Displaying items by tag: Todd Doogan

“It was the best of times, it was the worst of times…”

We’ve got some terrific news from our friends at the Warner Archive Collection today, and you can probably guess what it is based upon the thumbnail at the left and the banner at the top of the page.

Unfortunately, we’ve also got some bad news for fans of physical media.

But we’ll get to all that in a minute. First, let’s recap a bunch of the new disc reviews the team has shared here on the site over the last several days…

Tim has offered his thoughts on Steve Oedekerk’s Ace Ventura: When Nature Calls (1995) in 4K Ultra HD from Via Vision Entertainment.

Stephen’s taken a look at Norman Jewison’s Jesus Christ Superstar (1973) in both Blu-ray and 4K Ultra HD from Kino Lorber Studio Classics, as well as Chris Huang’s Demigod: The Legend Begins (2022) on Blu-ray from Deaf Crocodile, and Martin Scorsese’s New York, New York (1977) on Blu-ray from Imprint Films.

Dennis has reviewed Jorge Dorado’s Mindscape (2013) and Philip Noyce’s Catch a Fire (2006) on Blu-ray from Kino Lorber Studio Classics, along with Philip Kaufman’s Henry & June (1990) on Blu-ray from Imprint Films.

Todd has delivered his take on Fumihiko Sori’s Ping Pong (2002) on Blu-ray from 88 Films, Mauro Bolognini’s Corruption (1963) and Grzegorz Krolikiewicz’s The Dancing Hawk (1977) on Blu-ray from Radiance Films, and David Markey’s Desperate Teenage Lovedolls (1984) and Lovedolls Superstar (1986) on Blu-ray from MVD Visual.

And finally, Stuart has delivered a look at Luchino Visconti’s Conservation Piece (1974) on Blu-ray from Raro Video and Kino Lorber, as well as Bruce Beresford’s King David (1985) on Blu-ray from Imprint Films, and Sophie Hyde’s Jimpa (2025) on Blu-ray from Kino Lorber.

As always, more new disc reviews are already cooking from the team, so be sure to keep checking back for them all week here at The Bits!

And before we continue with today’s news, our own Russell Hammond has also turned in the latest update of our Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. As you know, we’re an Amazon Affiliate, which means that whenever you order literally anything from Amazon after clicking to them from one of our links, you’re helping to support our work here at the site and we really do appreciate it.

Now then, let’s get to the news… [Read on here...]

Published in My Two Cents

We’ve got MAJOR 4K Ultra HD and Blu-ray release news to share with you today, folks!

But first, as always, let’s catch you up on the latest disc reviews from the team here…

Stephen has offered his thoughts on Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films, as well as Martin Scorsese’s New York, New York (1977) in 4K Ultra HD from the MVD Marquee Collection.

Tim has shared his take on Aaron Horvath and Michael Jelenic’s The Super Mario Bros. Movie (2023) in 4K Ultra HD from Universal and Blu-ray 3D from Turbine Media, as well as The Super Mario Galaxy Movie (2026) in 4K Ultra HD from Universal.

Todd has taken a look at Bret McCormick’s Highway to Hell (1990), Jeffrey Arsenault’s Date with a Vampire (2000), and Les Sekely’s Vampire Time Travelers (1998) on Blu-ray from Visual Vengeance and Wild Eye Releasing.

And finally, Stuart has delivered a review of Yves Boisset’s La Travestie (1988) on Blu-ray from Indicator and Powerhouse Films.

More reviews are forthcoming, so be sure to keep your eyes peeled for them!

Now then… the first big announcement today is that our friends at the Warner Archive Collection have just revealed their November/December slate of titles, and it’s frankly amazing and straight up epic! [Read on here...]

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We’ve got a few new disc reviews to start the new week off today, including…

Tim’s thoughts on Charles Lamont’s Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s look at James Ivory’s Maurice (1987) in 4K Ultra HD from the Cohen Film Collection and Kino Lorber.

Todd’s take on the 6-film After Dark: Neo-Noir Cinema – Collection Four (1990-97) on Blu-ray from Imprint Films (which includes Wild at Heart, Unlawful Entry, The Getaway, Mulholland Falls, Freeway, and City of Industry).

And Stuart’s reviews of Bertrand Blier’s Buffet froid (1979) on Blu-ray from Indicator and Jean Aurel’s Manon 70 (1968) on Blu-ray from Kino Lorber Studio Classics.

Now then… the big release news is that Sony Pictures Home Entertainment and Marvel have just officially set Destin Daniel Cretton’s Spider-Man: Brand New Day (2026) for release on Blu-ray, DVD, 4K Ultra HD Steelbook format on 12/15, with the Digital release expected next week on 10/6! [Read on here...]

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We’re closing out the week here at The Bits with more new disc reviews, and some great release news too! But as always, let’s cover those reviews first…

I’ve just shared my in-depth look at Fred M. Wilcox’s landmark science fiction classic Forbidden Planet (1956) in 4K Ultra HD from Arrow Video!

Tim has shared his take on Mario Bava’s A Bay of Blood (1971) in 4K Ultra HD from Severin Films, along with Sidney Lumet’s 12 Angry Men (1957) in 4K Ultra HD from the Criterion Collection, and Carol Reed’s The Third Man (1949) in 4K Ultra HD from Lionsgate Limited.

Todd has offered his two cents on Lo Go and Godfrey Ho’s Blu-ray double feature of Born a Ninja (1988) and Commando the Ninja (1988) from Wild Eye and Visual Vengeance.

Stuart has weighed in on Sam Wood’s Ivy (1947) on Blu-ray from Powerhouse and Indicator, as well as John Ford’s classic The Wings of Eagles (1957) on Blu-ray from the Warner Archive Collection.

And finally, Stephen has delivered his in-depth reviews of Robert Wise’s West Side Story (1961) in 4K Ultra HD from Germany’s Capelight Pictures, as well as George P. Cosmatos’s Of Unknown Origin (1983) in 4K Ultra HD from Vinegar Syndrome.

Watch for more reviews all next week!

Now then, before we get to the news, we also want to let you know that our own Russell Hammond has just updated our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links! As always, whenever you order literally anything from Amazon after clicking to them from one of our links here, you’re helping to support our work here on The Bits and we really appreciate it! [Read on here...]

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All right, we’re starting a new week with a ton of new disc reviews, including…

Tim’s look at Adam Carter Rehmeier’s Carolina Caroline (2026) on Blu-ray from Magnolia, and Imprint Asia’s Shaw-Shock: Shaw Brothers Horror Collection – Volume 1 (1976-1984) Blu-ray boxed set, featuring The Oily Maniac (1976), Seeding of a Ghost (1983), and Sex Beyond the Grave (1984).

Dennis’ take on Barry Levinson’s Wag the Dog (1997) and Ray Enright and Raoul Walsh’s Montana (1950) on Blu-ray from the Warner Archive Collection.

Stuart’s thoughts on Jorge Fons’ Jory (1973) and Alberto De Martino’s Blazing Magnum (1976) on Blu-ray from Kino Lorber Studio Classics, David Gleeson’s Once Upon a Time in Cinema (2026) on DVD from Kino Lorber, and Terence Young’s Red Sun (1971) in 4K Ultra HD from Arrow Video (a tag-team review with Tim).

And finally, Todd’s reviews of Francesco Lucente’s Starbright (2026), Paradise Bungalows (1987), and Badland (2007) all on Blu-ray from MVD Visual, and Imprint’s Film Focus: Philip Seymour Hoffman (1999-2007) Blu-ray box set, which includes Flawless (1999), Owning Mahowny (2003), and Before the Devil Knows You’re Dead (2007) on Blu-ray.

Watch for more new disc reviews tomorrow and all this week!

Now then, the big news today is that Paramount has finally reached a deal with a group of states (led by California) seeing to block its merger with Warner Bros. Discovery, which clears the way for the merger to happen. This will prevent Paramount from leaving the state. In exchange, Paramount has agreed to establish a board of journalists to ensure the independence of CNN and CBS News, they’ve agreed to distribute 30 films per year in theaters, and they’ve agreed to spend an additional $1.5 billion on film production and increase the percentage of those films made in the US. Unfortunately, the FCC has also allowed Paramount to sell a 49.5% equity stake in the company to the sovereign wealth funds of Saudi Arabia, the United Arab Emirates, and Qatar. But at this point, it is what it is. (You can read more today on Variety, the NY Times, and Ars Technica, among many other places.) [Read on here...]

Published in My Two Cents

We’ve got lots of new disc reviews for you to enjoy here at The Bits today, including…

Tim’s look at John Guillerman’s King Kong (1976) in 4K UHD from Paramount, Charles Lamont’s Abbott and Costello Meet the Mummy (1955) in 4K UHD from Kino Lorber Studio Classics, Mikael Håfström’s 1408 (2007) in 4K UHD from Via Vision, and Norman Jewison’s In the Heat of the Night (1967) in 4K UHD from Criterion.

Stuart’s thoughts on John Ford’s Sergeant Rutledge (1960) on Blu-ray from the Warner Archive Collection and the Tales of the Wild West: Collection Two Blu-ray box set from Imprint.

Dennis’ take on William Keighley’s Torrid Zone (1940) on Blu-ray from the Warner Archive Collection, Mario Caiano’s Weapons of Death (1977) on Blu-ray from Kino Lorber Studio Classics, and Bret Wood’s Hell’s Highway: The True Story of Highway Safety Films (2003) on Blu-ray from Kino Cult.

And finally, Todd’s review of Tulsi and Shyam Ramsay’s Veerana: Vengeance of the Vampire (1988) on Blu-ray from Mondo Macabro.

Stephen has been on vacation for the last week, but he’ll be back to reviewing in a few more days, and of course we have lots more reviews forthcoming from the rest of the team.

Also today here, our own Russell Hammond has posted the latest update of our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we greatly appreciate it! [Read on here...]

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We’re starting the new week, after the long holiday weekend here in the States, with more new disc reviews from The Bits’ team, including…

Tim’s thoughts on Gary Goddard’s Masters of the Universe (1987) in 4K Ultra HD from Arrow’s new Toy Robot Video sub label, as his thoughts on Kevin Reynolds’ Robin Hood: Price of Thieves (1991) in 4K UHD from Arrow Video proper.

Dennis’ look at Martin Scorsese’s Alice Doesn’t Live Here Anymore (1974) in 4K Ultra HD from the Criterion Collection (with an assist by Tim), his take on Kino Lorber Studio Classics’ Death Ship/Terror Train Double Feature DVD (1980) (again, with an assist by Tim), and Burt Kennedy’s The War Wagon (1967) on Blu-ray also from KLSC.

And Todd’s take on Paul Wendkos’ Cannon for Cordoba (1970) on Blu-ray from Imprint, Nicanor Loreti, Fabián Forte, and Luca Castello’s Portraits of the Apocalypse (2024) on DVD from Cleopatra Entertainment, and John Williams’ Watch Me Sleep (2023) on DVD from Wild Eye Releasing.

Watch for more reviews all this week!

Now then… we’ve got a couple of things to talk about today…

First, Amazon MGM Studios and Alliance Home Entertainment have officially set The Lord of the Rings: The Rings of Power – Seasons One and Two for Blu-ray, DVD, and 4K Ultra HD release on 11/3. There will also be an Amazon-exclusive Limited Edition 4K Steelbook release on 12/1. [Read on here...]

Published in My Two Cents
Published in My Two Cents

Welcome to a new week Bits readers—and nearly the start of September!

We’re kicking things off today with several new disc reviews, including…

Stephen’s look at Robert Altman’s Popeye (1980) in 4K Ultra HD from Paramount via Alliance.

Stuart’s review of Robin Davis’ Le Choc (1982) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s review of James Sweeney’s Twinless (2025) on Blu-ray from Lionsgate.

Watch for more new disc reviews all this week!

And our own Russell Hammond has updated the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. We’re an Amazon Affiliate, so whenever you order or pre-order literally anything from Amazon, you’re helping to support our work here at The Bits and we appreciate it!

Now then… we’ve finally gotten a look at Warner’s official press release for Gone with the Wind (1939) in 4K Ultra HD.

There will be three versions—a standard 4K package, a 4K Steelbook, and the Walmart-exclusive (here in the States) 4K Steelbook Collector’s Edition box set with swag. Each will be a 3-disc set containing the film in 4K Ultra HD, split over two discs, plus a Blu-ray of bonus features. No Blu-ray version is included in any of the US SKUs, but you do get a Digital code. [Read on here...]

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Afternoon, Bits readers!

We have several more new disc reviews for you today, including…

Tim’s look at Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD from Imprint Films, Roger Spottiswoode’s Terror Train (1980) in 4K UHD from Kino Lorber Studio Classics, and Jesús Franco’s She Killed in Ecstasy (1971) in 4K UHD from Severin Films.

Stuart’s thoughts on the Essential Film Noir: Collection 6 Blu-ray box set from Imprint Films.

Dennis’ take on Christian Duguay’s The Assignment (1997) on Blu-ray from Imprint and Robert Zemeckis’ Flight (2012) in 4K UHD from KL Studio Classics (with an assist by Tim).

Stephen’s look at Tobe Hooper’s Lifeforce (1985) in 4K Ultra HD from Imprint.

And finally Todd’s review of Ash Avildsen’s Queen of the Ring (2024) on Blu-ray from Kino Lorber.

I also want to let you know that we have a ton of additional reviews in the works, including some really good titles. So watch for those over the coming days and especially next week.

Now then, our friends at Arrow Video are going to announce their November slate on social media tomorrow, and I would not be at all surprised if Desmond Davis’ Clash of the Titans (1981) was among them. Arrow has SO many great titles cooking for 4K in the coming months—we can’t wait for new announcements. So keep an eye out in the morning and we’ll check back here tomorrow to fill you in on the news. [Read on here...]

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