Displaying items by tag: Radiance Films

We’ve got some great 4K catalog release news for you today, but first more new disc reviews are in the house! Among them are…

My take on Jon Turteltaub’s National Treasure (2004) in 4K Ultra HD Steelbook from Disney, as well as Bennett Miller’s Moneyball (2011) in 4K Ultra HD from Sony Pictures.

Tim’s review of Ben Stiller’s The Cable Guy: 30th Anniversary (1996) in 4K Steelbook from Sony Pictures, as well as Morton DaCosta’s Auntie Mame (1958) in 4K Ultra HD from the Warner Archive Collection.

Stephen’s review of Dr. Strangelove (1964) in 4K Ultra HD from Criterion’s The Complete Kubrick box set.

Stuart’s look at Lance Comfort’s The Ugly Duckling (1959) on Blu-ray from Hammer and Powerhouse Films.

Dennis’ thoughts on Danny DeVito’s Throw Momma from the Train (1987) on Blu-ray from Kino Lorber Studio Classics.

And finally, Todd’s reviews of Walter Klenhard’s Disappearance (2002) on Blu-ray from Vinegar Syndrome and Luigi Zampa’s The Monster (1977) on Blu-ray from Radiance Films.

Watch for more reviews tomorrow and all this week here at the site!

All right, the big news today is that—as we expected—Warner Clockwork and the BFI officially announced the US and UK physical media versions of Ken Russell’s The Devils (1971). These are expected to street on April 20, 2027. [Read on here...]

All right, we’ve got some good announcement news to report here today, but first as always we have a TON of new disc reviews to share with you…

I’ve turned in my looks at Victor Fleming’s Gone with the Wind (1939) in 4K UHD from Warner Bros. (with an assist by the late, great Barrie Maxwell), Robert Aldrich’s The Dirty Dozen (1967) in 4K UHD from Arrow Video, and Gore Verbinski’s Good Luck, Have Fun, Don’t Die (2025) in 4K UHD from Universal.

Stephen has begun—and is continuing—his epic in-depth reviews of all the films in Criterion’s The Complete Kubrick box set, which so far include Killer’s Kiss (1955), The Killing (1956), Paths of Glory (1957) and Spartacus (1960) in 4K Ultra HD.

And let me tell you, as someone who’s recently had the chance to compare Criterion’s 4K disc of 2001: A Space Odyssey (which features encoding by the great David Mackenzie of Fidelity in Motion) to Warner’s 4K release, there’s definitely an upgrade here.

Tim’s offered his take on W. Lee Wilder’s The Snow Creature (1954) on Blu-ray from Vinegar Syndrome, Sébastien Vaniček’s Evil Dead Burn (2026) and Neil Jordan’s Interview with the Vampire (1994) in 4K UHD from Warner Bros., and Jonathan Demme’s The Silence of the Lambs (1991) in 4K UHD from Criterion.

Dennis’ has delivered his thoughts on John Huston’s We Were Strangers (1949) on Blu-ray from Imprint Films and John Guillerman’s Death on the Nile (1978) on Blu-ray from Kino Lorber Studio Classics (with an assist by Tim).

And Todd have taken a look at Ting Shan-His’s Blood Reincarnation (1974) and Julie Pacino’s I Live Here Now (2025) both on Blu-ray from Vinegar Syndrome, as well as Chris Noonan’s Babe (1995) and George Miller’s Babe: Pig in the City (1998) on Blu-ray from Kino Lorber Studio Classics.

More reviews are definitely forthcoming, including additional titles from Stephen’s exploration of The Complete Kubrick box, my joint review of Akira Kurosawa’s Stray Dog (1949) in 4K UHD from Criterion with Todd Doogan, and more. So be sure to keep checking back. [Read on here...]

We’re starting today with three more new disc reviews here at The Bits, including…

Tim’s thoughts on Richard Fleischer’s Soylent Green (1973) in 4K Ultra HD from Arrow Video, as well as Teruo Ishii’s Bohachi Bushido: Code of the Forgotten Eight (1973) in 4K Ultra HD from Mondo Macabro.

And Stuart’s look at Kon Ichikawa’s Ten Women in Black (1961) on Blu-ray from Daiei via Radiance Films in the UK.

As always, watch for more reviews soon!

Now then… the big news announcement today is that Universal Pictures Home Entertainment has officially set Christopher Nolan’s The Odyssey (2026) for release on Blu-ray, DVD, 4K Ultra HD, 4K Steelbook, 4K Limited Edition Giftset, and Digital on 11/17. As expected, the film will be presented in a 1.78:1 aspect ratio that maximizes the IMAX experience for the home entertainment environment.

The 4K package will be a 3-disc set including the film in 4K and Blu-ray, as well as a Blu-ray bonus disc. The Odyssey will be included in 4K on a 100GB disc with HDR10 high dynamic range and audio in 5.1 English DTS-HD Master Audio format, as well as French Canadian and Latin American Spanish each in 5.1 DTS. Subtitles will be available in English, French Canadian, and Latin American Spanish.

Nolan has personally curated what is essentially a 12-part, behind-the-scenes Blu-ray documentary on the making of the film that includes Plotting a Course, Icons, The Widest Window, On Location, The Horse, The Fall of Troy, Ithaca, Battle Ready, Apparent Magic, The Sea People, The Score, and Bringing It Home.[Read on here...]

“It was the best of times, it was the worst of times…”

We’ve got some terrific news from our friends at the Warner Archive Collection today, and you can probably guess what it is based upon the thumbnail at the left and the banner at the top of the page.

Unfortunately, we’ve also got some bad news for fans of physical media.

But we’ll get to all that in a minute. First, let’s recap a bunch of the new disc reviews the team has shared here on the site over the last several days…

Tim has offered his thoughts on Steve Oedekerk’s Ace Ventura: When Nature Calls (1995) in 4K Ultra HD from Via Vision Entertainment.

Stephen’s taken a look at Norman Jewison’s Jesus Christ Superstar (1973) in both Blu-ray and 4K Ultra HD from Kino Lorber Studio Classics, as well as Chris Huang’s Demigod: The Legend Begins (2022) on Blu-ray from Deaf Crocodile, and Martin Scorsese’s New York, New York (1977) on Blu-ray from Imprint Films.

Dennis has reviewed Jorge Dorado’s Mindscape (2013) and Philip Noyce’s Catch a Fire (2006) on Blu-ray from Kino Lorber Studio Classics, along with Philip Kaufman’s Henry & June (1990) on Blu-ray from Imprint Films.

Todd has delivered his take on Fumihiko Sori’s Ping Pong (2002) on Blu-ray from 88 Films, Mauro Bolognini’s Corruption (1963) and Grzegorz Krolikiewicz’s The Dancing Hawk (1977) on Blu-ray from Radiance Films, and David Markey’s Desperate Teenage Lovedolls (1984) and Lovedolls Superstar (1986) on Blu-ray from MVD Visual.

And finally, Stuart has delivered a look at Luchino Visconti’s Conservation Piece (1974) on Blu-ray from Raro Video and Kino Lorber, as well as Bruce Beresford’s King David (1985) on Blu-ray from Imprint Films, and Sophie Hyde’s Jimpa (2025) on Blu-ray from Kino Lorber.

As always, more new disc reviews are already cooking from the team, so be sure to keep checking back for them all week here at The Bits!

And before we continue with today’s news, our own Russell Hammond has also turned in the latest update of our Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. As you know, we’re an Amazon Affiliate, which means that whenever you order literally anything from Amazon after clicking to them from one of our links, you’re helping to support our work here at the site and we really do appreciate it.

Now then, let’s get to the news… [Read on here...]

All right, we’re slowly getting back up to speed here at The Bits this week. The site itself seems be working well at the moment, which is good. (Knock wood.) And I’m getting back into the swings of things here as site editor after visiting family.

The whole Bits team’s working on more Blu-ray and 4K reviews, and I myself have spent the last two days working on a few myself. To that end…

I’ve just posted my reviews of John Carney’s Sing Street: 10th Anniversary Edition (2016) in 4K Ultra HD from Lionsgate Limited, as well as Phil Lord and Chris Miller’s Project Hail Mary (2026) in 4K Ultra HD from Amazon MGM Studios and Alliance Entertainment.

Tim has turned in his thoughts on Robert Z. Leonard’s The Cardboard Lover (1928) on Blu-ray from Undercrank Productions.

Stephen’s taken a look at Tim Burton’s Mars Attacks! (1996) in 4K Ultra HD Steelbook from Warner Bros. Discovery Home Entertainment.

Dennis has shared his take on Phil Karlson’s Framed (1975) on Blu-ray from Imprint Films.

Stuart has delivered reviews of Jean Becker’s A Man Named Rocca (1961) on Blu-ray from Kino Lorber Studio Classics.

And Todd has offered his thoughts on Shūji Terayama’s The Boxer (1977) on Blu-ray from Radiance, as well as Aleshea Harris’s Is God Is (2026) on Blu-ray from Amazon MGM and Alliance.

What’s more, I’ve had the chance to complete a few additional reviews as well, so you can look forward to my thoughts on Quentin Tarantino’s Kill Bill: The Whole Bloody Affair (2004) in 4K Ultra HD from Lionsgate Limited tomorrow, as well as Akira Kurosawa’s Madadayo (1993) on Blu-ray from Imprint Asia (a joint review with Todd) on Thursday.

And more reviews are definitely forthcoming from the whole team.

Now then… I wanted to say a few humble but important words today about the new challenges we’re dealing with here at The Digital Bits—challenges sadly now occupying almost everyone who runs a physical media website these days. [Read on here...]

Morning, folks!

I’ve got some good Lionsgate news for you today. But first as always, we have more new disc reviews for you to enjoy, including…

Stephen’s look at Albert Pyun’s The Sword and the Sorcerer (1982) and John Woo’s Hard Boiled (1992) in 4K Ultra HD from Imprint, and Damiano Damiani’s Confessions of a Police Captain (1971) on Blu-ray from Radiance.

Tim’s review of James Melkonian’s The Stoned Age (1994) on Blu-ray from the Vestron Video Collector’s Series via Lionsgate Limited, Cesare Canevari’s A Hyena in the Safe (1968) on Blu-ray from Celluloid Dreams, and Norman Jewison’s In the Heat of the Night (1967) in 4K from Imprint.

Todd’s thoughts on Alex Russell’s Lurker (2025) on Blu-ray from Mubi, Urška Djukić’s Little Trouble Girls (2025) on Blu-ray from Kino Lorber, and Zak Hilditch’s We Bury the Dead (2024) on Blu-ray from Vertical Entertainment, Kansas Bowling’s Cuddly Toys (2022) on Blu-ray from Vinegar Syndrome, and Vinegar Syndrome Film Archive Presents: Reviver 2 on Blu-ray.

And finally, Stuart’s look at Ralph Thomas’ Some Girls Do (1969) on Blu-ray from Imprint and Louis Soulanes, Léonard Keigel, Robert Enrico, and Serge Moati’s Ténèbres Françaises (1970-77) on Blu-ray from Vinegar Syndrome.

More reviews are on the way all this week, so be sure to keep your eyes peeled for them!

Now then… as promised, we have the complete list of 245 titles that are hitting Movies Anywhere tomorrow, on Tuesday (June 9)!

The thing to know is that if you’ve redeemed codes for any of these films previously from Lionsgate 4K or Blu-ray titles, they should start appearing in your MA library shortly.

And the way it’s going to work thereafter, is that every month new titles will follow (including a 100 more titles in July, which we’ll share with you next month). [Read on here...]

Good afternoon, disc fans!

After yesterday’s big release news of Kill Bill: The Whole Bloody Affair in 4K from Lionsgate, it’s time to start catching up on news that dropped while we were grappling with our AI bot-scraping issue.

To start with today, we’ve got a number of new disc reviews to share with you, and—on that very note—we also have a nice surprise announcement as well…

Our old friend Todd Doogan is returning to The Digital Bits as a review contributor!

Longtime Bits readers will know that Doogan was a founding member of The Bits team, not only reviewing DVD and Blu-ray discs here for many years, but also writing his own Doogan’s Views and Gripe Soda columns here at the site.

Since we have so many great disc releases that need covering, Doogan has offered to revive Doogan’s Views as a new “quick” review format—these will feature the Doogan’s Views banner at the top of the review. And while the reviews won’t be as detailed as our regular review work, they’ll include enough information to highlight discs worth your attention and help you make buying decisions. These are the kinds of titles that would otherwise fall through the cracks, but that deserve some love from fans—indie and boutique deep cuts, genre oddballs, and more.

Todd’s first new Doogan’s Views reviews this afternoon include Chris Stuckmann’s Shelby Oaks (2025) on Blu-ray from Decal Releasing and Johannes Roberts’ Primate (2025) on Blu-ray from Paramount via Alliance.

We’re all thrilled here to have Todd on The Bits team again, and I’m personally very happy to have my friend calling videodisc balls and strikes once more as only he can.

So welcome back, Todd, and watch for more Doogan’s Views reviews in the days and weeks ahead!

Meanwhile today, we have a bunch of new disc reviews from the rest of The Bits review team too, including... [Read on here...]

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]

We start today with two new disc reviews for you to enjoy, including…

Stephen’s look at Richard Rush’s The Stunt Man (1980) in a great limited edition 4K Ultra HD release from Radiance Films.

And Tim’s thoughts on Arrow Video’s excellent 4K Ultra HD release of New Line’s Teenage Mutant Ninja Turtles Trilogy (1990-93).

More reviews are on the way, so be sure to keep checking back for them!

Also today, we’ve just uploaded our own Russell Hammond’s latest update of the Release Dates & Cover Artwork section here at The Bits, featuring new Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links.

As always, whenever you order literally anything from Amazon after clicking to them through one of our affiliate links (like this one), you’re helping to support our work here at The Bits and we really do appreciate it.

Now then… our friends at the Warner Archive Collection have just revealed their terrific April slate of Blu-ray catalog titles, and it includes a great new 4K title as well! [Read on here...]

This has been a very busy week here at The Bits, tracking upcoming titles, talking with industry sources, and the like, thus the lack of posts.

But we’ve definitely got both new disc reviews for you today as well as some release news worth sharing. Let’s start with the latter first.

Today we’ve got…

Tim’s reviews of Chor Yuen’s The Sentimental Swordsman (1977) on Blu-ray from Arrow’s Shawscope: Volume Three box set, Severin Films’ Saga Erotica: The Emmanuelle Collection in 4K Ultra HD, and Michael Curtiz’s Captain Blood (1935) in 4K Ultra HD from Criterion.

Stephen’s reviews of Jean-Jacques Annaud’s Quest for Fire (1981) on Blu-ray from Umbrella Entertainment, Dario Argento’s Sleepless (2001) in 4K UHD from Vinegar Syndrome, Michael Cacoyannis’ Iphigenia (1977) on Blu-ray from Radiance Films, Corey Yuen’s She Shoots Straight (1990) on Blu-ray from 88 Films, and John Woo’s Once a Thief (1991) in 4K from Shout’s HK Cinema Classics line.

And Dennis’ take on Raoul Walsh’s Manpower (1941) and David Butler’s By the Light of the Silvery Moon (1953) both on Blu-ray from the Warner Archive Collection.

Now then… before we get started on news today, I’m going to be joining my friend Tim Millard on his next The Extras podcast to talk about the latest developments in the ongoing Paramount/Skydance, Warner Bros., Netflix saga. Looks like we’re going to be recording the episode this weekend, so be sure to check Tim’s social media for news on the episode drop, and I’ll share the details on my own as well when I have them. [Read on here...]