“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

Our previous celebratory 007 articles include Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]

“While Octopussy may always be fated to be best remembered as the Bond film that went head-to-head with Never Say Never Again, its real legacy was to reaffirm the relevance of the series to an increasingly sophisticated international audience that was being presented by a resurgent action movie genre which was offering whole new levels of cinematic spectacle and excess.” — 007 historian Thomas A. Christie

The Digital Bits is pleased to present this retrospective commemorating the 35th anniversary of the release of Octopussy, the thirteenth (official) cinematic James Bond adventure and the sixth (of seven) to star Sir Roger Moore as Agent 007.

Our previous celebratory 007 articles include Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of James Bond historians who discuss the virtues, shortcomings and legacy of Casino Royale (1967). [Read on here...]

The Living Daylights was an admirable attempt to inject the series with renewed purpose and to ensure that it remained germane to moviegoers of the time.” — 007 historian Thomas A. Christie

The Digital Bits is pleased to present this retrospective commemorating the 30th anniversary of the release of The Living Daylights, the fifteenth (official) cinematic James Bond adventure and, most notably, the first to feature Timothy Dalton in the lead role and the last to feature a musical score by John Barry.

As with our previous 007 articles (see The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong), The Bits and History, Legacy & Showmanship continue the series with this retrospective featuring a Q&A with an esteemed group of James Bond scholars, documentarians and historians who discuss the virtues, shortcomings and legacy of The Living Daylights. [Read on here...]

“If [Roger] Moore had ended his Bond tenure with For Your Eyes Only, [the film] would’ve been all the more noteworthy.” — Bill Desowitz

The Digital Bits is pleased to present this retrospective commemorating the 35th anniversary of the release of For Your Eyes Only.

The twelfth cinematic James Bond adventure, it was the fifth to feature Roger Moore as Agent 007, the first of five directed by John Glen, and featured Sheena Easton’s chart-topping and Oscar-nominated title song.  [Read on here...]

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