Displaying items by tag: Paramount Home Entertainment

We’re starting this week with a trio of new disc reviews, including...

Stuart’s looks at Bob Kellett’s Are You Being Served? (1977) and Zoltán Korda’s Cry, the Beloved Country (1951) both on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Howard Hawks’ Scarface (1932) in 4K Ultra HD from the Criterion Collection.

Rest assured, more new disc reviews are on the way this week, so be sure to check back for them.

I also wanted to let you all know that I just posted an hour-long My Two Cents: A Video Blog update on our Digital Bits Patreon page on Saturday, in which I talked at length about the release of Tombstone and Barry Lyndon in 4K, as well as a lot of other exciting forthcoming 4K catalog titles, not to mention the State of the Home Entertainment Industry in 2025 as compared to the so-called Golden Age of Discs in the late 1990s and early 2000s.

I think you’ll really enjoy it, and supporting The Digital Bits via Patreon is a great way to help ensure that we can keep bringing you all great industry coverage here on the site. Do keep in mind that since we’ve been covering this industry since the very beginning of the DVD format back in 1997, nobody has better connections, sources, and knowledge of this industry that we do here on The Bits. So thank you all very much for reading and for your support! [Read on here...]

We’ve got SIX more new disc reviews for you all to enjoy today, including...

Dennis’ reviews of Stanley Donen’s Arabesque (1966) in 4K Ultra HD and Dick Powell’s The Conqueror (1956) on Blu-ray, both from Kino Lorber Studio Classics, as well as Ryan Kruger’s Street Trash (2024) on Blu-ray from Vinegar Syndrome, and Jonathan Mostow’s Breakdown (1997) in 4K Ultra HD from Paramount Home Entertainment (the 4K reviews with an A/V assist by Tim).

And Tim’s reviews of the third title in Arrow Video’s Shawscope: Volume Two Blu-ray box set—Disciples of the 36th Chamber (1985)—and also Bob Clark’s Murder by Decree (1979) in 4K Ultra HD from Kino Lorber Studio Classics.

Speaking of Arrow Video, the company has just announced its June slate of Blu-ray and 4K titles, which includes Rowdy Herrington’s Road House (1989) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/2, Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/9, Dominic Sena’s Swordfish (2001) on 4K UHD + Blu-ray (in the UK, US, and Canada) on 6/9, Peter Weir’s Witness (1985) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/16, and Alex Proyas’ Dark City (1998) on Blu-ray and 4K UHD + Blu-ray (in the UK, US, and Canada), Yoshiyuki Kuroda’s The Invisible Swordsman (1970) on Blu-ray (in the UK, US, and Canada), and Sergio Leone’s The Good, the Bad, and the Ugly (1966) on Blu-ray and 4K UHD + Blu-ray (in the UK only) all on 6/23. [Read on here...]

We’ve got a new disc review for you all to enjoy today, as well as a much of good announcement news. First the review...

Stephen has taken a look at William Friedkin’s Cruising (1980) in 4K Ultra HD from Arrow Video.

And we’ve posted our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at the site and we really appreciate it!

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has officially set the Clint Eastwood films Dirty Harry (1971), The Outlaw Josey Wales (1976), and Pale Rider (1985) for 4K Ultra HD, 4K Steelbook, and Digital release on 4/29 (a slight change from the 4/15 date listed previously on retail sites). Not as if everyone didn’t already know, but the studio’s press release has just confirmed it. As expected, all three will feature Dolby Atmos audio mixes and HDR10 high dynamic range.

In terms of special features, Dirty Harry (1971) will include two new featurettes (Generations and Dirty Harry and Lensing Justice: The Cinematography of Dirty Harry) as well as the following legacy features: Audio Commentary by Richard Schickel, five featurettes (American Masters Career Retrospective: Clint Eastwood: Out of the Shadows, Clint Eastwood: The Man from Malpaso, Clint Eastwood: A Cinematic Legacy – Fighting for Justice, Dirty Harry’s Way, and Dirty Harry: The Original), and an Interview Gallery (featuring Patricia Clarkson, Joel Cox, Clint Eastwood, Hal Holbrook, Evan Kim, John Milius, Ted Post, Andy Robinson, Arnold Schwarzenegger, and Robert Urich).

The Outlaw Josey Wales (1976) will include two new featurettes as well (An Outlaw and an Antihero and The Cinematography of an Outlaw: Crafting Josie Wales) plus the following legacy features: Audio Commentary by Richard Schickel and four featurettes (Clint Eastwood’s West, Eastwood in Action, Hell Hath No Fury: The Making of The Outlaw Josie Wales, and Clint Eastwood: A Cinematic Legacy – Reinventing the West).

And finally, Pale Rider (1985) will include two new featurettes (The Diary of Sydney Penny: Lessons from the Set and Painting the Preacher: Bruce Surtees and Pale Rider) plus three legacy ones (Clint Eastwood: A Cinematic Legacy – Reinventing Westerns, Eastwood Directs: The Untold Story, and The Eastwood Factor). You can see the cover artwork above left and also below the break. [Read on here...]

We’ve got a bunch of new disc reviews up this week for your reading enjoyment here at The Bits, including...

My thoughts on Milos Forman’s Amadeus: Theatrical Cut (1984) in 4K Ultra HD from Warner Bros. as well as Ridley Scott’s Gladiator II (2024) in 4K Ultra HD from Paramount.

Tim’s reviews of Alfred Sole’s Alice, Sweet Alice (1976) and Robert Rodriguez’s The Mexico Trilogy (1992-2003) in 4K Ultra HD from Arrow Video, as well as The Project A Collection (1983-87) in 4K UHD from 88 Films.

Dennis’ looks at Dick Lowry’s Last Stand at Saber River (1997) on Blu-ray from the Warner Archive Collection and Melville Shavelson’s Houseboat (1958) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Gregory La Cava’s Gabriel Over the White House (1933) on Blu-ray from the Warner Archive Collection.

And finally, Sam Cohen’s take on Gillian Armstrong’s Little Women (1994) in 4K Ultra HD from Sony Pictures Home Entertainment. [Editor’s Note: There is apparently an audio issue with this disc that’s described in the review. Sony is aware of the problem and investigating. We’ll report back here once they figure it out and launch a disc replacement program.]

There aren’t a lot of new announcements to report today, but Kino Lorber Studio Classics has set Gary Sherman’s Vice Squad (1982) for 4K Ultra HD release on 5/13. [Read on here...]

We’re starting the week here at The Bits with three new disc reviews today, including...

Stephen’s look at André Øvredal’s The Last Voyage of the Demeter (2023) in 4K Ultra HD from Shout! and Scream Factory.

Stuart’s thoughts on The Alaskans: The Complete Series (1959-60) on Blu-ray from the Warner Archive Collection.

And Dennis’ take on Vincent Sherman’s Nora Prentiss (1947) also on Blu-ray from the Warner Archive Collection.

More reviews will follow each day this week, so be sure to stay tuned for them!

Now then, in terms of announcements this afternoon, the big news is that Paramount has just set Michael Gracey’s Better Man (2024) for 4K Ultra HD + Blu-ray and DVD release on 5/13, with the Digital due to become available tomorrow, 2/11. Extras will include a pair of behind the scenes featurettes, including (Let Me Entertain You: The Making of Better Man and Monkey Business: The VFX). [Read on here...]

Our new disc review for today is none other than Stephen’s look at Wolfgang Petersen’s The NeverEnding Story (1984) in a terrific new 4K Ultra HD Limited Edition box set from our friends at Via Vision’s Imprint Films label. The 5-disc set has been released to honor the film’s 40th anniversary and includes multiple cuts of the film plus the 2024 Life After The NeverEnding Story documentary. And it comes in a package that replicates the book as seen in the film. It’s pretty special, so do give Stephen’s thoughts a look here.

Now then... the big news today is that Severn Films has just announced the Blu-ray and 4K Ultra HD release of two more classic Russ Meyer films, including Motorpsycho (1965) and Up! (1976). Pre-orders start today, with the street date set for 4/29. Each has been scanned from the original camera negatives. Look for HDR10 on the 4K discs with mono audio, plus new and archival special features that include audio commentaries and more.

Shout! Factory has begun announcing its April slate, which will include Chris McKay’s Renfield (2023) in 4K Ultra HD, Paul Briganti’s Please Don’t Destroy: The Treasure of Foggy Mountain (2023) on Blu-ray, and Mamoru Hosoda’s Summer Wars (2000) on both Blu-ray and 4K Steelbook (the latter for GKids) on 4/1, followed by Carol Frank’s Sorority House Massacre (1986) on 4K + BD on 4/8, Craig Zobel’s The Hunt (2020) on 4K on 4/22, and Peter Hyams’ Timecop (1994) on 4K + Blu-ray on 4/29. [Read on here...]

Afternoon, friends! We have three new disc reviews for you today, including...

Stephen’s look at Ramón Menéndez’s Stand and Deliver (1988) on Blu-ray from the Warner Archive Collection.

An update of our old friend Todd Doogan’s 2010 Blu-ray review of Akira Kurosawa’s Yojimbo (1961) and Sanjuro (1962) by Tim Salmons, to cover the Criterion Collection’s new 4K Ultra HD release.

And finally today, Dennis’ look at Anand Tucker’s The Critic (2023) on good old fashioned DVD from Greenwich Entertainment and Kino Lorber.

In terms of announcement news this afternoon, the big news is that HBO has made its planned 4K Ultra HD Steelbook Limited Edition re-release of The Last of Us: The Complete First Season official for 3/18, in anticipation of the debut of Season Two on Max in April.

Also, the A24 shop is releasing an exclusive Blu-ray version of Greg Kwedar’s Sing Sing (2023) with an expected street date TBA for March. You can pre-order it here. The disc will include audio commentary with the director, producer, editor, and cinematographer, 2 featurettes (Trust the Process and Sing Sing Correctional Facility Premiere), deleted scenes, and a gallery of behind-the-scenes photography by Greg Kwedar, Dominic León, Daniel Order, and Pat Scola. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

Good evening, friends! We’ve got three new disc reviews for you today, including...

Dennis’ look at Michael Gordon’s For Love or Money (1963) on Blu-ray.

Stuart’s review of Otto Preminger’s The Court-Martial Billy Mitchell (1955) on Blu-ray.

And Tim’s thoughts on Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray.

All of them are newly released by our friends at Kino Lorber Studio Classics.

Speaking of Kino Lorber Studio Classics, the company has just announced that Miguel Sapochnik’s Repo Men (2010) and Tomas Alfredson’s The Snowman (2017) are both coming soon in 4K Ultra HD. And they’ve also set Patrice Leconte’s Half a Chance (1998) will arrive on Blu-ray on 3/18. [Read on here...]

We have a lot of ground to cover today to close out the first partial week of 2025, starting with more new disc reviews...

First up, Tim has taken a look at Russ Meyer’s Vixen! (1968) in 4K Ultra HD from the good folks at Severn Films, and he’s also reviewed Marco Brambilla’s Demolition Man (1993) in 4K from Arrow Video.

Dennis has turned in his thoughts on Alan Crosland’s The Beloved Rogue (1927) on Blu-ray from Kino Classics.

Stuart has checked in with his take on Ted Hooker, Jack Cardiff, and Freddie Francis’ Cruel Britannia (1971-1974) on Blu-ray from Vinegar Syndrome, as well as Kinji Fukasaku’s The Threat (1966) on Blu-ray from Arrow Video, and Jules Dassin’s Topkapi (1964) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen has offered his reviews of Corey Yuwn’s Yes, Madam! (aka In the Line of Duty II) (1985) and Arthur Wong and Brandy Yuen’s In the Line of Duty III (1988) each on Blu-ray from 88 Films, as well as Michael Schaack’s animated but rarely-seen classic Felidae (1994) in 4K Ultra HD from Deaf Crocodile Films.

As always, more reviews are on the way next week, so be sure to keep your eyes peeled for them.

Now then, we have a bunch of release news and official title announcements to share with you today, so let’s dive right in...

First, Universal Studios Home Entertainment has officially set Jon M. Chu’s Wicked: Part One (2024) for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release on 2/4. The 4K disc will feature Dolby Vision HDR and Dolby Atmos audio, and all the SKUs will include over an hour of bonus features, including deleted and extended scenes, audio commentary with the director, a second audio commentary with stars Cynthia Ervio and Ariana Grande, the Making Wicked documentary, and a sing-along viewing option for the film. You can see the final cover artwork at left and also below the break. [Read on here...]