Displaying items by tag: My Two Cents: A Video Blog on Patreon

We’ve got one new disc review for you to enjoy here at The Bits today...

Tim has updated Barrie Maxwell’s 2011 Criterion Blu-ray review of Jean-Pierre Melville’s Le cercle rouge (1970) to reflect the company’s more recent 4K Ultra HD release. As long time Bits readers will know, Barrie was our dear friend and a classic cinema expert who wrote reviews and a Classic Coming Attractions column here at the site for many years. Barrie sadly passed away back in 2012. We can’t think of a better way to honor his memory than to ensure that his writing continues to find new audiences. So enjoy the review!

The big release news today is that our friends at the Warner Archive Collection have just announced their May catalog release slate, which includes not only great Blu-ray titles but also WAC’s next 4K Ultra HD release! That 4K title is none other than Charles Walters’ classic High Society (1956), starring Bing Crosby, Grace Kelly, Frank Sinatra, and Louis Armstrong!

The film has been remastered from new 13.5K scans of the original VistaVision negative. The 4K disc will include Dolby Vision HDR on a 100GB disc, with disc authoring and compression by Fidelity in Motion. The remastered film will also be included in the package on Blu-ray, a BD-50. [Read on here...]

We have three more new disc reviews for you all to enjoy today, including...

Stuart’s look at John M. Stahl’s When Tomorrow Comes (1939) on Region-B Blu-ray from Powerhouse Films and Indicator.

Tim’s review of Jack Arnold’s The Glass Web (1953) on Blu-ray 3D from Kino Lorber Studio Classics, with an assist by our friends at the 3-D Film Archive.

And Stephen’s thoughts on Renny Harlin’s The Long Kiss Goodnight (1996) in 4K Ultra HD from the good folks at Arrow Video.

More reviews are on the way this week, so be sure to watch for them!

Now then, I’ve also posted a new Patreon blog entry asking the question: Why Aren’t More 4K Ultra HD Titles Released on 100GB Discs? And the reason might surprise you! You’ll find that here for our subscribers on The Bits’ Patreon page. Keep in mind, we have great and very affordable options for subscribing, and we have big plans for expanding our coverage of 4K, Blu-ray, and DVD there in addition to everything we do here on the website. And as I mentioned yesterday, it’s a great way to help support our work here at The Bits and we really appreciate it very much. [Read on here...]

We’re starting this week with a trio of new disc reviews, including...

Stuart’s looks at Bob Kellett’s Are You Being Served? (1977) and Zoltán Korda’s Cry, the Beloved Country (1951) both on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Howard Hawks’ Scarface (1932) in 4K Ultra HD from the Criterion Collection.

Rest assured, more new disc reviews are on the way this week, so be sure to check back for them.

I also wanted to let you all know that I just posted an hour-long My Two Cents: A Video Blog update on our Digital Bits Patreon page on Saturday, in which I talked at length about the release of Tombstone and Barry Lyndon in 4K, as well as a lot of other exciting forthcoming 4K catalog titles, not to mention the State of the Home Entertainment Industry in 2025 as compared to the so-called Golden Age of Discs in the late 1990s and early 2000s.

I think you’ll really enjoy it, and supporting The Digital Bits via Patreon is a great way to help ensure that we can keep bringing you all great industry coverage here on the site. Do keep in mind that since we’ve been covering this industry since the very beginning of the DVD format back in 1997, nobody has better connections, sources, and knowledge of this industry that we do here on The Bits. So thank you all very much for reading and for your support! [Read on here...]

We’ve got more new disc reviews for you today here at The Bits and some great release news as well to close out the week. So let’s get right into it...

First up, I’ve posted my review of James Cameron’s The Terminator (1984) in 4K Ultra HD from MGM and Warner Bros. It’s the best AI remaster yet from Lightstorm and Park Road Post, not to mention one that I think is going to pleasantly surprise a lot of people. (Hint: There’s grain.) BTW, I’m also working on my review of Alfred Hitchcock’s North by Northwest (1959) in 4K, which I expect to share over the next 24 hours or so, so be sure to keep checking back. And Mel Brooks’ Blazing Saddles (1974) will follow shortly after that.

Tim has turned in his thoughts of Alexandre Aja’s Crawl (2019) in 4K UHD from the Paramount Scares: Volume 1 box set. He’s also taken a look at Lindsay Shonteff’s The Million Eyes of Sumuru (1967) in 4K from Blue Underground. And he’s reviewed Monk: Season One (2002) on Blu-ray from Kino Lorber Studio Classics as well today.

Stephen has taken a look at Elia Kazan’s On the Waterfront (1954) in 4K UHD from the new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Sam has given Philippe Mora’s Howling II: Your Sister Is a Werewolf (1985) and Chih-Hung Kuei’s Corpse Mania (1981) a look in 4K UHD from Vinegar Syndrome.

And finally, Stuart has offered his take on John “Bud” Cardos’ Kingdom of the Spiders (1977) on Blu-ray from Kino Cult, as well as Fritz Lang’s You and Me (1938) on Region B Blu-ray from Powerhouse Films’ Indicator label. [Read on here...]