Displaying items by tag: Warner Bros Discovery Home Entertainment

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]

We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.

All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.

Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).

Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.

And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.

As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.

Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]

Good evening, friends! We’ve got three new disc reviews for you today, including...

Dennis’ look at Michael Gordon’s For Love or Money (1963) on Blu-ray.

Stuart’s review of Otto Preminger’s The Court-Martial Billy Mitchell (1955) on Blu-ray.

And Tim’s thoughts on Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray.

All of them are newly released by our friends at Kino Lorber Studio Classics.

Speaking of Kino Lorber Studio Classics, the company has just announced that Miguel Sapochnik’s Repo Men (2010) and Tomas Alfredson’s The Snowman (2017) are both coming soon in 4K Ultra HD. And they’ve also set Patrice Leconte’s Half a Chance (1998) will arrive on Blu-ray on 3/18. [Read on here...]

We’ve got a couple of good things to share with you today, starting with new discs reviews. Among them are…

My look at John Ford’s legendary Western classic The Searchers (1956) in 4K Ultra HD from the Warner Archive, an absolutely stunning title that I think deserves to be considered the 4K Disc of the Year.

Stephen’s review of Sydney Pollack’s Tootsie (1982) in 4K Ultra HD from Sony via their excellent Columbia Classics: Volume 5 box set, as well as David Chung’s Royal Warriors (1986) on Blu-ray from 88 Films.

And Dennis’ review of Buster Keaton’s Seven Chances (1925) and Sherlock Jr. (1924) on Blu-ray from Kino Classics.

All three are well worth a look, and we’re going to have more new disc reviews here on Wednesday.

Also today, our own Michael Coate has just shared a new History, Legacy & Showmanship column today featuring film historian and author Nat Segaloff as they celebrate the 50th anniversary of John Guillermin’s The Towering Inferno (1974). It’s a short read, but still well worth your time. [Read on here...]

All right, we have just a few final items of business to cover on this short Christmas week...

First, I’ve just posted my in-depth review of Paramount’s stunning new 70th anniversary edition of Michael Curtiz’s White Christmas (1954) in 4K Ultra HD.

The very first VistaVision film ever has been fully restored from the original camera negative and it’s simply gorgeous. It’s a holiday classic that stars Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen, and it’s well worth a look on 4K disc for cinephiles.

Also, in a bit of release news today, our friends over at Kino Lorber Studio Classics have revealed that Penelope Spheeris’ Black Sheep (1996), starring Chris Farley and David Spade, is set for release on 4K Ultra HD on 3/25. [Read on here...]

We’ve got another long-awaited 4K catalog announcement for you today, as well as more new disc reviews including...

Tim’s take on Tim Burton’s Beetlejuice Beetlejuice (2024) in 4K Ultra HD and 4K Steelbook from Warner Bros. Discovery Home Entertainment.

And my thoughts on Deborah Chow’s Obi-Wan Kenobi: The Complete Series (2023) in 4K UHD Steelbook from Disney and Lucasfilm via Buena Vista Home Entertainment (a pre-Sony release).

Now then... we’ve also updated our 4K Ultra HD Release List here at the site with new titles, and our Release Dates and Artwork section with all the latest Blu-ray, DVD, and 4K UHD cover artwork and Amazon.com pre-order links. Don’t forget that whenever you order anything from Amazon after clicking to them through one of our links (like this one) you’re helping to support our work here at the site and we appreciate it!

Now then, the big release news today is that Warner Bros. Discovery Home Entertainment has just officially announced a 4K title we first told you has been in the works since 2021. And though it was delayed by developments around the planned sequel (which is now expected to start shooting in 2025), we can finally report that Francis Lawrence’s Constantine (2005) is officially coming to 4K Ultra HD and 4K Digital on 2/18! [Read on here...]

Afternoon, everyone! We’ve got a bunch of good release news to report today, but first we have a trio of new disc reviews to share with you, including...

My take on Chris Sanders’ stunning The Wild Robot (2024) in 4K Ultra HD from DreamWorks Animation.

Stephen’s look at the Disney+ streaming series Hawkeye: The Complete First Season (2021) in 4K Ultra HD Steelbook from Marvel.

And Tim’s review of Lau Kar-leung’s Return to the 36th Chamber (1980) on Blu-ray from Arrow’s excellent Shawscope: Volume Two box set.

Also, just to let you guys know, we have a ton of disc reviews in the works for the coming weeks. I myself have just spent the entire weekend reviewing disc, including The Wild Robot (linked above) but also the new Interstellar: 10th Anniversary Release, Ahsoka, Lost Horizon, and more. Plus the entire Bits review team is working on disc Blu-ray and 4K reviews. So watch for lots of them to be posted, a few each weekday between now and Christmas.

Now then... the big news today is that Sony Pictures Home Entertainment has officially set Kelly Marcel’s Venom 3: The Last Dance for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/21. The 4K SKUs will feature Dolby Vision HDR and Dolby Atmos audio. Extras will include a host of video-based features as follows: Deleted & Extended Scenes, Venomous Laughs: Outtakes & Bloopers, Bonded in Chaos: Tom Hardy, Author of Mayhem: From Writer to Director, Venom’s Inner Circle, Venom Unleashed: The Action & Stunts, Select Scene PreVis, One Last Dance – Tom Morello x Grandson Music Video, Savor the Last Bite: The Venom Legacy, and Brock Bottom: Mrs. Chen Interview. [Read on here...]

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]

We’ve got more new disc reviews today to start the short Thanksgiving week out right here at The Bits. Among them are...

Stephen’s take on Fred Zinnemann’s A Man for All Seasons (1966) in 4K Ultra HD from Sony’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Tim’s review of Don Siegel’s Two Mules for Sister Sara (1970) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his on-going film-by-film review of Arrow’s excellent Shawscope: Volume Two Blu-ray boxed set—today featuring his thoughts on Lau Kar-leung’s The 36th Chamber of Shaolin (1978).

And my review of Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD Steelbook from our friends at Paramount Home Entertainment.

We’ve all got a lot more reviews in the works here at the site as well, so be sure to check back. In fact, in the next 24 hours or so, I’ll have my reviews of Akira Kurosawa’s Seven Samurai (1954) in 4K from the BFI (as compared to the recent Criterion 4K release, which I reviewed here last week), as well as my thoughts on Fede Álvarez’s Alien: Romulus (2024) in 4K UHD from 20th Century Studios.

Also today, I wanted to let you that I just dropped my second My Two Cents: A Video Blog episode exclusively for our supporters on The Digital Bits’ Patreon page. It runs about 26 minutes and includes comments on new and recent 4K titles, a sneak peek of 2025 4K catalog titles, and more. [Read on here...]