Displaying items by tag: Bloodline BD review

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]