Displaying items by tag: Sony Pictures Home Entertainment

We’ve got a bunch of ground to cover today, including a TON of new and recent disc reviews, lots of 4K Ultra HD catalog and new release news, and some regular Blu-ray news as well. I’ve been so distracted over the last week or so, what with all of the major announcements and the time required to track down and confirm release rumors, that I’ve neglected to mention the many disc reviews that we’ve posted here at the site during that time. So, let’s tackle those first...

Stephen has turned in his thoughts on Wes Anderson’s The French Dispatch (2021) and Scott Cooper’s Antlers (2021) from 20th Century Studios, James C Wasson’s Night of the Demon (1980) from Severin Films, and Dario Argento’s Trauma (1993) from Vinegar Syndrome, all on Blu-ray Disc.

Tim has looked at Barry Sonnenfeld’s The Addams Family (1991) from Paramount, David Lynch’s Mulholland Drive (2001) from Criterion, Dennis Donnelly’s The Toolbox Murders (1978) from Blue Underground, and William Lustig’s Maniac Cop 3: Badge of Silence (1993) from Blue Underground, all in 4K Ultra HD, as well as the Nasty Habits: The Nunsploitation Collection from Severin Films, John Hancock’s Let’s Scare Jessica to Death (1971) from Imprint Films, Mike Judge’s Beavis and Butt-Head Do America (1996) from Paramount, and Brian Trenchard-Smith’s Turkey Shoot (1982) from Umbrella Entertainment, all on Blu-ray.

And Dennis has delivered his take on Frank Capra’s It’s a Wonderful Life (1946) as recently re-issued by Paramount, as well as Hal Ashby’s Harold and Maude (1971), also from Paramount and both released on regular Blu-ray.

All of these titles are worth a look and there’s certainly something for everyone in that line-up. If you’re a fan of It’s a Wonderful Life, don’t forget that our own Michael Coate recently profiled the film for its 75th anniversary in his most recent History, Legacy and Showmanship column here at The Bits—it’s definitely worth a look if you missed at Christmas time. [Read on here...]

First things first today: The Criterion Collection has just announced their April Blu-ray and 4K release slate and—as always—it’s another great list of titles.

Look for Alex Cox’s Walker (Spine #423 – Blu-ray and DVD) on 4/12, Vittorio De Sica’s Miracle in Milan (Spine #1119 – Blu-ray and DVD) and Frank Tashlin’s The Girl Can’t Help It (Spine #1120 – Blu-ray only) on 4/19, and Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (Spine #1121 – Blu-ray and DVD), Bertrand Tavernier’s ‘Round Midnight (Spine #1122 – Blu-ray and DVD), and Al Reinert’s For All Mankind (Spine #54 – 4K Ultra HD – Blu-ray and DVD already available) on 4/26. You can see the 4K art for For All Mankind on the left, and we’ll post the rest of the cover artwork over the next few days as the titles become available for pre-order on Amazon.

Here’s some more great breaking news: Our friends at Powerhouse Films have just informed us that their outstanding Indicator label—which already delivers fantastic special edition Blu-ray titles to the UK and European market—is officially coming to the US!

The company has partnered with Distribution Solutions, a division of Alliance Entertainment, to ensure that retailers throughout North America will be able to carry Indicator releases. These will include Amazon, Barnes and Noble, Sunrise, Critics Choice, and DiabolikDVD. The first Indicator titles should start becoming available here in the US starting this week. [Read on here...]

We’ve got some good news today for those of you who are fans of The Beatles. But first one more new disc review...

Tim has just posted an in-depth look at ClassicFlix’s new Blu-ray release of The Abbott and Costello Show: Season 1, a 3-disc set that includes all 26 episodes fully restored from the original camera negatives by our old friend Bob Furmanek and his restoration team at 3-D Film Archive.

Plus, the set includes a remarkable batch of extras, including many new audio commentary tracks, alternate audio tracks (full or partial audience laugh tracks), and a featurette on the process of saving the negatives and restoring the image and sound. Do give it a look.

Now then, Disney has officially confirmed that they plan to release the 3-part The Beatles: Get Back documentary on Blu-ray and DVD on 2/8. [Read on here...]

Wednesday afternoon here at The Bits brings new disc reviews and more release news as well...

First, Tim has posted his thoughts on Michael Felsher’s excellent new documentary After Effects: Memories of Pittsburgh Filmmaking, now available on Limited Edition Blu-ray from his own new label, Red Shirt Video. Sounds like it’s a pretty terrific release so do check it out.

By the way, after you enjoy that, here’s a link to an interview I did way back in 2005 (on the original Bits website) with writer/director John Harrison about Effects and his work with Romero and other Pittsburgh filmmakers. (Just pardon the messy formatting.)

Also this afternoon, Stephen has posted reviews of William Beaudine’s The Old Fashioned Way (1934) on Blu-ray from Kino Lorber Studio Classics, as well as Sarah Smith, Jean-Philippe Vine, and Octavio E. Rodriguez’s Ron’s Gone Wrong in 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming in the days ahead, including several that I’m working on, so be sure to keep your eyes peeled for them. [Read on here...]

Welcome to 2022, folks! As usual, we’ve got some new reviews and a bunch of Blu-ray and 4K Ultra HD release news to report today. So we’ll start with those reviews first...

Tim has posted his thoughts on Giorgio Ferroni’s 1060 Italian Gothic horror title Mill of the Stone Women, which is now available on Blu-ray from Arrow Video. He’s also taken a look at Ronin Flix’s new 4K Ultra HD release of Meir Zarchi’s controversial I Spit on Your Grave (1978).

Also, Dennis has turned in his thoughts on Mitchell Leisen’s Golden Earrings (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered a look at George Nierenberg’s Say Amen, Somebody (1982) on Blu-ray from Milestone Video and Kino Lorber proper.

More reviews are forthcoming all week, so be sure to keep your eyes peeled for them. [Read on here...]

We’re taking it a little easy here at The Bits this week, especially in this stretch between the holidays, so that our whole team can relax, unwind, and focus on family and whatnot. But we do have a good post today with release news, a new disc review, and a bit of a look ahead at a few new 4K UHD catalog titles that we expect to arrive sometime in the new year. As always, let’s start with the review first...

Stephen has given Paul Morrissey’s Flesh for Frankenstein (1973) an in-depth review in 4K Ultra HD from Vinegar Syndrome. The disc includes both 4K, Blu-ray, and Blu-ray 3D in both polarized and anaglyph form (thanks to a restoration via the 3-D Film Archive). Sounds like it’s a nice set, but there’s a problem with the 4K disc in the package that’s being corrected (replacement discs will be issued in January sometime). The disc will be available for sale again on the company’s website early next year.

Now then, the big news we have is that Sony has finally officially announced both Ghostbusters: Afterlife for release on Blu-ray, DVD, and 4K Ultra HD on 2/1, as well as the Ghostbusters Ultimate Collection 4K UHD/Blu-ray box set (including Ghostbusters, Ghostbusters II, and Ghostbusters Afterlife) that same day. Note that the Ghostbusters Ultimate Collection will also include Paul Feig’s Ghostbusters: Answer the Call in 4K Digital, along with 4K Digital versions of the other films as well. All of these 4K UHD discs will include Dolby Atmos audio and both Dolby Vision and HDR10 high dynamic range. [Read on here...]

It’s a little crazy here at The Bits this week, so today’s news post is going to be a quick one. But we’ve got some more new disc reviews for you, more announcement news, and some new cover artwork too. First the reviews...

Dennis has turned in his thoughts on Harry Keller’s The Brass Bottle (1964) on Blu-ray from Kino Lorber Studio Classics.

Stephen has delivered a look at Alfred Hitchcock’s Number Seventeen (1932), also on Blu-ray from Kino Lorber Studio Classics.

And Tim has reviewed Jimmy Wang Yu’s The Chinese Boxer (1970), a Shaw Brothers title new on Blu-ray from 88 Films, as well as Francois Simard, Anouk Whissell, and Yoann-Karl Whissell’s Summer of 84 (2018) on 4K Ultra HD from Gunpowder & Sky.

All of these are work a look, so do check them out if you’re interested. [Read on here...]

All right, we have some new and recent disc reviews for you all to enjoy today...

Stephen has checked in with his thoughts on James Gunn’s The Suicide Squad in 4K Ultra HD from Warner, along with Claude Chabrol’s Blue Panther (1965) from Kino Lorber Studio Classics and Jean Renoir’s Whirlpool of Fate (1925) from Kino Classics both on Blu-ray Disc.

Also, Tim has checked out Philip Kaufman’s Invasion of the Body Snatchers (1978) in 4K Ultra HD from Kino Lorber Studio Classics, along with Richard Friedman’s Phantom of the Mall: Eric’s Revenge (1989) from Arrow Video on Blu-ray.

And Dennis has turned in his take on Basil Dearden’s The Assassination Bureau (1969) on region-free Blu-ray from Imprint Films and Via Vision.

Lots more reviews are on the way, including several 4K UHD titles that I’m diving into this week, so be sure to stay tuned for them. [Read on here...]

We’ve got a few more interesting pieces of release news for you all today, as well as more new disc reviews. Let’s get to the latter first...

Stephen has reviewed Robert Schwentke’s Snake Eyes: G.I. Joe Origins (2021) on 4K Ultra HD from Paramount, along with Norman Z. McLeod’s It’s a Gift (1934) on Blu-ray from Kino Lorber Studio Classics, and William A. Fraker’s A Reflection of Fear (1972) on Blu-ray from Imprint.

Also, Dennis has turned in his thoughts on Mark Robson’s Isle of the Dead (1945) on Blu-ray from the Warner Archive Collection and Stuart Heisler’s Among the Living (1941) on Blu-ray from Kino Lorber Studio Classics.

More reviews are on the way over the next several days, so be sure to watch for them.

Now then... in announcement news today, Sony Pictures Home Entertainment has just officially set Andy Serkis’ Venom: Let There Be Carnage for release on Blu-ray, DVD, and 4K Ultra HD on 12/14, with the Digital release due on 11/23. The 4K disc will include HDR10 high dynamic range and Dolby Atmos audio. Extras on both the Blu-ray and 4K will include outtakes & bloopers, 6 deleted scenes, and 4 behind-the-scenes featurettes (Eddie & Venom: The Odd Couple, Sick and Twisted Cletus Kasady, Concept to Carnage, and Let There Be... Action). You can see the cover artwork above-left and also below. [Read on here...]

Today’s update is just a quick one, but we have more reviews for you and some great announcement news too...

First up, I’ve just taken an in-depth look at Imprint’s new Space: 1999 – The Complete Series Ultimate Edition Blu-ray box set, which is far and away the most comprehensive version of the series released yet on this format. It contains all 48 episodes of the series in 1080p (the Network remasters) with the correct mono & 5.1 audio mixes (not the flawed 5.1 from the Shout! Factory set), PLUS nearly all of the special features from the Network Blu-ray sets, AND nearly all of the recent Shout! Factory exclusive extras, AND all four compilation films too! It even comes with a new 48-page liner notes book, The Making of Space: 1999, by Ian Fryer of Fanderson. Best of all? It’s an ALL REGION release, so there’s not need to have an all-region Blu-ray player to watch the contents. As an Australian import, it’s a little pricey. But if you’re a fan of this series, trust me when I say that this is definitely the Blu-ray set you want.

Also today, our own Tim Salmons has taken a look at Imprint’s new Blu-ray edition of Mike Newell’s The Awakening (1980). And he’s reviewed the recent Scream Factory version of The Awakening as well, for the sake of comparison. [Read on here...]