Displaying items by tag: Kino Classics

We’ve got a bunch of new disc reviews up this week for your reading enjoyment here at The Bits, including...

My thoughts on Milos Forman’s Amadeus: Theatrical Cut (1984) in 4K Ultra HD from Warner Bros. as well as Ridley Scott’s Gladiator II (2024) in 4K Ultra HD from Paramount.

Tim’s reviews of Alfred Sole’s Alice, Sweet Alice (1976) and Robert Rodriguez’s The Mexico Trilogy (1992-2003) in 4K Ultra HD from Arrow Video, as well as The Project A Collection (1983-87) in 4K UHD from 88 Films.

Dennis’ looks at Dick Lowry’s Last Stand at Saber River (1997) on Blu-ray from the Warner Archive Collection and Melville Shavelson’s Houseboat (1958) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Gregory La Cava’s Gabriel Over the White House (1933) on Blu-ray from the Warner Archive Collection.

And finally, Sam Cohen’s take on Gillian Armstrong’s Little Women (1994) in 4K Ultra HD from Sony Pictures Home Entertainment. [Editor’s Note: There is apparently an audio issue with this disc that’s described in the review. Sony is aware of the problem and investigating. We’ll report back here once they figure it out and launch a disc replacement program.]

There aren’t a lot of new announcements to report today, but Kino Lorber Studio Classics has set Gary Sherman’s Vice Squad (1982) for 4K Ultra HD release on 5/13. [Read on here...]

We’re rounding out the week today here at The Bits with three more new disc reviews, including...

Stephen’s look at David Fincher’s The Social Network (2010), as newly upgraded to stand-alone 4K UHD Steelbook with Dolby Vision HDR by Sony Pictures Home Entertainment.

And Stuart’s thoughts on Brunello Rondi’s Riot in a Woman’s Prison (1974) on Blu-ray from Raro Video via Kino Lorber, as well as Maurice Cloche’s Monsieur Vincent (1947) on Blu-ray from StudioCanal and Kino Classics.

In terms of announcement news, the big item today is that our friends at The Criterion Collection have just revealed their May slate of Blu-ray and 4K titles, which is set to include Norman Jewison’s In the Heat of the Night (1967) (Spine #959 – 4K UHD + Blu-ray) and Jacques Demy’s The Umbrellas of Cherbourg (1964) (Spine #716 – 4K UHD + Blu-ray) on 5/6, Abbas Kiarostami’s The Wind Will Carry Us (1999) (Spine #1261 – Blu-ray) on 5/13, Bruce Robinson’s Withnail and I (1987) (Spine #119 – 4K UHD + Blu-ray) and How to Get Ahead in Advertising (1989) (Spine #120 – Blu-ray) on 5/20, and a double feature of Richard Lester’s The Three Musketeers (1973) and The Four Musketeers (1974) (Spine #1263 – 4K UHD + Blu-ray and Blu-ray), as well as Charles Burnett’s Killer of Sheep (1978) (Spine #1262 – 4K UHD + Blu-ray and Blu-ray) on 5/27. [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]

We have a lot of ground to cover today to close out the first partial week of 2025, starting with more new disc reviews...

First up, Tim has taken a look at Russ Meyer’s Vixen! (1968) in 4K Ultra HD from the good folks at Severn Films, and he’s also reviewed Marco Brambilla’s Demolition Man (1993) in 4K from Arrow Video.

Dennis has turned in his thoughts on Alan Crosland’s The Beloved Rogue (1927) on Blu-ray from Kino Classics.

Stuart has checked in with his take on Ted Hooker, Jack Cardiff, and Freddie Francis’ Cruel Britannia (1971-1974) on Blu-ray from Vinegar Syndrome, as well as Kinji Fukasaku’s The Threat (1966) on Blu-ray from Arrow Video, and Jules Dassin’s Topkapi (1964) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen has offered his reviews of Corey Yuwn’s Yes, Madam! (aka In the Line of Duty II) (1985) and Arthur Wong and Brandy Yuen’s In the Line of Duty III (1988) each on Blu-ray from 88 Films, as well as Michael Schaack’s animated but rarely-seen classic Felidae (1994) in 4K Ultra HD from Deaf Crocodile Films.

As always, more reviews are on the way next week, so be sure to keep your eyes peeled for them.

Now then, we have a bunch of release news and official title announcements to share with you today, so let’s dive right in...

First, Universal Studios Home Entertainment has officially set Jon M. Chu’s Wicked: Part One (2024) for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release on 2/4. The 4K disc will feature Dolby Vision HDR and Dolby Atmos audio, and all the SKUs will include over an hour of bonus features, including deleted and extended scenes, audio commentary with the director, a second audio commentary with stars Cynthia Ervio and Ariana Grande, the Making Wicked documentary, and a sing-along viewing option for the film. You can see the final cover artwork at left and also below the break. [Read on here...]

All right, today is Election Day here in the States, which means that partisans on both sides (and everyone in between) are feeling grumpy, nervous, or just over the whole damn thing. Some folks this evening or tomorrow—or at some point in the next two months—will be happy-ish. But while none of this feels normal, it may actually be the new normal, and that too is unsettling for lots of people.

Given all of that, I wanted to share a post today here at The Digital Bits that might actually serve as a balm or a ray of sunshine for movie and 4K fans—or at least a bit of welcome news—no matter what the outcome of today’s voting might be. So stay tuned for that in a moment.

First though, we’ve got a trio of new disc reviews to share with you here today, including...

Stephen’s take on Robert Rossen’s All the King’s Men (1949) in 4K Ultra HD from Sony Pictures Home Entertainment’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Dennis’ review of Robert Rossen’s Body and Soul (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on Alberto Cavalcanti’s Nicholas Nickleby (1947) on Blu-ray from Kino Classics.

More reviews are definitely on the way soon, including my own look at Arcane: League of Legends in 4K UHD from GKids and Shout! Studios. So be sure to watch for them. [Read on here...]

We’ve got one more new disc review to close out the week...

Stuart has turned in his take on Michel Boisrond’s Naughty Girl (1956) on Blu-ray from Kino Classics. It’s a French comedy starring Brigitte Bardot.

And more reviews are forthcoming, including possibly starting this weekend. So be sure to keep your eyes peeled both here and on our various social media (including @billhuntbits and @thedigitalbits).

Now then, the big news today is that our friends at Arrow Video have just unveiled their January Blu-ray and 4K slate.

And as you might expect, it includes a couple of long-awaited gems, as well as a few titles other labels have released previously (but Arrow always makes their own versions special). [Read on here...]

We’ve got some MAJOR announcement news to share with you all today, we’re starting things off as always with four new disc reviews...

Tim has checked in with his thoughts on Arthur Rankin Jr. and Jules Bass’ animated The Last Unicorn (1982) in 4K Ultra HD and 4K Steelbook from Shout! Studios.

And Dennis has weighed in with this take on Norman Z. McLeod’s My Favorite Spy (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Serge Bourguignon’s Two Weeks in September (1967) on Blu-ray from Kino Classics.

Now then, our friends at Shout! Studios and the Warner Archive Collection have announce major slates of Blu-ray and 4K Ultra HD catalog titles for release in November and December!

The Warner Archive Collection has revealed 6 new classic Blu-ray titles for release on 11/26, including Jean Negulesco’s Humoresque (1946)—mastered from a 4K scan of original nitrate camera negative—Jack Haley Jr. That’s Entertainment! (1974)—re-constructed from original negatives and preservation elements—The Complete Thin Man Collection (1934-47)—a 6-disc set mastered from 4K scans of the best surviving elements, featuring WS Van Dyke’s pre-Code The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941), as well as Richard Thorpe’s Song of the Thin Man (1944), and Edward Buzzell’s The Thin Man Goes Home (1947)—Hanna-Barbera’s animated Wait Till Your Father Gets Home (1972-74) TV series—featuring 48 episodes on 6 discs—Gary David Goldberg’s Must Love Dogs (2005), and finally the Looney Tunes Collector’s Choice: Volume 4 (1937-64)—including 27 classic Looney Tunes fully restored and remastered shorts, including Friz Freleng’s Streamlined Greta Green (1937), Double Chaser (1942), Meatless Flyday (1944), Peck Up Your Troubles (1945), Along Came Daffy (1947), A Bone for a Bone (1951), Muzzle Tough (1954), Stork Naked (1955), Hyde and Go Tweet (1960), Lighter Than Hare (1960), D’ Fightin’ Ones (1961), Devil’s Feud Cake (1963), and Road to Andalay (1964), Tex Avery’s The Sneezing Weasel (1938) and Dangerous Dan McFoo (1939), Tex Avery and Bob Clampett’s The Cagey Canary (1941), Chuck Jones’ Fox Pop (1942), Mouse-Warming (1952), Double or Mutton (1955), and Hopalong Casualty (1960), Robert McKimson’s The Mouse-Merized Cat (1946), Henhouse Henery (1949), Leghorn Swoggled (1951), Muscle Tussle (1953), and Quack Shot (1954), Arthur Davis’ Holiday for Drumsticks (1949), and Norm McCabe’s The Impatient Patient (1942). Whew! [Read on here...]

We’re finishing up the week with a pair of additional disc reviews here, including...

Stephen’s look at John Krasinski’s If (2024) in 4K Ultra HD from Paramount.

And Stuart’s thoughts on Vittorio De Seta’s Bandits of Orgosolo (1960) on Blu-ray from Radiance Films.

As always, more reviews are on the way, so be sure to watch for them.

We’ve also just finished a massive update of our 4K Ultra HD Release List here at The Bits as promised to include everything announced for the format in the last few weeks, with A/V details (if known) and Amazon.com pre-order links (if available). We’ve also included some rumored titles from our industry sources and there are a few surprises in there, so you’ll definitely want to give it a look!

And we’ve got a few more new disc announcements for you here today, starting with Imprint’s revelation that they’re releasing Wolfgang Petersen’s The NeverEnding Story (1984) on 4K Ultra HD on 11/27, the final of four catalog 4Ks the company is releasing that month! The release is timed to celebrate the film’s 40th anniversary. This will be a 5-disc set that includes the original US Theatrical Cut and the German Extended Cut on separate 4K Ultra HD discs, the former with Dolby Vision HDR and the latter with HDR10. Both cuts will also be included on separate Blu-rays, and you’ll get an additional Blu-ray that features Lisa Downs’ all-new Life After NeverEnding Story feature-length documentary. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

As always, we’re rounding out the week with more new disc reviews here at The Bits, including...

Tim’s take on producer Roy Huggins’s Colt .45: The Complete Series (1957-60) and Hanna-Barbera’s Yogi Bear and the Magical Flight of the Spruce Goose (1987), both on Blu-ray from the Warner Archive Collection.

Dennis’ look at Dorothy Davenport and Melville Shyer’s The Road to Ruin (1934) on Blu-ray from Kino Classics and Something Weird.

And Stuart’s thoughts on Paolo and Vittorio Taviani’s Allonsanfàn (1974), Pietro Germi’s The Facts of Murder (1959), and Damiano Damiani’s Goodbye & Amen (1977), all on Blu-ray from Radiance Films.

I’ve also just received Denis Villeneuve’s Dune: Part Two (2024) in 4K Ultra HD from Warner Bros., so watch for my in-depth review of that here at The Bits tomorrow sometime. [Read on here...]