Displaying items by tag: The Running Man 4K

All right, sorry for the lack of an update over the last couple of days. We’ve been very busy here at the site, working on reviews, preparing for some big upcoming reviews, and finishing a few more site upgrades. But the major reason is that there’s a ton of breaking and evolving release news to cover, and getting to the bottom of it all—collating all the details, checking in with sources, confirming key pieces of release information—takes a huge amount of time. But I’m always up for a challenge.

Before we get to that, however, let’s share those disc reviews we’ve been working on over the past few days...

First up, I’ve posted my thoughts on John Milius’ Red Dawn (1984) from Shout! Factory and also Colin Trevorrow’s Jurassic World: Dominion (2022) from Universal, both in 4K Ultra HD.

Tim has delivered a look at Joel Schumacher’s Flatliners (1990) in 4K UHD from Arrow Video, as well as John Carpenter’s Escape from New York (1981) in 4K from Scream Factory.

Dennis has reviewed a number of regular Blu-ray titles in the last few days, including Lon Chaney: Before the Thousand Faces – Volume 2 from Undercrank Productions, Josh and Benny Safdie’s Daddy Longlegs (2009) from Criterion, and Jack Gold’s The Tenth Man (1988) and Ken Hughes’s The Trials of Oscar Wilde (1960) from Kino Lorber Studio Classics.

And finally, Stephen has delivered in-depth looks at Paul W.S. Anderson’s Event Horizon (1997)—a Steelbook release that’s getting hard to find here in the States—and Jeff Fowler’s Sonic the Hedgehog 2 (2022) both in 4K Ultra HD from Paramount, along with Michael Findlay’s Shriek of the Mutilated (1974) on Blu-ray from American Films via Vinegar Syndrome.

As always more disc reviews are on the way in the coming days. [Read on here...]

Published in My Two Cents

We’ve got more new disc reviews for you this week, with still more on the way...

Tim has reviewed Scream Factory’s new 4K Ultra HD releases of Halloween (1978) and Halloween II (1981), along with Arrow Video’s Deep Red 4K UHD, and Synapse Films’ recent Demons I & II: Limited Edition 4K Ultra HD release.

Meanwhile, Stephen has checked out Free Guy in 4K UHD from 20th Century Studios and Walt Disney Studios Home Entertainment, along with Bluebeard (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his thoughts on Jack Arnold’s The Incredible Shrinking Man (1957) on Blu-ray, as newly-released by the Criterion Collection.

We’ll have more reviews over the next few days, including more of the Halloween sequels in 4K,Scream in 4K, Old, the Universal Classic Monsters: Icons of Horror Collection and more, so be sure to stay tuned for them. [Read on here...]

Published in My Two Cents

We’re closing out the week today here at The Bits with a bit of announcement news, word of a few 4K title delays, and more new disc reviews.

First up, Tim has turned in reviews of Stephen King’s Children of the Corn (1984), directed by Fritz Kiersch and newly released on 4K Ultra HD by Arrow Video, as well as Quentin Tarantino’s Inglourious Basterds which is new on 4K Ultra HD from Universal.

Also, Stephen has reviewed Nick Murphy’s The Awakening (2011) on Blu-ray from the Cohen Media Group, along with Nadia Tass’ Malcolm (1986) on Blu-ray from Umbrella Entertainment.

More reviews are on the way, so be sure to keep your eyes peeled for them.

Now then, the big announcement news today is that Criterion has just revealed their January 2022 release slate, which is set to include Thomas Vinterberg’s The Celebration (Spine #1108 – Blu-ray) on 1/11, Garrett Bradley’s Time (Spine #1109 – Blu-ray and DVD) and Richard Lester’s A Hard Day’s Night (Spine #711 – Blu-ray, DVD, and 4K) on 1/18, and Kirsten Johnson’s Dick Johnson Is Dead (Spine #111 – Blu-ray and DVD) and Jane Campion’s The Piano (Spine #1110 – Blu-ray and 4K) on 1/25. We’ve updated our 4K Ultra HD Release List and Criterion Spines Project pages accordingly. [Read on here...]

Published in My Two Cents

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RT @BillHuntBits: I’m told, however, that the studio is still looking into the problem with When Worlds Collide (1951) on #Bluray (which is…
RT @BillHuntBits: For the record, here’s the problem one last time. Mars is the wrong color on the #4K presentation... blue instead of the…
RT @BillHuntBits: Here is @ParamountMovies’ official statement RE: the Mars color grading error in War of the Worlds (1953) on #4K #UltraHD