Displaying items by tag: Shout! Factory

We have several new disc reviews to begin the week here at The Bits, starting with...

Stuart’s take on Raoul Walsh’s Gentleman Jim (1942) on Blu-ray from the Warner Archive Collection.

Dennis thoughts on Michael Epstein’s LennonNYC (2010) on Blu-ray from Via Vision Entertainment and Peter Yates’ Murphy’s War (1971) on Blu-ray from Arrow Video.

Stephen’s look at Bill Plympton’s The Tune (1992) on Blu-ray from Vinegar Syndrome.

And finally, Tim’s review of Ardman Animations’ Shaun the Sheep: The Complete Series on Blu-ray from Shout! Studios.

We also have a bunch of new announcement news for you today, but first this: Warner Bros. Discovery Home Entertainment has listed Denis Villeneuve’s Dune: Part Two for Blu-ray, 4K Ultra HD, and 4K Steelbook pre-order on Amazon. The street date is TBA, but is likely due in May or June. There will also be a 2-Film Collection in both 4K UHD and Blu-ray.

Now, a lot of you have asked what aspect ratio Dune: Part Two will be in on disc. As many of you know, Dune: Part One was shot mostly in 2.39:1 but about an hour was in full 1.90:1. Yet Warner’s Blu-ray and 4K release were both in 2.39 only. Meanwhile, most of Dune: Part Two was shot in 1.90:1, with about forty minutes in the full 1.43:1 IMAX ratio. So people are wondering if the Blu-ray and 4K will preserve that variable IMAX ratio, and if Part One will ever be re-released on both formats with the variable ratio as well. I’ve asked Warner for clarification on this and will share it here when they reply. Meanwhile, you can find the studio’s temp cover art (with Amazon links) below the break. [Read on here...]

Today’s post starts with three new disc reviews, including...

Stuart’s take on the Film Focus: George Peppard box set from Imprint, which includes John Guillermin’s P.J. (1968), George Schaefer’s Pendulum (1969), Sam Wanamaker’s The Executioner (1970), and Richard T. Heffron’s Newman’s Law (1974).

Dennis’ look at Val Guest’s Assignment K (1968), also new on Blu-ray from Imprint.

And finally, Stephen’s thoughts on Vincente Minnelli and Busby Berkeley’s Cabin in the Sky (1943) on Blu-ray from the Warner Archive Collection.

Note that we have lots more new disc reviews on the way, so be sure to watch for them. Also here at The Bits today, we’ve posted a significant update of our 4K Ultra HD Release List with lots of new 4K UHD titles and Amazon links.

And for our Patreon supporters, we’ve recently shared our thoughts on Ron Moore’s Battlestar Galactica and how well the series holds up some fifteen years after it ended its run on the Sci-Fi Channel, along with some preliminary commentary on changes that are brewing within the home entertainment industry, as well as Stephen’s thoughts on the ethics of film alteration and the challenges in determining how films should look on Blu-ray and especially 4K. Supporting The Bits on Patreon is a great way to help us continue our work in service of physical media, and we surely do appreciate it. [Read on here...]

We’ve got some good title announcement news to start the week off today, along with a round-up of other release news odds and ends...

First up, Paramount and CBS have finally officially set Star Trek: Lower Decks – Season Four for Blu-ray and DVD release on 4/16.

The 2-disc set contains all 10 episodes of the season, along with the following special features:

• Audio Commentary by Jack Quaid, Mike McMahan, and Brad Winters (Ep. 401)
• Audio Commentary by Tawny Newsome, Noël Wells and Gabrielle Ruiz (Ep. 404)
• Audio Commentary by Noël Wells, Eugene Cordero, Chase Masterson and Mike McMahan (Ep. 406)
• Audio Commentary by Dawnn Lewis, Tawny Newsome and Mike McMahan (Ep. 409)
• Audio Commentary by Robert Duncan McNeill and Mike McMahan (Ep. 410)
• Lower Decktionary: Setting Up Season 4 (featurette)
• Old Friends (featurette)

You can see the cover artwork at left and also below the break.

While we’re on the topic of Paramount, look for the studio to release Mark Waters’ original Mean Girls (2004) on 4K Ultra HD on 4/30. You can see that cover artwork below the break as well. [Read on here...]

There’s some good title announcement news to report today, including a long-awaited music release.

But first, we wanted to let you all know that the 3/12 James Cameron 4K titles—The Abyss (1989), True Lies (1994), and Aliens (1986)—are finally available for pre-order on Amazon. And while they currently show full price, the usual 30% off discount should be applied soon. (Anyone who pre-orders now will get that discount when it is finally applied.)

Also now available for pre-order on Amazon is John Guillermin’s King Kong (1975) in 4K Ultra HD Steelbook from Paramount. This is a title that’s been available for a couple of years in the UK from StudioCanal, but it’s finally coming to the US. The film stars Jessica Lange, Jeff Bridges, Charles Grodin, and René Auberjonois (of Star Trek: Deep Space Nine fame).

Click on the title links above to find their respective pre-order pages (and as always, whenever you order literally anything from Amazon after clicking to them through our links, you’re helping to support our work here at The Bits and we appreciate it).

Now then, the big announcement news today is that A24 is finally taking pre-orders for Jonathan Demme’s remastered Stop Making Sense (1984) in A24 Shop-exclusive Blu-ray and 4K Ultra HD Collector’s Editions. Both will include Dolby Atmos audio and the original stereo mix, plus extras (including a 25-minute documentary and 2 bonus tracks—Cities and Big Business/I Zimbra) as well as a 64-page booklet. The 4K will also include Dolby Vision HDR. The title is expected to ship in sometime in May. You can find the pre-order page here. We don’t yet know if there will be a wide-release version eventually, though one is certainly possible. [Read on here...]

Afternoon, folks! We’re stating the new week here at The Bits with a couple of new disc reviews, including...

Tim’s take on Daniel Attias’ Silver Bullet: Collector’s Edition in 4K Ultra HD, as well as his thoughts on our old friend John Harrison’s Tales from the Darkside: The Movie – Collector’s Edition in 4K Ultra HD, both of them from Scream Factory.

Speaking of Scream, Shout Studios has also begun revealing some of their March catalog titles, which thus far are set to include Jonathan Kaplan’s Over the Edge (1979) on Blu-ray on 3/5, Mick Garris’ The Shining miniseries (1997) on Blu-ray on 3/12, Simon Wincer’s Quigley Down Under (1990) in 4K as a Shout! Select title also on 3/12, and a trio of additional 4K titles on 3/19... Lars Klevberg’s Child’s Play (2019), Kimberly Peirce’s Carrie (2013), and Kathryn Bigelow’s K-19: The Widowmaker (2002).

Meanwhile, the big news today is that Marvel and Disney have officially announced the Blu-ray, DVD, and 4K Ultra HD release of Nia DaCosta’s The Marvels (2023) for release on 2/13, with the Digital release expected on 1/16. Extras will include audio commentary with DaCosta and VFX supervisor Tara DeMarco, 2 featurettes (Entangled and The Production Diaries), 4 deleted scenes, and a gag reel. There will also be a 4K Steelbook edition that’s exclusive to Walmart. Audio on the 4K (a UHD-66 disc) will be Dolby Atmos, with DTS-HD Master Audio on the Blu-ray. You can see the cover artwork at left and also below.

Also, Universal and DreamWorks Animation have listed the CG-animated Trolls Band Together (2023) for Blu-ray, DVD, and 4K UHD release on 7/1 on Amazon, though that’s probably a placeholder date. Whatever the final street date ends up being, look for a Trolls 3-Movie Collection on Blu-ray and DVD that same day. [Read on here...]

All right, we’ve got a big week ahead of us here at The Digital Bits. As all of you know, the new James Cameron catalog 4K titles—The Abyss, True Lies, and Aliens—all drop via 4K Digital tomorrow. And we’ve got some big announcement news to share with all of you today as well. But first, we’ve got a new disc review for you...

Stephen has just turned in his thoughts on Kathryn Bigelow’s Point Break (1991) in 4K Ultra HD from Shout! Factory. Enjoy!

Now then... there’s big news today, more big news, and yet another piece of big news. So let’s start with that first one...

Paramount Home Entertainment has just officially set Herbert Ross’ original Footloose (1984) for release on 4K Ultra HD on 2/13/24. We’re awaiting confirmation of the A/V specs on this one, but the title will come in both Amaray and Steelbook packaging, and will have a Blu-ray and Digital copy code. All of the legacy extras from the Blu-ray will carry over. You can see the cover artwork at left and also below. [Read on here...]

Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

Afternoon, Bits readers! It’s been a few days since we’ve done a major news update here on the site, and the reason is that we’ve been very focused on completing new disc reviews for you guys. This is the time of year when all of the big fourth quarter titles start arriving for review, and we’re right in the thick of it now. So today we’re pleased to offer you...

My reviews of James Mangold’s Indiana Jones and the Dial of Destiny (2023), along with The Mandalorian: The Complete First Season (2019) and The Mandalorian: The Complete Second Season (2020), all in 4K Ultra HD from Lucasfilm via Disney, as well as my review of James Cameron’s Titanic: 25th Anniversary Limited Edition in 4K Ultra HD from Paramount.

We also have Stephen’s reviews of WandaVision: The Complete Series (2021) in 4K Ultra HD from Marvel via Disney, as well as Tommy Wirkola’s Violent Night (2022) in 4K UHD via Universal, and Michael Crichton’s The Great Train Robbery (1978) on Blu-ray from MGM via Kino Lorber Studio Classics.

And Stuart has weighed in on Henry Decoin’s Strangers in the House (1942) on Blu-ray from Gaumont via Kino Lorber Studio Classics.

Rest assured, we have many more new disc reviews on the way as well, so be sure to watch for them. [Read on here...]

This is going to be a big week in terms of new disc reviews! Just today we’ve got...

My take on Christopher Nolan’s Oppenheimer (2023) in 4K Ultra HD from Universal, which in my opinion is the A/V demo disc of the year, not to mention a terrific special edition release. Unfortunately, it’s selling out everywhere, but we strongly suspect that Universal is already replicating more copies (and we’ve asked for official confirmation of that, which we’ll share here as soon as we hear back).

Tim’s reviews of Greta Gerwig’s Barbie (2023) in 4K Ultra HD from Warner Bros and Jeannot Szwarc’s Santa Claus: The Movie (1985) in 4K UHD from StudioCanal in the UK.

Stuart’s look at the Audie Murphy Collection III box set from Kino Lorber Studio Classics, which includes Hell Bent for Leather (1960), Posse from Hell (1961), and Showdown (1963) on Blu-ray.

And Dennis’ thoughts on Brad Watson’s The Siege (2023) on Blu-ray from Well Go USA Entertainment, as well as Harry Beaumont’s Dance, Fools, Dance (1931) on Blu-ray from the Warner Archive Collection.

I’m also hard at work on my 4K review of James Cameron’s Titanic (1997) from Paramount and we have several more Blu-ray and 4K Ultra HD reviews cooking at the moment. I would expect James Mangold’s Indiana Jones and the Dial of Destiny to show up at any time for review in 4K as well. So be sure to keep your eyes peeled for them. [Read on here...]

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]