Displaying items by tag: Powerhouse Films

We’ve got some great 4K catalog release news for you today, but first more new disc reviews are in the house! Among them are…

My take on Jon Turteltaub’s National Treasure (2004) in 4K Ultra HD Steelbook from Disney, as well as Bennett Miller’s Moneyball (2011) in 4K Ultra HD from Sony Pictures.

Tim’s review of Ben Stiller’s The Cable Guy: 30th Anniversary (1996) in 4K Steelbook from Sony Pictures, as well as Morton DaCosta’s Auntie Mame (1958) in 4K Ultra HD from the Warner Archive Collection.

Stephen’s review of Dr. Strangelove (1964) in 4K Ultra HD from Criterion’s The Complete Kubrick box set.

Stuart’s look at Lance Comfort’s The Ugly Duckling (1959) on Blu-ray from Hammer and Powerhouse Films.

Dennis’ thoughts on Danny DeVito’s Throw Momma from the Train (1987) on Blu-ray from Kino Lorber Studio Classics.

And finally, Todd’s reviews of Walter Klenhard’s Disappearance (2002) on Blu-ray from Vinegar Syndrome and Luigi Zampa’s The Monster (1977) on Blu-ray from Radiance Films.

Watch for more reviews tomorrow and all this week here at the site!

All right, the big news today is that—as we expected—Warner Clockwork and the BFI officially announced the US and UK physical media versions of Ken Russell’s The Devils (1971). These are expected to street on April 20, 2027. [Read on here...]

All right, we have a bit of a whirlwind to report here at The Digital Bits today, and I’m going to be talking about it all in detail later this afternoon for our Patreon subscribers in our next My Two Cents: A Video Blog over there. But I’ll to the short version of it all in a moment.

First, we have a bunch of new disc reviews to share with you this week, including…

Stephen’s look at Doug Liman’s Go (1999) in 4K Ultra HD from Arrow Video, and Frank Oz’s Little Shop of Horrors (1986) in 4K Ultra HD from Warner Bros.

Tim’s thoughts on Todd Durham’s Hyperspace (1984) in Blu-ray 3D from Kino Lorber Studio Classics, James Mangold’s Identity (2003) in 4K UHD from Arrow Video, Genki Kawamura’s Exit 8 (2025) in Blu-ray from Neon/Decal, and Montgomery Tully’s 36 Hours (1954) in 4K UHD from Hammer Films.

Dennis’ thoughts on Ernest Dickerson’s Bulletproof (1996) on Blu-ray from KL Studio Classics, and Charles Vidor’s Ladies in Retirement (1941) and George Cukor’s Heller in Pink Tights (1960) both on Blu-ray from Imprint Films.

Todd’s take on Vinegar Syndrome’s Reviver 4 on Blu-ray, Gus Van Sant’s Dead Man’s Wire (2025) on Blu-ray from Row K Entertainment, and André Øvredal’s Passenger (2026) on Blu-ray from Paramount.

And finally, Stuart’s reviews of Alain Resnais’ Stavisky… (1974) and Mario Bava’s Four Times That Night (1971) both on Blu-ray from Indicator and Powerhouse Films.

As always, more reviews are coming all this week, so be sure to keep checking back for them.

Now then… before we get to what may be bad news for physical media fans, we do have something good for you: There’s a really great article over on The Film Stage website wherein columnist Nick Newman interviews the film historian and archivist Michael Chaiken, who is a prolific producer of Criterion Collection special editions, about his work on The Complete Kubrick 4K box set, which finally streeted this week. [Read on here...]

We’ve got MAJOR 4K Ultra HD and Blu-ray release news to share with you today, folks!

But first, as always, let’s catch you up on the latest disc reviews from the team here…

Stephen has offered his thoughts on Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films, as well as Martin Scorsese’s New York, New York (1977) in 4K Ultra HD from the MVD Marquee Collection.

Tim has shared his take on Aaron Horvath and Michael Jelenic’s The Super Mario Bros. Movie (2023) in 4K Ultra HD from Universal and Blu-ray 3D from Turbine Media, as well as The Super Mario Galaxy Movie (2026) in 4K Ultra HD from Universal.

Todd has taken a look at Bret McCormick’s Highway to Hell (1990), Jeffrey Arsenault’s Date with a Vampire (2000), and Les Sekely’s Vampire Time Travelers (1998) on Blu-ray from Visual Vengeance and Wild Eye Releasing.

And finally, Stuart has delivered a review of Yves Boisset’s La Travestie (1988) on Blu-ray from Indicator and Powerhouse Films.

More reviews are forthcoming, so be sure to keep your eyes peeled for them!

Now then… the first big announcement today is that our friends at the Warner Archive Collection have just revealed their November/December slate of titles, and it’s frankly amazing and straight up epic! [Read on here...]

We’ve got a few new disc reviews to start the new week off today, including…

Tim’s thoughts on Charles Lamont’s Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s look at James Ivory’s Maurice (1987) in 4K Ultra HD from the Cohen Film Collection and Kino Lorber.

Todd’s take on the 6-film After Dark: Neo-Noir Cinema – Collection Four (1990-97) on Blu-ray from Imprint Films (which includes Wild at Heart, Unlawful Entry, The Getaway, Mulholland Falls, Freeway, and City of Industry).

And Stuart’s reviews of Bertrand Blier’s Buffet froid (1979) on Blu-ray from Indicator and Jean Aurel’s Manon 70 (1968) on Blu-ray from Kino Lorber Studio Classics.

Now then… the big release news is that Sony Pictures Home Entertainment and Marvel have just officially set Destin Daniel Cretton’s Spider-Man: Brand New Day (2026) for release on Blu-ray, DVD, 4K Ultra HD Steelbook format on 12/15, with the Digital release expected next week on 10/6! [Read on here...]

Welcome to a new week Bits readers—and nearly the start of September!

We’re kicking things off today with several new disc reviews, including…

Stephen’s look at Robert Altman’s Popeye (1980) in 4K Ultra HD from Paramount via Alliance.

Stuart’s review of Robin Davis’ Le Choc (1982) on Blu-ray from Kino Lorber Studio Classics.

And Todd’s review of James Sweeney’s Twinless (2025) on Blu-ray from Lionsgate.

Watch for more new disc reviews all this week!

And our own Russell Hammond has updated the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. We’re an Amazon Affiliate, so whenever you order or pre-order literally anything from Amazon, you’re helping to support our work here at The Bits and we appreciate it!

Now then… we’ve finally gotten a look at Warner’s official press release for Gone with the Wind (1939) in 4K Ultra HD.

There will be three versions—a standard 4K package, a 4K Steelbook, and the Walmart-exclusive (here in the States) 4K Steelbook Collector’s Edition box set with swag. Each will be a 3-disc set containing the film in 4K Ultra HD, split over two discs, plus a Blu-ray of bonus features. No Blu-ray version is included in any of the US SKUs, but you do get a Digital code. [Read on here...]

Afternoon, everyone! We hope you all had a great weekend, and that those of you here in the States enjoyed a great 4th of July weekend as America celebrated its 250th anniversary.

We’ve got a couple of things to share with you today, but first as always we have a few new disc reviews for you…

Stephen has turned in his thoughts on Val Guest’s Toomorrow (1970) on Blu-ray from Deaf Crocodile Films, Oliver Stone’s Talk Radio (1988) on Blu-ray from Kino Lorber Studio Classics, and Frank Henenlotter’s Frankenhooker (1990) on Blu-ray from Refuse Films.

Tim’s look at The Eurocrypt of Christopher Lee: Collection 2 Blu-ray box set from Severin Films, Rod Serling’s Night Gallery: The Complete Collection on Blu-ray from Imprint Films, Ringo Lam’s The Adventurers (1995) on Blu-ray from Eureka Entertainment, and Tobe Hooper’s The Mangler (1995) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s take on Michael Winner’s You Must Be Joking! (1965) on Blu-ray from Indicator Films.

And finally, Dennis’ reviews of Howard Zieff’s Private Benjamin (1980) and Victor Fleming’s Captains Courageous (1937) on Blu-ray from the Warner Archive Collection, as well as Robert Alan Aurthur’s The Lost Man (1969) on Blu-ray from Kino Lorber Studio Classics.

As always, lots more reviews are forthcoming, so be sure to check back for them!

Now then, the big release news today is that Kevin Costner’s Dances with Wolves: Extended Edition (1990) is premiering at the Locarno Film Festival in August (in Locarno Switzerland) in a new 4K restoration completed by the Zurich-based Cinegrell! [Read on here...]

We’ve got a big post for you here at The Bits today, and per usual we start with new disc reviews. Today, we offer…

Tim’s look at Charles Lamont’s Abbott and Costello Meet the Invisible Man (1951) in 4K Ultra HD from Kino Lorber Studio Classics and Tinto Brass’ The Key (1983) in 4K Ultra HD from Cult Epics.

Stephen’s thoughts on Vincent Ward’s What Dreams May Come (1998) and Gordon Douglas’ Them! (1954) both in 4K Ultra HD from Shout! Studios.

Todd’s take on Stefan Ruzowitzky’s Icefall (2025) on Blu-ray from Decal, Brewce Longo’s Coven of the Black Cube (2024) on Blu-ray from Blood Sick, and Michel Franco’s Dreams (2025) on Blu-ray from Greenwich and Kino Lorber.

Stuart’s look at Irving Reis’ All My Sons (1948) and John Gilling’s The Man Inside (1958) both on Blu-ray from Indicator.

And finally, Dennis’ take on Leon Prudovsky’s My Neighbor Adolf (2022) on Blu-ray from Cohen Media and Kino Lorber.

More reviews for forthcoming, as always, so be sure to keep checking back.

Now then… let’s have some recent announcement news…

First, Warner Bros. officially announced the 8/11 4K Ultra HD release of Tim Burton’s Mars Attacks! (1996) in honor of the film’s 30th anniversary. The 4K disc will include a pair of new features: Looking Back on Mars Attacks! and Ack! Ack! Aesthetic. As is already well known, because pre-orders have been open for a while now, there will be wide release and Steelbook versions [Read on here...]

We’re closing out the week here at The Bits with more new disc reviews today, including…

Stephen’s in-depth look at George A. Romero’s Day of the Dead (1985) in 4K Ultra HD from Scream and Shout! Factory.

Tim’s review of Chin-Ku Lu and Chang Cheh’s Bastard Swordsman (1983) on Blu-ray from Arrow Video’s Shawscope: Volume Three box set.

And Stuart’s take on Ken Hughes’ Jazz Boat (1960) on Blu-ray from Powerhouse Films and Indicator, as well as Ralph Thomas’ Hot Enough for June (1964) on Blu-ray from Via Vision’s Imprint Films.

More reviews are forthcoming, as always, so be sure to keep checking back!

Now then… Arrow Video’s Toy Robot Video sub-label has just revealed its September slate of Blu-ray and 4K Ultra HD titles—it’s first official announcements ever. And it’s pretty great for fans of a certain kind of deep genre titles. [Read on here...]

We’ve got more new disc reviews for you all to enjoy today, including…

Stephen’s take on Ema Tammi’s Five Nights at Freddy’s 2 (2025) in 4K Ultra HD from Universal and also Bill Plympton’s Hair High (2004) on Blu-ray from our friends at Deaf Crocodile Films.

Tim’s review of David Lynch’s Twin Peaks: Fire Walk with Me (1992) in 4K from Criterion.

Dennis’ look at Terry Jones’ Monty Python’s Life of Brian (1979) on Blu-ray from Criterion, as well as Martin Ritt’s Cross Creek (1983) on Blu-ray from Imprint Films.

And finally, Stuart’s thoughts on Raoul Walsh’s Silver River (1948) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming all this week, so be sure to keep checking back for them!

Now then… in announcement news today, Kino Lorber Studio Classics has revealed that Howard Hawks’ El Dorado (1966) is “coming soon” to 4K Ultra HD. That’s a Paramount Western featuring John Wayne, Robert Mitchum, and James Caan, featuring a screenplay co-written by Leigh Brackett (The Empire Strikes Back) and music by Nelson Riddle (the 1966 Batman). [Read on here...]

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]