Displaying items by tag: Short Night of Glass Dolls 4K

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]