My Two Cents
Morning folks! We’ve got some great release news for you today! And unfortunately, my neighborhood here in SoCal is experiencing some kind of major power disruption (I’m looking at like 20 utility tricks outside my office window right now) or I’d have had this up for you all last night.
First, some new disc reviews, as always…
Stuart has taken an in-depth look at Imprint’s excellent new Blu-ray box set of the classic British sci-fi TV series The Prisoner: The Complete Series (1967-1968). In short: It’s excellent. Do give it a look.
Also, our new team member Sam Cohen has reviewed Peter Hyams’ Narrow Margin (1990) in 4K Ultra HD from Kino Lorber Studio Classics.
And Dennis has turned in his thoughts on Tibor Takács’ Sabotage (1996) on Blu-ray from the MVD Rewind Collection!
And more reviews are on the way this week, including (but not limited to) Furiosa and Kingdom of the Planet of the Apes in 4K, so be sure to watch for those soon.
Now then… Walt Disney Studios Home Entertainment has just officially announced the 4K Ultra HD release of two popular M. Night Shyamalan films on 10/22! Here’s the official press release (which continues below the break)…
TWO ICONIC M. NIGHT SHYAMALAN FILMS, THE SIXTH SENSE
AND SIGNS, ARRIVE ON 4K UHD FOR THE FIRST TIME EVER!
IN ADDITION, A SPECIAL BUNDLE INCLUDING UNBREAKABLE WILL
BE AVAILABLE EXCLUSIVELY AT DIGITAL RETAILERS
THE SIXTH SENSE CELEBRATES 25 YEARS!
BURBANK, CA. (August 26, 2024) – The Sixth Sense and Signs, two iconic thrillers from Oscar-nominated director, M. Night Shyamalan, will be available for the first time ever in stunning 4K UHD digital on August 27, and 4K UHD Blu-ray disc on October 22. The original negatives for both films were scanned at 4K resolution and restored in High Dynamic Range (HDR). [Read on here...]
The big news today is that Warner Bros. Discovery Home Entertainment has just set M. Night Shayamalan’s Trap (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 11/5, with the Digital release expected on 8/30. Extras on the 4K will include 2 featurettes (Setting the Trap: A New M. Night Shayamalan Experience and Saleka as Lady Raven), as well as 3 deleted scenes, and an extended concert scene. The press release doesn’t indicate the A/V specs, but it’s reasonable to expect Dolby Atmos audio and HDR10 high dynamic range.
Here’s something pretty terrific: Severin Films has just a 13-disc All the Haunts Be Ours: A Compendium of Folk Horror – Volume Two box set for release on 11/12. The set includes 24 international folks horror classics, with 55+ hours of extras, and a 252-page hardcover of new folk horror fiction. [Read on here...]
We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...
Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.
Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.
Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.
And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.
Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]
All right, Bits readers, today is a tough one news-wise, and it has little to do with specific title release news or announcements.
We’ve learned from multiple sources now that the 15% US workforce cuts at Paramount Global—a restructuring that’s happening in advance of the company’s merger with Skydance Media to reduce annual costs by some $500 million—have landed very heavily on the Melrose lot. As reported widely last week, the layoffs amount to about 2,000 people, with most expected to be gone by the end of next month and the rest by year’s end.
Current co-CEOs George Cheeks, Brian Robbins, and Chris McCarthy have described the layoffs thusly in a memo to the workforce: “As we continue to advance our plan, we announced on our earnings call last week that we will be reducing our US-based workforce by approximately 15%, focusing on redundant functions and streamlining corporate teams.”
The expectation was that every division would be impacted. As reported last week, Paramount Television Studios has been shuttered completely. What’s not been reported widely yet is the impact on overall studio operations.
The Digital Bits sources indicate that nearly every department has been affected—in a few cases severely—from marketing, legal, and accounting, to production, post-production, finance, mastering, vault and library services, and unfortunately also Paramount Home Entertainment. The cuts are reportedly not so deep as to result in a complete loss of institutional knowledge, but they’re more than deep enough to result in major workflow disruptions. [Read on here...]
We’ve got a good bit of ground to cover here at The Bits today, so let’s start as always with new disc reviews...
Now available here are Stephen’s take on Francis Ford Coppola’s The Conversation (1974) in 4K Ultra HD from StudioCanal, David Allen’s The Primevals (2023) as released on Blu-ray by Umbrella Entertainment, and the Blu-ray Audio version of Jonathan Demme and Talking Heads’ Stop Making Sense (1984) live album, which includes Dolby Atmos.
Stuart’s look at the Philo Vance Collection on Blu-ray from Kino Lorber Studio Classics—which includes The Canary Murder Case (1929), The Greene Murder Case (1929), and The Benson Murder Case (1930)—as well as George King’s The Shop at Sly Corner (1947) and the Columbia Film Noir #6: The Whistler box set—which includes The Whistler (1944), The Mark of the Whistler (1944), The Power of the Whistler (1945), Voice of the Whistler (1945), Mysterious Intruder (1946), The Secret of the Whistler (1946), The Thirteenth Hour (1947), and The Return of the Whistler (1948)—both on Blu-ray from Indicator.
Dennis’ thoughts on Basil Dearden’s The Man Who Haunted Himself (1970) on Blu-ray from Imprint and Welcome Back, Kotter: The Complete Series (1975-1979) on DVD from Warner Bros. Discovery Home Entertainment.
And finally, Tim has taken a look at Arch Oboler’s Bwana Devil (1952) on Blu-ray 3D from Kino Lorber Studio Classics with the help of the 3-D Film Archive.
More reviews are forthcoming, so stay tuned!
Now then, before we get to the big release news today, I wanted to alert you all to the fact that we’ve just posted a big update to our Cover Art section here at The Bits, aka the Release Dates & Artwork section (thanks to our own Russell Hammond)! It now features TONS of new Blu-ray, DVD, and 4K Ultra HD cover art, all with Amazon.com pre-order links. You can browse and sort the titles by street date and format, and of course The Bits is an Amazon Affiliate, so anytime you click through one of our Amazon links and order literally anything from them, you’re helping to support our work and we really do appreciate it. It makes a real difference for us. [Read on here...]