My Two Cents
We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…
I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)
Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.
Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.
Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.
More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!
Now then, let’s get to that breaking announcement news… [Read on here...]
This is a quick post to let you all know that our Release Dates & Cover Artwork section here at The Digital Bits has just been updated with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. Don’t forget that you can select to see just the Blu-ray, DVD, 4K Ultra HD, or even Criterion titles seperately if you like, to help you find exactly the ones you’re looking for. Just click on RELEASE DATES & ART on the menu bar above to visit the page, and use the search options in the red bar (at the top) to sort by format and date. Once you find a title you like, just click on the cover art and you’ll be taken right to the Amazon.com pre-order page. Thank you for shopping through our links and don’t forget that anytime you order from Amazon through our links, you’re helping to support our work here at The Bits and we really appreciate it! And thanks to our own Russell Hammond for the update work!
- Bill Hunt
Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...
Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.
Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.
Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.
And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.
I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.
Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]
We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.
All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.
Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).
Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.
And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.
As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.
Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]
Good evening, friends! We’ve got three new disc reviews for you today, including...
Dennis’ look at Michael Gordon’s For Love or Money (1963) on Blu-ray.
Stuart’s review of Otto Preminger’s The Court-Martial Billy Mitchell (1955) on Blu-ray.
And Tim’s thoughts on Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray.
All of them are newly released by our friends at Kino Lorber Studio Classics.
Speaking of Kino Lorber Studio Classics, the company has just announced that Miguel Sapochnik’s Repo Men (2010) and Tomas Alfredson’s The Snowman (2017) are both coming soon in 4K Ultra HD. And they’ve also set Patrice Leconte’s Half a Chance (1998) will arrive on Blu-ray on 3/18. [Read on here...]