Displaying items by tag: Imprint Asia

We’ve got some big 4K Ultra HD release news for you today, but first we have more new disc reviews, including…

Tim’s look at the Looney Tunes Collector’s Vault: Volume 3 Blu-ray from our friends at the Warner Archive Collection.

Dennis’ thoughts on Vincent Sherman’s All Through the Night (1942) on Blu-ray, also from the Warner Archive Collection.

And Stuart’s take on Georges Franju’s first feature, La Tête contre les murs (1959, aka Head Against the Wall) on Blu-ray from the good people at Radiance.

We’ve got a couple of great 4K reviews coming tomorrow as well, so be sure to check back for them!

Now then… the big release news today is that Walt Disney Studios Motion Pictures’ home entertainment team has just announced the 4K Ultra HD + Blu-ray release of a pair of fan-favorite Nicolas Cage films… Simon West’s Con Air (1997) and Jon Turteltaub’s National Treasure (2004)! [Read on here...]

All right, we’re starting a new week with a ton of new disc reviews, including…

Tim’s look at Adam Carter Rehmeier’s Carolina Caroline (2026) on Blu-ray from Magnolia, and Imprint Asia’s Shaw-Shock: Shaw Brothers Horror Collection – Volume 1 (1976-1984) Blu-ray boxed set, featuring The Oily Maniac (1976), Seeding of a Ghost (1983), and Sex Beyond the Grave (1984).

Dennis’ take on Barry Levinson’s Wag the Dog (1997) and Ray Enright and Raoul Walsh’s Montana (1950) on Blu-ray from the Warner Archive Collection.

Stuart’s thoughts on Jorge Fons’ Jory (1973) and Alberto De Martino’s Blazing Magnum (1976) on Blu-ray from Kino Lorber Studio Classics, David Gleeson’s Once Upon a Time in Cinema (2026) on DVD from Kino Lorber, and Terence Young’s Red Sun (1971) in 4K Ultra HD from Arrow Video (a tag-team review with Tim).

And finally, Todd’s reviews of Francesco Lucente’s Starbright (2026), Paradise Bungalows (1987), and Badland (2007) all on Blu-ray from MVD Visual, and Imprint’s Film Focus: Philip Seymour Hoffman (1999-2007) Blu-ray box set, which includes Flawless (1999), Owning Mahowny (2003), and Before the Devil Knows You’re Dead (2007) on Blu-ray.

Watch for more new disc reviews tomorrow and all this week!

Now then, the big news today is that Paramount has finally reached a deal with a group of states (led by California) seeing to block its merger with Warner Bros. Discovery, which clears the way for the merger to happen. This will prevent Paramount from leaving the state. In exchange, Paramount has agreed to establish a board of journalists to ensure the independence of CNN and CBS News, they’ve agreed to distribute 30 films per year in theaters, and they’ve agreed to spend an additional $1.5 billion on film production and increase the percentage of those films made in the US. Unfortunately, the FCC has also allowed Paramount to sell a 49.5% equity stake in the company to the sovereign wealth funds of Saudi Arabia, the United Arab Emirates, and Qatar. But at this point, it is what it is. (You can read more today on Variety, the NY Times, and Ars Technica, among many other places.) [Read on here...]

We’ve got more new disc reviews to share with you today here on The Bits, including...

Stephen’s look at Nathan Juran’s The 7th Voyage of Sinbad (1958) in 4K Ultra HD from Sony Pictures Home Entertainment.

Tim’s review of Simon McQuoid’s Mortal Kombat II (2026) in 4K Ultra HD from Warner Bros.

Stuart’s take on the Brit Noir Collection I and II collections on Blu-ray from Kino Lorber Studio Classics, as well as the Youth Gone Wild! 1950s Juvenile Delinquency box set on Blu-ray from Imprint Films.

And finally, Todd’s thoughts on Alex Chandon’s Cradle of Fear (2001) on Blu-ray from Unearthed Films, and Todd Norris’ The Paranormal (1998) and Donald Farmer’s Scream Dream (1989) both on Blu-ray from Visual Vengeance and Wild Eye.

Now then... just a couple of quick announcements to mention today...

Imprint Films has recently announced their September slate, which includes Toshiharu Ikeda’s Cursed Village in Yudono Mountains (1984) and Kunio Watanabe’s Chushingura: The Loyal 47 Ronin (1958) on Blu-ray for Imprint Asia, Ridley Scott’s G.I. Jane (1997) in 4K UHD (the wide release), Richard Attenborough’s Oh! What A Lovely War (1969), David Greene’s The Strange Affair (1968), Basil Dearden’s Only When I Larf (1968), Sidney Hayers’ All Coppers Are... (1972), and Peter Collinson’s And Then There Were None (aka Ten Little Indians) (1974) on Blu-ray, and Richard Fleischer’s Red Sonja (1985) and the Deathstalker Collection (films 1-3, 1983-2025) in 4K Ultra HD Steelbook. [Read on here...]

All right, we’ve got great release news for you here at The Bits today.

But first, we’ve got more new disc reviews to share with you. Available now for your reading enjoyment are…

My reviews of Chris Miller and Phil Lord’s Project Hail Mary (2025) in 4K UHD from Amazon MGM Studios, Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K UHD from Lionsgate Limited, Wolfgang Peterson’s Outreak (1995) in 4K UHD from Shout! Studios, and Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (that last one a joint review with Todd).

Tim’s look at Looney Tunes Cartoons: The Complete Series (2020-24) on Blu-ray from the Warner Archive Collection and Ken Hughes’ Night School (1981) in 4K UHD from Vinegar Syndrome.

Stephen’s take on Béla Ternovszky’s Cat City Collection (1986-2007) on Blu-ray from Deaf Crocodile Films and Abel Ferrera’s Body Snatchers (1993) in 4K UHD from Vinegar Syndrome.

Dennis’ look at Robert Zemeckis’ Flight (2012) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s thoughts on Mercedes the Muse’s Rise of the Super Tromettes (2025) on Blu-ray from Troma and MVD Entertainment, Alex Phillips’ Anything That Moves (2025) on Blu-ray from Vinegar Syndrome, and Vinegar Syndrome Film Archive Presents: Reviver 3 on Blu-ray.

Watch for more new disc reviews all next week from the whole team!

Now then… the big news today is that our friends at the Criterion Collection have just unveiled an extraordinary batch of new Blu-ray and 4K Ultra HD titles for November, and it’s one of their best slates in a long while. [Read on here...]

We’ve got a few more reviews for you today, and a few more great bits of announcement news to round out the week here…

First, Stuart has turned in his thoughts on Howard Zieff’s House Calls (1978) and Gilles Grangier’s Maigret Sees Red (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his take on John Binder’s UFOria (1985), also on Blu-ray from KLSC.

Now then, here’s something fun: Our friends at Vinegar Syndrome have revealed they’ve licensed Joe Dante’s Explorers (1985) from Paramount and they’ve about to release a new 4K Ultra HD edition! Limited to 8,000 units, it will ship following their next Halfway to Black Friday sale that runs from May 22nd to 25th! And in addition to legacy extras, you’ll get a 40-page book and a new 77-minute documentary on the making of the film by Elijah Drenner! [Read on here...]

Greetings, Bits readers—I hope this finds you all well!

You may have noticed that there have been very few updates here on the site this week, and also that we’ve had a lot of downtime in which the site wasn’t working or was slow to load.

There’s a reason for that, which is that we’ve been the target of relentless scaping by AI companies trying to train their LLMs. We’ve taken steps to prevent it in the past, but they don’t seem to care that when they scrape us, it causes significant disruptions for both us and you as readers. So it looks like we’re going to have to take further steps to prevent this going forward.

In the meantime, we’ve got a lot of ground to cover today, as I haven’t been able to post a news update since Monday due to these disruptions.

We’ll start with disc reviews! We’ve had a bunch for you this week, including…

My looks at Jeannot Szwarc’s Somewhere in Time (1980) in 4K from Kino Lorber Studio Classics, David Lynch’s The Straight Story (1999) in 4K from StudioCanal (a joint review with former Bits staffer Dan Kelly), Michael Crichton’s Westworld (1973) in 4K from Arrow Video, and Ted Lasso: The Richmond Way (2020-23) in 4K from Warner Bros. Home Entertainment.

Tim’s review of Lam Nai-Choi’s The Cat (1991) on Blu-ray from 88 Films.

Dennis’ take on Claude Leloch’s A Man and a Woman (1966) on Blu-ray from the Criterion Collection.

Stuart’s thoughts on Jerzy Skolimowski’s The Lightship (1985) on Blu-ray from Imprint Films and Jeffrey Dell and Roy Boulting’s Man in a Cocked Hat (1959) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen’s look at Dario Argento’s The Phantom of the Opera (1998) and Emmett Alston’s Demonwarp (1988) in 4K from Vinegar Syndrome, and Ti West’s The Innkeepers (2011) on Blu-ray from Umbrella and in 4K Ultra HD from Second Sight. Whew!

Now, let’s get to the news that’s broken since our announcement of James Cameron’s Avatar: Fire and Ash on Blu-ray and 4K on Monday… [Read on here...]

I wanted to do something a little different here at The Bits today.

This being a Friday afternoon, and with the recent passing of Robert Duvall much on my mind, I wanted to call your attention to a film that I think features one of his finest performances.

But the sad reality is, thanks to studio apathy and/or a dispute between the film’s director and distributors (as reported here back in 2019), some of you may not even be aware of it.

First though, a bit of regular site business: We’ve got three more new disc reviews for you to enjoy here at the site today, including…

Dennis’ look at Don Siegel’s The Verdict (1946) on Blu-ray from our friends at the Warner Archive Collection.

Stuart’s thoughts on Mabel Cheung’s An Autumn’s Tale (1987) on Blu-ray from Imprint Asia and Via Vision.

And finally, Tim’s review of Roy Ward Baker’s Scars of Dracula (1970) in 4K Ultra HD from Hammer Films via the good folks at Kino Lorber Studio Classics.

More reviews are on the way for next week (including one or two from yours truly), so be sure to check back for them.

All right… with that aside, let me tell you about a little gem of a film called Open Range (2003).

Based on the 1990 Western novel The Open Range Men by Lauran Paine, and featuring a screenplay by Craig Storper, this Kevin Costner-directed project was both a critical and box office success, if a modest one, and it currently holds a respectable 79% critics score on Rotten Tomatoes (with an audience rating of 84%). [Read on here...]

Cheers, Bits readers!

We’ve got one last My Two Cents update for you this week with some great new disc reviews, as well as some great new Blu-ray and 4K Ultra HD release news. Let’s hit those reviews first…

I’ve just updated our dear late friend Barrie Maxwell’s review of William Wyler’s Ben-Hur (1959) to cover Warner’s stunning new 4K Ultra HD restoration of the film, which streets next week. It’s truly one of the great classic film presentations we’ve seen on this format to date, and certainly not to be missed.

Dennis and Tim have checked in with thoughts on a pair of Agatha Christie film adaptations in 4K Ultra HD from Kino Lorber Studio Classics, including John Guillerman’s Death on the Nile (1978) and Guy Hamilton’s The Mirror Crack’d (1980).

Dennis has also reviewed Michael Winner’s The Mechanic (1972) and Antonia Bird’s Priest (1994) on Blu-ray from Kino Lorber Studio Classics and Imprint, respectively.

Tim has posted his own reviews of Alberto Cavalcanti, Charles Crichton, Basil Dearden, Robert Hamer’s Dead of Night (1945) anthology on Blu-ray from KLSC as well as Chor Yuen’s The Jade Tiger (1977) from Arrow’s Shawscope: Volume 3 Blu-ray box.

Stephen has reviewed Emma Seligman’s Bottoms (2023) on Blu-ray from KLSC.

And Stuart has taken a look at Hideo Gosha’s Gate of Flesh (1988) on Blu-ray from Toei via 88 Films.

We have lots more great 4K reviews cooking for next week as well, believe me.

Also here at The Bits today, we’ve posted an update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork with Amazon pre-order links. As always, whenever you order anything after clicking to Amazon though one of our links (like this one) you’re helping to support our work here at the site and we appreciate it!

Now then, first things first: Our retail and industry sources have informed us that Warner Bros. Discovery Home Entertainment’s much anticipated 4K Ultra HD release of the Wachowski’s Speed Racer (2008) should street on or about 5/19. So adjust your plans accordingly. Go Speed Go!

Of course, the big news today is that our friends at the Criterion Collection have just unveiled their May slate of Blu-ray and 4K titles. And any slate that includes more Kurosawa in 4K UHD is a good one. [Read on here...]

All right, this is going to be a quick post, because there’s a LOT going on in Hollywood this week—as you may have seen, and which we’ll get to in a moment—and I’m spending a lot of time today (and especially over the next few days) talking with studio and industry friends, colleagues, and sources for insight and context on all of it.

First though, we have some great new disc reviews here at The Bits for you to enjoy today, including…

Stephen’s reviews of Stanley Kubrick’s Eyes Wide Shut (1999) in 4K Ultra HD from the Criterion Collection, as well as John Woo’s The Killer (1989) in 4K Ultra HD from Shout! Factory via their HK Cinema line.

Tim’s look at Brian De Palma’s Carrie (1976) in 4K Ultra HD from Imprint Films and Via Vision Entertainment.

And Stuart’s thoughts on Kayo Hatta’s Picture Bride (1995) on Blu-ray, also from Imprint (via their Imprint Asia line) and Via Vision Entertainment.

We’ll have more new disc reviews next week, so be sure to check back for them!

Now then, the first big piece of news we want to address here today broke early last night: Netflix appears to have won a three-way bidding war (against Comcast and Paramount Skydance) to purchase Warner Bros., in a “megadeal” that’s reportedly worth nearly $83 billion. [Read on here...]

Good afternoon, Bits readers!

We’ve got a little bit of breaking 4K and Blu-ray release news for you today, but first we have a couple more new disc reviews for you as well…

Tim has taken a look at Cheng Kang’s The 14 Amazons (1972) on Blu-ray from Imprint Films via their Imprint Asia line. And he’s also reviewed that same film on Blu-ray via Arrow’s excellent Shawscope: Volume Three box set!

Meanwhile, Dennis has offered his thoughts on Leigh Jason’s The Mad Miss Manton (1938) on Blu-ray from the Warner Archive Collection.

Now then, just a quick site announcement: We’re currently running a Black Friday Week discount on all of our Digital Bits Patreon subscriptions! Using the code DB1CF when you subscribe to us on Patreon will grant to a 10% discount on the first month or first year (if you choose to subscribe annually) of your subscription. [Read on here...]