History, Legacy & Showmanship

History, Legacy & Showmanship

Paint Your Wagon is remembered as a standalone oddity in the careers of Lee Marvin and Clint Eastwood.” — Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Paint Your Wagon, the Oscar-nominated cinematic interpretation of the Lerner and Loewe stage musical which starred Lee Marvin (Cat Ballou, Point Blank), Clint Eastwood (Dirty Harry, Unforgiven) and Jean Seberg (Pendulum, Airport).

Paint Your Wagon — directed by Joshua Logan (South Pacific, Camelot) and which also featured Harve Presnell (The Unsinkable Molly Brown, Fargo) and Ray Walston (My Favorite Martian, Fast Times at Ridgemont High) — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Matthew Kennedy, who discusses the film’s virtues, shortcomings and legacy. [Read on here...]


The Brady Bunch is ’comfort TV’ to the highest degree.” — Classic TV historian Herbie J Pilato

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the premiere of The Brady Bunch, the classic family sitcom which originally ran on ABC from 1969 to 1974 and starred Florence Henderson as Carol/Mom, Robert Reed as Mike/Dad and Ann B. Davis as housekeeper Alice.

The series (and ultimately franchise) — created by Sherwood Schwartz (Gilligan’s Island, It’s About Time) and featuring as the memorable Brady kids Barry Williams (Greg), Maureen McCormick (Marcia), Christopher Knight (Peter), Eve Plumb (Jan), Mike Lookinland (Bobby) and Susan Olsen (Cindy) — premiered 50 years ago this month, and for the occasion The Bits features a Q&A with classic television historian Herbie J Pilato, who offers some recollections and insight into the timeless series. [Read more here...]


“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

Our previous celebratory 007 articles include Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]


“I remember thinking as Bond tumbled out of the airplane that this was going to be the greatest film ever. And then, moments later, Jaws flapped his arms falling toward a circus tent. I felt my own internal seismograph plummet. I was for the first time in my life, embarrassed for the filmmakers of a James Bond film.” — John Cork, co-author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Moonraker, the 11th (official) cinematic James Bond adventure and the fourth of seven to feature Roger Moore as cinema’s most popular secret agent.

Our previous celebratory 007 articles include Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1979’s Moonraker. [Read on here...]


Alien (like other 1970s films such as Jaws, Superman, Close Encounters of the Third Kind, The Godfather, and Star Wars) was a seminal landmark in the upgrade of shopworn B-movie clichés — monsters, comic book characters, flying saucers, gangsters, Saturday afternoon serials — into major A-movie assets.” — Paul M. Sammon, author of Ridley Scott: The Making of His Movies

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Alien, the sci-fi/horror classic about the five-man, two-woman (and one cat) crew of the Nostromo, who got more than they bargained for after investigating a distress signal from a mysterious planet.

Suspense, atmospheric moodiness and Oscar-winning visual effects were among the highlights of Alien, directed by Ridley Scott (Blade Runner, Gladiator) and starring Tom Skerritt (Top Gun), Veronica Cartwright (The Right Stuff), Harry Dean Stanton (Repo Man), John Hurt (The Elephant Man), Ian Holm (Chariots of Fire), Yaphet Kotto (Live and Let Die), and Sigourney Weaver (Ghostbusters) as Ellen Ripley. [Read on here...]


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