Displaying items by tag: Little Buddha 4K

Afternoon, Bits readers! We’re starting the week with more new disc reviews, as always, including...

Stuart’s thoughts on Daniel Petrie’s The Betsy (1978) on Blu-ray from Imprint Films.

Dennis’ look at Todd Field’s In the Bedroom (2001) on Blu-ray also from Imprint Films.

And Tim’s take on Imprint’s new Blaxploitation (1972-1973) Blu-ray box set, which includes Martin Goldman’s The Legend of Black Charley (1972), Larry G. Spangler’s The Soul of Black Charley (1973), Ron O’Neal’s Superfly T.N.T. (1973), and Arthur Marks’ Detroit 9000 (1973). (Note that two of those films are using their less controversial titles, one of which was apparently changed for use in newspaper theatrical listings and for its original 1970s TV broadcast.)

Also… on Friday, Stephen turned in a detailed look at Mel Brooks’ trail-blazing comedy Blazing Saddles (1974) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

And finally, Tim also reviewed Arrow Video’s excellent Inside the Mind of Coffin Joe Blu-ray box set, which was released in March.

More reviews are forthcoming this week, so be sure to stay tuned for them.

In announcement news today, Sony Pictures Home Entertainment has just revealed a new 4K Steelbook edition of David Ayer’s Fury (2014) for release on 7/15. The title will now include Dolby Vision HDR, whereas the previous 4K release (from May of 2018) had HDR10 only. (You can read our review of that disc here.) All the extras will be the same, with the sole exception that the 4K disc no longer includes the 46-minute Smithsonian Channel documentary The Tanks of Fury. (Nor is it on the Blu-ray in the package, which seems to be identical to the previous Blu-ray.) Presumably, this omission allows for the inclusion of Dolby Vision and perhaps a higher overall 4K data rate. In any case, you can see the Steelbook cover artwork at left. [Read on here...]

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]