Displaying items by tag: AT&T

All right, we’ve got a bit of ground to cover today. First, we’ve got a few new disc reviews for you to enjoy...

I’ve posted my thoughts Doug Liman’s Chaos Walking in 4K from Lionsgate. It’s not a great science fiction film, but it looks fantastic in 4K (it was shot with the Alexa 65 camera) and it features some very nice special features too created by our old friend Cliff Stephenson. So it’s well worth a look.

I’ve also posted my review of George Cukor’s My Fair Lady (1964) on 4K Ultra HD from Paramount, and that is absolutely a reference-grade title. As some of you may know, it was shot using the Super Panavision-70 camera and was restored by our old friend Robert A. Harris back in 2015 in 4K using an 8K scan of the original camera negative. The film just looks absolutely fantastic and it’s a classic Hollywood musical too. Don’t miss it.

Also seriously worth a look is Arrow Video’s new Battle Royale: Limited Edition in 4K Ultra HD, a UK import boxset that I’ve reviewed in-depth here at the site as well. It features both versions of Kinji Fukasaku’s original film in beautifully-remastered 4K, along with both versions of the sequel on Blu-ray, plus an amazing collection of special features and swag. And even though it’s a UK import, the 4K discs will play fine worldwide. The two Blu-rays in the box are Region B locked, but one of them will still play on any US player anyway (details in my review). If you’re a fan of the film, this is a must-have box. [Read on here...]

Sadly, the news today is dominated by the announcement that Turner Classic Movies and Criterion’s FilmStruck streaming service for well-curated classic, arthouse, indie, hard-to-find, and cult movies will be shutting down on 11/29 and has already stopped accepting new subscribers. You can read more here and here.

This is apparently driven the desire by AT&T, which recently purchased Time Warner, to streamline its business by cutting niche services. Though FilmStuck was wildly popular with cinephiles, the audience was small compared to the kind of mass market profit-making a modern media conglom-o-monster prefers. Said Turner and WB Digital Media in a statement today:

“We’re incredibly proud of the creativity and innovations produced by the talented and dedicated teams who worked on FilmStruck over the past two years. While FilmStruck has a very loyal fanbase, it remains largely a niche service. We plan to take key learnings from FilmStruck to help shape future business decisions in the direct-to-consumer space and redirect this investment back into our collective portfolios.” [Read on here...]