Displaying items by tag: Dark City 4K

We have three more new disc reviews for you all to enjoy today, including...

Stuart’s look at John M. Stahl’s When Tomorrow Comes (1939) on Region-B Blu-ray from Powerhouse Films and Indicator.

Tim’s review of Jack Arnold’s The Glass Web (1953) on Blu-ray 3D from Kino Lorber Studio Classics, with an assist by our friends at the 3-D Film Archive.

And Stephen’s thoughts on Renny Harlin’s The Long Kiss Goodnight (1996) in 4K Ultra HD from the good folks at Arrow Video.

More reviews are on the way this week, so be sure to watch for them!

Now then, I’ve also posted a new Patreon blog entry asking the question: Why Aren’t More 4K Ultra HD Titles Released on 100GB Discs? And the reason might surprise you! You’ll find that here for our subscribers on The Bits’ Patreon page. Keep in mind, we have great and very affordable options for subscribing, and we have big plans for expanding our coverage of 4K, Blu-ray, and DVD there in addition to everything we do here on the website. And as I mentioned yesterday, it’s a great way to help support our work here at The Bits and we really appreciate it very much. [Read on here...]

Published in My Two Cents

We’ve got SIX more new disc reviews for you all to enjoy today, including...

Dennis’ reviews of Stanley Donen’s Arabesque (1966) in 4K Ultra HD and Dick Powell’s The Conqueror (1956) on Blu-ray, both from Kino Lorber Studio Classics, as well as Ryan Kruger’s Street Trash (2024) on Blu-ray from Vinegar Syndrome, and Jonathan Mostow’s Breakdown (1997) in 4K Ultra HD from Paramount Home Entertainment (the 4K reviews with an A/V assist by Tim).

And Tim’s reviews of the third title in Arrow Video’s Shawscope: Volume Two Blu-ray box set—Disciples of the 36th Chamber (1985)—and also Bob Clark’s Murder by Decree (1979) in 4K Ultra HD from Kino Lorber Studio Classics.

Speaking of Arrow Video, the company has just announced its June slate of Blu-ray and 4K titles, which includes Rowdy Herrington’s Road House (1989) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/2, Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/9, Dominic Sena’s Swordfish (2001) on 4K UHD + Blu-ray (in the UK, US, and Canada) on 6/9, Peter Weir’s Witness (1985) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/16, and Alex Proyas’ Dark City (1998) on Blu-ray and 4K UHD + Blu-ray (in the UK, US, and Canada), Yoshiyuki Kuroda’s The Invisible Swordsman (1970) on Blu-ray (in the UK, US, and Canada), and Sergio Leone’s The Good, the Bad, and the Ugly (1966) on Blu-ray and 4K UHD + Blu-ray (in the UK only) all on 6/23. [Read on here...]

Published in My Two Cents