So I spent a couple hours up in Hollywood yesterday afternoon to cover something pretty interesting…

At a press event at the Screen Actors Guild, members of the UHD Alliance, three major consumer electronics manufacturers, and leading Hollywood filmmakers officially announced a new partnership effort to implement Filmmaker Mode as an extension of the 4K Ultra HD spec.

The idea is to ensure that when you watch a movie at home in 4K on your new Ultra HD display, whether from a disc, stream, or cable/satellite broadcast, it will look exactly as it should. UHD Alliance research suggests that as many as 80% of people who buy 4K TVs never change the settings out of the box. This means irritating features like motion smoothing and unnecessary processing are being applied to the image by default – processing that actually takes the picture away from the filmmakers’ intent.

What the Filmmaker Mode will do is to allow the user – either with one push of a button on the remote, or with a very easy and obvious menu setting – to set the TV’s display parameters to most accurately display the 4K content. This would be a baseline setting for the image – any added adjustments signaled by HDR10, HDR10+, or Dolby Vision metadata would happen on top of that setting. [Read on here...]

Published in My Two Cents

I had the pleasure last night of attending a press screening of Damien Chazelle’s new Neil Armstrong biopic, First Man. So let me give you my non-spoiler review…

A little background first: As someone who’s been a lifelong supporter and aficionado of the space program, I’ve seen every film there is on the subject, from Apollo 13 and The Right Stuff to the most obscure documentary. I’ve listened to most of the CAPCOM recordings, I have DVDs and Blu-rays containing almost every foot of archival footage shot by NASA and the astronauts during their missions. I’ve been to NASA facilities, I’ve seen launches, and I’m fortunate enough to even know a few astronauts. It’s with that lifetime of experience that I can say this: First Man is the single most realistic dramatic film about the subject yet made.

The level of detail exceeds even Ron Howard’s Apollo 13 and by a good measure. In Howard’s film, great as it is, there are a couple of things that just aren’t quite right. For example, the mission patch plaques on the wall of Mission Control are painted versions of the souvenir patches sold to the public, not the actual patches the astronauts wore. The NASA emblems on characters’ flight suits are modern, not period accurate. They’re little things, sure, but for the knowledgable, they can throw you out of the moment. But Chazelle and his team nail all of those little details, right down to the tiniest stitch. It’s as if First Man was actually shot in the 1960s, a level of verisimilitude and immersion that’s rare, even for a film of this type. [Read on here...]

Published in My Two Cents

Bits Latest Tweets

The Digital Bits
Today on The Bits – @MichaelCoate and Thomas A. Christie celebrate thirty years of National Lampoon’s #ChristmasVacation thedigitalbits.com/columns/histor…
The Digital Bits
Bits #BD Review – @timsalmons re-boards the Pork Chop Express for @Scream_Factory's Limited Edition #steelbook #Bluray release of John Carpenter's Big Trouble in Little China. @BillHuntBits #johncarpenter thedigitalbits.com/item/big-troub…
The Digital Bits
Bits #BD Review – @timsalmons takes the Pork Chop Express with Kurt Russell to John Carpenter's Big Trouble in Little China, available in an excellent new #Bluray Collector's Edition from @Scream_Factory. @BillHuntBits #johncarpenter thedigitalbits.com/item/big-troub…