now then… we’ve finally gotten a look at Warner’s official press release for Gone with the Wind (1939) in 4K Ultra HD.

There will be three versions—a standard 4K package, a 4K Steelbook, and the Walmart-exclusive (here in the States) 4K Steelbook Collector’s Edition box set with swag. Each will be a 3-disc set containing the film in 4K Ultra HD, split over two discs, plus a Blu-ray of bonus features. No Blu-ray version is included in any of the US SKUs, but you do get a Digital code. [Read on here...]

We’ve got one more new disc review for you to close out the week here at The Bits, which is…

Tim’s review of Gordon Hessler’s Murders in the Rue Morgue (1971) in 4K Ultra HD from Hammer Films in the UK!

Meanwhile, I’ve just gotten my hands on Arrow’s new Forbidden Planet (1956) 4K UHD release, and I can’t wait to give it a spin—that’s another “holy grail” title for me personally, and I bet for a lot of you guys as well. Watch for a review early next week.

All right… speaking of Arrow, the label’s November has indeed been revealed, and it’s a dandy!

Here’s what’s coming...

• the Coen Brothers’ Fargo (1998) – 4K (UK only)
• John Badams’ Wargames (1983) – 4K (UK only)
• Desmond Davis’ Clash of the Titans (1981) – 4K / Blu-ray (US, UK, Canada)
• Robert Aldrich’s The Dirty Dozen (1967) – 4K / Blu-ray (US, UK, Canada)
• ShawScope: Street Gangs of Hong Kong – Blu-ray (US, UK, Canada) – includes The Delinquent (1973), The Teahouse (1974), Big Brother Cheng (1975), Big Bad Sis (1976), The Big Holdup (1975), The Convict Killer (1980), The Brothers (1979)
• The Blade Spares None (1971) / The Hurricane (1972) – Blu-ray (US, UK, Canada)

Not bad at all! And The Dirty Dozen is a very nice surprise. Here’s hoping they’re going to do Where Eagle Dare (1968) at some point too. [Read on here...]

Afternoon, Bits readers!

We have several more new disc reviews for you today, including…

Tim’s look at Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD from Imprint Films, Roger Spottiswoode’s Terror Train (1980) in 4K UHD from Kino Lorber Studio Classics, and Jesús Franco’s She Killed in Ecstasy (1971) in 4K UHD from Severin Films.

Stuart’s thoughts on the Essential Film Noir: Collection 6 Blu-ray box set from Imprint Films.

Dennis’ take on Christian Duguay’s The Assignment (1997) on Blu-ray from Imprint and Robert Zemeckis’ Flight (2012) in 4K UHD from KL Studio Classics (with an assist by Tim).

Stephen’s look at Tobe Hooper’s Lifeforce (1985) in 4K Ultra HD from Imprint.

And finally Todd’s review of Ash Avildsen’s Queen of the Ring (2024) on Blu-ray from Kino Lorber.

I also want to let you know that we have a ton of additional reviews in the works, including some really good titles. So watch for those over the coming days and especially next week.

Now then, our friends at Arrow Video are going to announce their November slate on social media tomorrow, and I would not be at all surprised if Desmond Davis’ Clash of the Titans (1981) was among them. Arrow has SO many great titles cooking for 4K in the coming months—we can’t wait for new announcements. So keep an eye out in the morning and we’ll check back here tomorrow to fill you in on the news. [Read on here...]

We’ve got more new disc reviews to share with you today here on The Bits, including...

Stephen’s look at Nathan Juran’s The 7th Voyage of Sinbad (1958) in 4K Ultra HD from Sony Pictures Home Entertainment.

Tim’s review of Simon McQuoid’s Mortal Kombat II (2026) in 4K Ultra HD from Warner Bros.

Stuart’s take on the Brit Noir Collection I and II collections on Blu-ray from Kino Lorber Studio Classics, as well as the Youth Gone Wild! 1950s Juvenile Delinquency box set on Blu-ray from Imprint Films.

And finally, Todd’s thoughts on Alex Chandon’s Cradle of Fear (2001) on Blu-ray from Unearthed Films, and Todd Norris’ The Paranormal (1998) and Donald Farmer’s Scream Dream (1989) both on Blu-ray from Visual Vengeance and Wild Eye.

Now then... just a couple of quick announcements to mention today...

Imprint Films has recently announced their September slate, which includes Toshiharu Ikeda’s Cursed Village in Yudono Mountains (1984) and Kunio Watanabe’s Chushingura: The Loyal 47 Ronin (1958) on Blu-ray for Imprint Asia, Ridley Scott’s G.I. Jane (1997) in 4K UHD (the wide release), Richard Attenborough’s Oh! What A Lovely War (1969), David Greene’s The Strange Affair (1968), Basil Dearden’s Only When I Larf (1968), Sidney Hayers’ All Coppers Are... (1972), and Peter Collinson’s And Then There Were None (aka Ten Little Indians) (1974) on Blu-ray, and Richard Fleischer’s Red Sonja (1985) and the Deathstalker Collection (films 1-3, 1983-2025) in 4K Ultra HD Steelbook. [Read on here...]

All right, we’re slowly getting back up to speed here at The Bits this week. The site itself seems be working well at the moment, which is good. (Knock wood.) And I’m getting back into the swings of things here as site editor after visiting family.

The whole Bits team’s working on more Blu-ray and 4K reviews, and I myself have spent the last two days working on a few myself. To that end…

I’ve just posted my reviews of John Carney’s Sing Street: 10th Anniversary Edition (2016) in 4K Ultra HD from Lionsgate Limited, as well as Phil Lord and Chris Miller’s Project Hail Mary (2026) in 4K Ultra HD from Amazon MGM Studios and Alliance Entertainment.

Tim has turned in his thoughts on Robert Z. Leonard’s The Cardboard Lover (1928) on Blu-ray from Undercrank Productions.

Stephen’s taken a look at Tim Burton’s Mars Attacks! (1996) in 4K Ultra HD Steelbook from Warner Bros. Discovery Home Entertainment.

Dennis has shared his take on Phil Karlson’s Framed (1975) on Blu-ray from Imprint Films.

Stuart has delivered reviews of Jean Becker’s A Man Named Rocca (1961) on Blu-ray from Kino Lorber Studio Classics.

And Todd has offered his thoughts on Shūji Terayama’s The Boxer (1977) on Blu-ray from Radiance, as well as Aleshea Harris’s Is God Is (2026) on Blu-ray from Amazon MGM and Alliance.

What’s more, I’ve had the chance to complete a few additional reviews as well, so you can look forward to my thoughts on Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K Ultra HD from Lionsgate Limited tomorrow, as well as Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (a joint review with Todd) on Thursday.

And more reviews are definitely forthcoming from the whole team.

Now then… I wanted to say a few humble but important words today about the new challenges we’re dealing with here at The Digital Bits—challenges sadly now occupying almost everyone who runs a physical media website these days. [Read on here...]

We’ve got more new disc reviews for you today here at The Bits, and then I’m going to share my thoughts on Chrisopher Nolan’s The Odyssey!

But first, reviews. Today we have…

Tim’s look at Enrique López Eguiluz’s Frankenstein’s Bloody Terror (1968) on Blu-ray 3D from Kino Cult (with the help of the 3-D Film Archive), Lam Nai-Choi’s Men from the Gutter (1983) on Blu-ray from Vinegar Syndrome, and George Stevens, Jr.’s George Stevens: A Filmmaker’s Journey (1984) in 4K Ultra HD from the Warner Archive Collection.

Todd’s take on Howard Winters’ (aka Cecil Howard) Dead Boyz Can’t Fly (1992) on Blu-ray from Vinegar Syndrome, Stephen Fung’s Tai Chi Zero (2012) on Blu-ray from Imprint Films, and Tom Bema’s Colony Mutation (1995) on Blu-ray from Visual Vengeance.

Stephen’s thoughts on Otakar Vávra’s Krakatit (1948) on 4K Ultra HD from Deaf Crocodile and Paul Lynch’s Prom Night (1980) on 4K Ultra HD from Synapse Films.

Dennis’ look at Ronald Neame and Cliff Owen’s A Man Could Get Killed (1966) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s take on Gerry and Silvia Anderson’s classic “Supermarionation” series Supercar: The Complete Series (1961-62) on Blu-ray from Imprint Television.

More reviews are forthcoming, so be sure to keep checking back!

Before we continue today… a quick update: Disney and Lucasfilm’s 4K Ultra HD of Star Wars: The Mandalorian and Grogu (2026) is now available for pre-order on Amazon here, here, and here (in various configurations and SKUs). Street date is 8/25. [Read on here...]

Greetings, friends!

We’ve got some great release news for you today, specifically of Criterion’s latest monthly Blu-ray and 4K slate, which we’ll get to in a minute.

But first, I wanted to catch you all up on the latest disc reviews we’ve shared here at The Bits, if you’re interested.

Available now are…

Tim’s look at the Mortal Kombat Kollection (1995-97) in 4K Ultra HD from Arrow Video and the Silent Night, Deadly Night: Parts 1 & 2 – Limited Edition (1984) in 4K Ultra HD from Imprint Films.

Stephen’s thoughts on William Friedkin’s To Live and Die in L.A. (1985) in 4K UHD from Arrow Video, David Lynch’s The Elephant Man (1980) in 4K UHD from Criterion, and Phil Joanou’s State of Grace (1990) in 4K UHD from Imprint Films.

Todd’s take on Silvio Amadio’s So Lovely, So Young, So Vicious (1975) on Blu-ray from Raro Video, Matthew Shear’s Fantasy Life (2025) on DVD from Greenwich Entertainment, David Hemmings’ The Survivor (1981) on Blu-ray from Indicator, Ray McKinnon’s The Accountant (2001) and Randy and the Mob (2007) on Blu-ray from Lightyear Entertainment, and Mika Ninagawa’s Helter Skelter (2012) and Sakuran (2006) on Blu-ray from 88 Films.

Dennis’ review of David Butler’s King Richard and the Crusaders (1954) on Blu-ray from the Warner Archive Collection.

And finally, Stuart’s thoughts on Gerry and Sylvia Anderson’s “Supermarionation” classic Stingray: The Complete Series (1964-65) on Blu-ray from Imprint Television!

More reviews are forthcoming, as always, so be sure to keep checking back daily for them.

Now then… let’s get to that announcement news, shall we?

Our friends at the Criterion Collection have just announced their full October slate. [Read on here...]