Displaying items by tag: GKids

Heads up, Bits readers!

I just wanted to jump in here this afternoon to share a bit of news and a bunch of new disc reviews that we’ve prepared for today.

First, I’m sure that most of you have seen today’s first news update here by now: Lucasfilm and Disney just announced the 4K Ultra HD Steelbook release of Ron Howard’s Willow (1988).

Call it a hunch, but I have a strong suspicion that this release is meant to set up a second 4K Steelbook release coming in 2025, specifically of the more recent Disney+ streaming series Willow (2022). That show was cancelled and pulled from Disney+, allegedly for cost-cutting reasons, and a good way to try to recoup a little of that investment would be to sell it on 4K disc and possibly Blu-ray. So I think that’s a pretty good possibility next year.

Meanwhile, here at the site today, we’ve just posted our weekly update of the Release Dates & Artwork section (you’ll find that here) featuring all of the latest Blu-ray, DVD, and 4K Ultra HD cover and Amazon.com pre-order links. (Thanks to our own Russell Hammond for his work on that.)

Speaking of which, John Ford’s The Searchers (1956) is finally up for pre-order on Amazon in 4K for the stunning price of just $29.99... [Read on here...]

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We have several more new disc reviews for all of you to enjoy today, including...

Stuart’s look at Ting Shan-hsi’s A Queen’s Ransom (1976) on Blu-ray from Eureka Entertainment, Alain Cavalier’s Fill ‘er Up with Super (1976) on Blu-ray from Radiance Films, Peter Bogdanovich’s Daily Miller (1974) on Blu-ray from Kino Lorber Studio Classics, and William Wyler’s Friendly Persuasion (1956) on Blu-ray from the Warner Archive Collection.

Dennis’ take on Raoul Walsh’s Pursued (1947) on Blu-ray from Kino Lorber Studio Classics and Fred Zinnemann’s Act of Violence (1949) on Blu-ray from the Warner Archive Collection.

And Stephen’s thoughts on Paul Schrader’s Touch (1997) on Blu-ray from Vinegar Syndrome’s Cinématographe line.

We have a bunch more new Blu-ray and 4K Ultra HD reviews cooking as well—the whole team is working on reviews over the weekend—so be sure to watch for more here at The Bits next week.

In announcement news today, our friends at Imprint Films have just unveiled their October Blu-ray and 4K slate, which will include Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD and Blu-ray, The Blair Witch Project Collection on Blu-ray—which includes The Blair Witch Project (1999) and Book of Shadows: Blair Witch (2000)—Alberto De Martino’s The Antichrist (1974) on Blu-ray, James W. Roberson’s Superstition (1982) on Blu-ray, Dick Richards’s Death Valley (1982) on Blu-ray, and the Directed By… Roman Polanski Blu-ray box set—which includes Bitter Moon (1992), Death and the Maiden (1994), and The Ninth Gate (1999). The street date for all is 10/30, and each is limited to 1500 copies. You can see what the titles look like below the break. [Read on here...]

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We’re rounding out the week here at The Bits with a pair of additional disc reviews, including...

Stephen’s thoughts on Yuzuru Tachikawa’s anime Blue Giant (2023) on Blu-ray from GKids via Shout! Studios.

And Dennis’ take on Sophie Compton and Reuben Hamlyn’s Another Body (2023) on Blu-ray from Vinegar Syndrome.

Also today, we’ve updated our 4K Ultra HD Release List here at The Bits with all the latest announced 4K titles as well as those we’ve learned are coming from our industry sources.

Over on our Patreon page, many of you have asked us for an Annual Membership option in order to get the best value while backing us and supporting The Bits there. So we’re very pleased to finally make it available today. Signing up as a Patreon supporter of The Bits via the Annual Membership option (at whatever support level you choose) gives you a 10% discount.

And while we’re talking Patreon, we’re going to be holding a members-only Digital Bits: “Ask Us Anything” Live Chat on Patreon tomorrow (Saturday, June 15th) at 11 AM Pacific (1 PM Central, or 6 PM UTC). I’ll be on hand to participate, along with Tim Salmons and Stephen Bjork. You can ask us about physical media, 4K, Blu-ray, film in general, our work, our interests—pretty much any topic other than politics is fair game. While there may be a few questions (about specific upcoming titles) that we can’t answer, we’ll do our best to tackle all questions as they come in. Our goal is to go live for at least an hour. And if everything goes smoothly, we’ll continue for a second hour (provided there’s enough demand/questions to warrant doing so). We hope to see you there! [Read on here...]

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We’re starting the new week with more new disc reviews, as always, plus we have some great release news to share with you today as well! Reviews first...

Tim has taken a look a Bob Clark’s Deathdream (1974, aka Dead of Night) in 4K Ultra HD from our friends at Blue Underground.

Dennis has offered his thoughts on Alan J. Pakula’s Starting Over (1979) on Blu-ray from Kino Lorber Studio Classics.

And Stuart has weighed in with a review of Luigi Comencini’s The Sunday Woman (1975) on Blu-ray from Radiance Films. He’s also revisited his 2012 review of Sony’s The Three Stooges: The Ultimate Collection (1934-1958) on DVD in anticipation of the studio’s forthcoming The Three Stooges Blu-ray Collection.

More reviews are forthcoming, so be sure keep checking back for them!

The big announcement news today is that Sony has officially set Gil Kenan’s Ghostbusters: Frozen Empire for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 6/25. There will also be a Walmart-exclusive Blu-ray Steelbook, as well as a Limited Edition 2-Movie 4K Giftset that includes this film plus Ghostbusters: Afterlife. [Read on here...]

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We’ve got some great release news for you today to start out the new week.

And we’ve also got more new disc reviews for you, so let’s get to the latter first...

Over the weekend, Stephen posted his thoughts on Disney+ and Marvel’s new release of The Falcon and the Winter Soldier: The Complete First Season (2024) in 4K Ultra HD. He’s also given Riccardo Freda’s The Horrible Dr. Hichcock (1962) a review in 4K Ultra HD from Vinegar Syndrome.

Not to be outdone, Tim has reviewed Hanna-Barbera’s animated The Jetsons Meet the Flintstones (1987) on Blu-ray from our friends at the Warner Archive Collection, as well as Paul Leni’s The Cat and the Canary (1927) on Blu-ray from Eureka Entertainment.

Lots more reviews are on the way this week, so be sure to keep your eyes peeled for them!

Now then, in announcement news, let’s start with the big one first... GKids and Shout Factory have officially set Hayao Miyazaki’s animated The Boy and the Heron (2023) for release on Blu-ray + DVD, 4K Ultra HD + Blu-ray, and 4K UHD + BD Steelbook on 7/9! The Digital release expected on 6/25. [Read on here...]

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We’re closing out the week here at The Bits with a bunch of release news and more new disc reviews as well. The reviews include...

Tim’s take on Rocky Morton & Annabel Jankel’s Super Mario Bros. (1993) in 4K Ultra HD from Umbrella Entertainment—the deluxe Trust the Fungus edition.

Stuart’s look at Hal Ashby’s Coming Home (1978) on Blu-ray from Kino Lorber Studio Classics, as well as his review of Kino Lorber’s Homicide Hills: The Complete Series on DVD.

And Dennis’ reviews of Frank Lloyd’s Blood on the Sun (1945) and Alfred L. Werker and Anthony Mann’s He Walked by Night (1948), both on Blu-ray also from Kino Lorber Studio Classics.

Also, just to let you know, we’ve been sharing some additional content for our supporters over on Patreon, including essays on Godzilla Minus One’s visual effects Oscar win and the difficulty in creating or evaluating home video transfers for film, along with an exclusive tease about a trio of forthcoming 4K Ultra HD catalog titles that are in the works for later this year, my in-depth film review of Denis Villeneuve’s Dune: Part Two, and a little behind-the-scenes on a visit with some friends of The Bits who just so happen to have been involved with the Star Trek franchise for over 38 years.

Supporting The Bits on Patreon is a really great way to help us keep the site going, and doing so makes it possible for us to continue our work in support of physical media and disc fans everywhere. So please consider joining us there! [Read on here...]

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There’s some good title announcement news to report today, including a long-awaited music release.

But first, we wanted to let you all know that the 3/12 James Cameron 4K titles—The Abyss (1989), True Lies (1994), and Aliens (1986)—are finally available for pre-order on Amazon. And while they currently show full price, the usual 30% off discount should be applied soon. (Anyone who pre-orders now will get that discount when it is finally applied.)

Also now available for pre-order on Amazon is John Guillermin’s King Kong (1975) in 4K Ultra HD Steelbook from Paramount. This is a title that’s been available for a couple of years in the UK from StudioCanal, but it’s finally coming to the US. The film stars Jessica Lange, Jeff Bridges, Charles Grodin, and René Auberjonois (of Star Trek: Deep Space Nine fame).

Click on the title links above to find their respective pre-order pages (and as always, whenever you order literally anything from Amazon after clicking to them through our links, you’re helping to support our work here at The Bits and we appreciate it).

Now then, the big announcement news today is that A24 is finally taking pre-orders for Jonathan Demme’s remastered Stop Making Sense (1984) in A24 Shop-exclusive Blu-ray and 4K Ultra HD Collector’s Editions. Both will include Dolby Atmos audio and the original stereo mix, plus extras (including a 25-minute documentary and 2 bonus tracks—Cities and Big Business/I Zimbra) as well as a 64-page booklet. The 4K will also include Dolby Vision HDR. The title is expected to ship in sometime in May. You can find the pre-order page here. We don’t yet know if there will be a wide-release version eventually, though one is certainly possible. [Read on here...]

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Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

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Afternoon, Bits readers and welcome to the new week and, of course, Halloween Eve!

We’ve got a little bit of ground to cover here today, but first I wanted to personally thank all those of you who have signed up to support The Digital Bits via Patreon. Since we first launched our Patreon five days ago, we’re up to 77 backers (and 104 members total), and we really appreciate your support. It means a lot, and it will make a real difference here, let me tell you.

Already, I’ve decided on a couple things: I’m making regular (almost daily) blog posts exclusively for our Patreon supporters that are a little different than the kind of thing I post here and on our social media. For example... my first-take thoughts on things I’m hearing from sources (release news, industry developments, and the like), first impressions on new review discs that I’ve had the chance to look at (before I publish the full in-depth reviews here on the site), and other odds and ends—the kinds of things that offer you a essentially a more personal and candid look behind the scenes here at The Bits. I’m also making the occasional public post for all members there, with information that’s relevant to all our readers—the kind of thing I’m going to share here in a minute today (disc replacement news, a PS5 firmware update of relevance to disc fans, the occasional piece of significant breaking news). And we’ll add more Patreon-exclusive features over time as we get used working there, learning what kinds of perks are possible, and what we can do without dramatically increasing our workload.

Anyway, just know that we really, really appreciate those of you who are willing to support our work with your hard-earned money. Thanks to all 77 paying backers (here’s to reaching 100!) and thanks to all of you who are following us there.

Now then... I’m going to be spending the rest of my day working on a review of Paramount’s Mission: Impossible – Dead Reckoning Part One in 4K UHD for posting here hopefully tomorrow. But first, there’s some important breaking news... [Read on here...]

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All right, believe it or not, even after the insanity that’s been the last couple of days, we still have a bit more new release news to catch you all up on here at The Bits...

First things first… Lionsgate has officially set The Expendables 4, aka Expend4bles, for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. There will also a trio of retail exclusive versions, including an Amazon 4K with lenticular cover, a Best Buy 4K Steelbook, and a Walmart Steelbook 4-Film 4K Collection. All 4K versions of Expend4bles will offer Dolby Vision HDR and Dolby Atmos audio on a 100GB disc. Extras on the Blu-ray and 4K SKUs will include audio commentary with director Scott Waugh, 2 featurettes (Bigger, Bolder, Badder: The Expendables in Action and More Than a Team: New Blood Meets Old Blood), plus the film’s theatrical trailer. You can see the cover artwork at left and also below.

Lionsgate has also set Kevin Greutert’s Saw X for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. Look for HDR10 and Dolby Atmos on the 4K SKU. Extras will include audio commentary (with director-editor Kevin Greutert, cinematographer Nick Matthews, and production designer Anthony Stabley), the 6-part Reawakening documentary (includes I Want to Play a Game: Bleeding New Life into the Saga, This Time It’s Personal: Characters and Casting, Another Time, Another Place: Locations and Cinematography, There Will Be Blood: Production Design and Make-up, Leave Nothing to Chance: Post-Production, and Live or Die: Release and Legacy), 2 additional featurettes (Drawing Inspiration: Illustrated Scene Breakdowns with Kevin Greutert and Make-Up Department Trap Tests), deleted scenes, and the film’s theatrical trailer. Again, you’ll find the cover art below. [Read on here...]

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