Displaying items by tag: Paramount

All right, we have a bit of a whirlwind to report here at The Digital Bits today, and I’m going to be talking about it all in detail later this afternoon for our Patreon subscribers in our next My Two Cents: A Video Blog over there. But I’ll to the short version of it all in a moment.

First, we have a bunch of new disc reviews to share with you this week, including…

Stephen’s look at Doug Liman’s Go (1999) in 4K Ultra HD from Arrow Video, and Frank Oz’s Little Shop of Horrors (1986) in 4K Ultra HD from Warner Bros.

Tim’s thoughts on Todd Durham’s Hyperspace (1984) in Blu-ray 3D from Kino Lorber Studio Classics, James Mangold’s Identity (2003) in 4K UHD from Arrow Video, Genki Kawamura’s Exit 8 (2025) in Blu-ray from Neon/Decal, and Montgomery Tully’s 36 Hours (1954) in 4K UHD from Hammer Films.

Dennis’ thoughts on Ernest Dickerson’s Bulletproof (1996) on Blu-ray from KL Studio Classics, and Charles Vidor’s Ladies in Retirement (1941) and George Cukor’s Heller in Pink Tights (1960) both on Blu-ray from Imprint Films.

Todd’s take on Vinegar Syndrome’s Reviver 4 on Blu-ray, Gus Van Sant’s Dead Man’s Wire (2025) on Blu-ray from Row K Entertainment, and André Øvredal’s Passenger (2026) on Blu-ray from Paramount.

And finally, Stuart’s reviews of Alain Resnais’ Stavisky… (1974) and Mario Bava’s Four Times That Night (1971) both on Blu-ray from Indicator and Powerhouse Films.

As always, more reviews are coming all this week, so be sure to keep checking back for them.

Now then… before we get to what may be bad news for physical media fans, we do have something good for you: There’s a really great article over on The Film Stage website wherein columnist Nick Newman interviews the film historian and archivist Michael Chaiken, who is a prolific producer of Criterion Collection special editions, about his work on The Complete Kubrick 4K box set, which finally streeted this week. [Read on here...]

We’ve got MAJOR 4K Ultra HD and Blu-ray release news to share with you today, folks!

But first, as always, let’s catch you up on the latest disc reviews from the team here…

Stephen has offered his thoughts on Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films, as well as Martin Scorsese’s New York, New York (1977) in 4K Ultra HD from the MVD Marquee Collection.

Tim has shared his take on Aaron Horvath and Michael Jelenic’s The Super Mario Bros. Movie (2023) in 4K Ultra HD from Universal and Blu-ray 3D from Turbine Media, as well as The Super Mario Galaxy Movie (2026) in 4K Ultra HD from Universal.

Todd has taken a look at Bret McCormick’s Highway to Hell (1990), Jeffrey Arsenault’s Date with a Vampire (2000), and Les Sekely’s Vampire Time Travelers (1998) on Blu-ray from Visual Vengeance and Wild Eye Releasing.

And finally, Stuart has delivered a review of Yves Boisset’s La Travestie (1988) on Blu-ray from Indicator and Powerhouse Films.

More reviews are forthcoming, so be sure to keep your eyes peeled for them!

Now then… the first big announcement today is that our friends at the Warner Archive Collection have just revealed their November/December slate of titles, and it’s frankly amazing and straight up epic! [Read on here...]

All right, this is just a very quick Sunday evening post here on The Digital Bits website to let you all know that a big 4K catalog announcement is incoming this week, and possibly as soon as tomorrow!

And if you've been a subscriber to our Patreon for any length of time, you'll have a pretty good idea of which title I'm talking about. (We’ve mentioned it here too, more recently.)

The studio in question is DreamWorks (via Paramount and Alliance).

The filmmaker in question is Steven Spielberg.

And the film is...

Watch for the official details in the next 24-48 hours.

Back soon with more. (Hope you've all had a great weekend!)

- Bill Hunt

(You can follow Bill on social media on Twitter/X, BlueSky, and Facebook, and also here on Patreon)

We’ve got lots of new disc reviews for you to enjoy here at The Bits today, including…

Tim’s look at John Guillerman’s King Kong (1976) in 4K UHD from Paramount, Charles Lamont’s Abbott and Costello Meet the Mummy (1955) in 4K UHD from Kino Lorber Studio Classics, Mikael Håfström’s 1408 (2007) in 4K UHD from Via Vision, and Norman Jewison’s In the Heat of the Night (1967) in 4K UHD from Criterion.

Stuart’s thoughts on John Ford’s Sergeant Rutledge (1960) on Blu-ray from the Warner Archive Collection and the Tales of the Wild West: Collection Two Blu-ray box set from Imprint.

Dennis’ take on William Keighley’s Torrid Zone (1940) on Blu-ray from the Warner Archive Collection, Mario Caiano’s Weapons of Death (1977) on Blu-ray from Kino Lorber Studio Classics, and Bret Wood’s Hell’s Highway: The True Story of Highway Safety Films (2003) on Blu-ray from Kino Cult.

And finally, Todd’s review of Tulsi and Shyam Ramsay’s Veerana: Vengeance of the Vampire (1988) on Blu-ray from Mondo Macabro.

Stephen has been on vacation for the last week, but he’ll be back to reviewing in a few more days, and of course we have lots more reviews forthcoming from the rest of the team.

Also today here, our own Russell Hammond has posted the latest update of our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we greatly appreciate it! [Read on here...]

We’re starting the week off with more new disc reviews today, including...

Tim’s look at Sam Raimi’s The Evil Dead (1981): 45th Anniversary Steelbook in 4K UHD from Sony Pictures Home Entertainment and Richard Moore’s Circle of Iron (1978): Limited Edition in 4K UHD from Blue Underground.

Todd’s take on Steven Soderbergh’s The Christophers (2026) on Blu-ray from Neon and Decal, Gia Coppola’s The Last Showgirl (2024) on Blu-ray from Lionsgate, and Jeff Leroy’s The Screaming (2000) on Blu-ray from Visual Vengeance and Wild Eye.

And Stuart’s thoughts on José Giovanni’s La Scoumoune (1974) on Blu-ray from Kino Lorber Studio Classics, as well as Dorna X. van Rouveroy’s Intensive Care (1991) on Blu-ray from Vinegar Syndrome.

In terms of release news, online retailers are now taking pre-orders on the eventual Blu-ray, DVD, and 4K Ultra HD release of David Robert Mitchell’s The End of Oak Street (2026) from Warner Bros. The street date is still TBA.

Pre-orders have begun for Jean-Francois Richet’s Mutiny (2026) on Blu-ray and 4K Ultra HD on Lionsgate as well. The street date is also TBA.

Speaking of Warner Bros, the studio has officially set Frank Oz’s Little Shop of Horrors (1986) for release on 4K Ultra HD on 10/6. They’ve also set Neil Jordan’s Interview with the Vampire (1994) for 9/22.

And the studio has set HBO’s House of the Dragon: The Complete Third Season for release on Blu-ray and 4K Ultra HD Steelbook on 12/1. [Read on here...]

All right, we've had another bout with AI scraping and other AI-related shenanigans here at The Bits website this week, but our meat-brain team has fought back valiantly and all is well here at the site again.

As such, we've got a bunch of news to catch you all up on here today and we have lots more new disc reviews to share with you, including...

Tim’s take on Hal Ashby’s Let’s Spend the Night Together (1983) on Blu-ray from Kino Lorber Studio Classics and Jess Franco’s Vampyros Lesbos (1971) in 4K UHD from Severin Films.

Stephen’s look at Huang Chiang-hua’s Legend of the Sacred Stone (2000) on Blu-ray from Deaf Crocodile, Lucio Fulci’s Conquest (1983) in 4K UHD from Cauldron Films, and William Dear’s Harry and the Hendersons (1987) in 4K UHD from Kino Lober Studio Classics.

Todd thoughts on Imprint’s Directed by John Mackenzie (1980-92) Blu-ray box set, and Bradley Bell and Pablo Jones-Soler’s Charli XCX: Alone Together (2021) on Blu-ray from Kino Lorber.

Stuart’s take on Lewis Allen’s Another Time, Another Place (1958) and the Directed by David Lean: Volume II (1949-55) box set both on Blu-ray from Imprint.

And finally, Dennis’ look at Brian Levant’s Beethoven (1992) and Tomas Alfredson’s The Snowman (2017) both on Blu-ray from Kino Lorber Studio Classics.

As always, more reviews are forthcoming, so be sure to keep checking back!

Now then, we have a few pieces of great title announcement news for you today. First, Sony has officially set Ben Stiller’s The Cable Guy (1996) for 30th anniversary 4K UHD release on 10/6—something we first revealed was coming to our Patreon subscribers several weeks ago! The disc will include a new 4K Dolby Vision presentation restored from the original camera negative, with both a new Dolby Atmos mix and the original English 5.1 audio mix. The package will also include legacy extras as well as a new feature: A 30th Anniversary Conversation with Ben Stiller and Matthew Broderick, from the 2026 Tribeca Film Festival. Great news indeed! [Read on here...]

We’ve got more new disc reviews for you to close out the week here at The Bits, including…

Stephen’s reviews of Rango Lam’s City on Fire (1987) and John Woo’s The Killer (1989) in 4K Ultra HD from Imprint.

Stuart’s thoughts on John Guillermin’s House of Cards (1968) on Blu-ray from Kino Lorber Studio Classics, the Spencer Tracy Collection on Blu-ray from the Warner Archive Collection—which includes Bad Day on Black Rock (1955), Fury (1936), Libeled Lady (1936), and Northwest Passage (1941)—and the Directed by David Lean: Volume II box set on Blu-ray from Imprint—which includes The Passionate Friends (1949), Madeleine (1950), The Sound Barrier (1952), Hobson’s Choice (1954), and Summertime (1955).

Tim’s look at Tobe Hooper’s Salem’s Lot (1979) in 4K Ultra HD from our friends at Arrow Video.

And Dennis’ take on Brian Levant’s Beethoven (1992) on Blu-ray from Kino Lorber Studio Classics.

More reviews are in the works for release here all next week, so be sure to keep checking back for them.

Now then… the first thing to be said today is that Phil Lord and Chris Miller’s Project Hail Mary (2026) is now available for pre-order on Amazon.com in Blu-ray, DVD, and 4K Ultra HD (click here for the link). This is an Amazon MGM Studios release. The street date isn’t yet official, but we believe it will be on or about 8/11. Look for the disc to include audio commentary with the directors, deleted scenes, and the Earth’s Favorite Eridian featurette. You can see the cover artwork above left. [Read on here...]

We’ve got a bunch of new disc reviews for you to check out today, including…

Tim’s take on Charlie Chaplin’s A Woman of Paris (1923) on Blu-ray from the Criterion Collection, Taylor Wong’s Buddha’s Palm (1982) on Blu-ray from Arrow’s Shawscope: Volume Three box, and J. Lee Thompson’s 10 to Midnight (1983) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s thoughts on Robert Wise’s The Haunting (1963) in 4K Ultra HD from Scream Factory, John “Bud” Cardos’ Mutant (1984) in 4K Ultra HD from Vinegar Syndrome, and Clive Barker’s Nightbreed (1990) in 4K from Arrow Video.

Todd’s review of Spike Lee’s Highest 2 Lowest (2025) on Blu-ray from A24, Timur Bekmambetov’s Mercy (2026) on Blu-ray from Amazon MGM, and Tony Scott’s The Fan (1996) and David Greene’s Hard Country (1981) on Blu-ray from Imprint Films.

Stuart’s look at Hobart Henley’s Night World (1932), Anthony Mann’s Bend of the River (1952), Allen Smithee’s Death of a Gunfighter (1969 – actually directed by Robert Totten and Don Siegel), and Christian-Jaque’s The Second Twin (1966) all on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on William Keighley’s The Man Who Came to Dinner (1941) on Blu-ray from the Warner Archive Collection.

Also today, be sure to check out my recent special feature articles on Apple TV’s For All Mankind and Star City series, as well as Warner’s remastering the Wachowskis’ Speed Racer (2008) in 4K Ultra HD! [Read on here...]

Good afternoon, disc fans!

After yesterday’s big release news of Kill Bill: The Whole Bloody Affair in 4K from Lionsgate, it’s time to start catching up on news that dropped while we were grappling with our AI bot-scraping issue.

To start with today, we’ve got a number of new disc reviews to share with you, and—on that very note—we also have a nice surprise announcement as well…

Our old friend Todd Doogan is returning to The Digital Bits as a review contributor!

Longtime Bits readers will know that Doogan was a founding member of The Bits team, not only reviewing DVD and Blu-ray discs here for many years, but also writing his own Doogan’s Views and Gripe Soda columns here at the site.

Since we have so many great disc releases that need covering, Doogan has offered to revive Doogan’s Views as a new “quick” review format—these will feature the Doogan’s Views banner at the top of the review. And while the reviews won’t be as detailed as our regular review work, they’ll include enough information to highlight discs worth your attention and help you make buying decisions. These are the kinds of titles that would otherwise fall through the cracks, but that deserve some love from fans—indie and boutique deep cuts, genre oddballs, and more.

Todd’s first new Doogan’s Views reviews this afternoon include Chris Stuckmann’s Shelby Oaks (2025) on Blu-ray from Decal Releasing and Johannes Roberts’ Primate (2025) on Blu-ray from Paramount via Alliance.

We’re all thrilled here to have Todd on The Bits team again, and I’m personally very happy to have my friend calling videodisc balls and strikes once more as only he can.

So welcome back, Todd, and watch for more Doogan’s Views reviews in the days and weeks ahead!

Meanwhile today, we have a bunch of new disc reviews from the rest of The Bits review team too, including... [Read on here...]

We’ve got a few more reviews for you today, and a few more great bits of announcement news to round out the week here…

First, Stuart has turned in his thoughts on Howard Zieff’s House Calls (1978) and Gilles Grangier’s Maigret Sees Red (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his take on John Binder’s UFOria (1985), also on Blu-ray from KLSC.

Now then, here’s something fun: Our friends at Vinegar Syndrome have revealed they’ve licensed Joe Dante’s Explorers (1985) from Paramount and they’ve about to release a new 4K Ultra HD edition! Limited to 8,000 units, it will ship following their next Halfway to Black Friday sale that runs from May 22nd to 25th! And in addition to legacy extras, you’ll get a 40-page book and a new 77-minute documentary on the making of the film by Elijah Drenner! [Read on here...]