Displaying items by tag: Vinegar Syndrome

We have two more new disc reviews for you here at The Bits today, including…

Stephen’s thoughts on Walter Hill’s Southern Comfort (1981) in 4K Ultra HD from Vinegar Syndrome, as well as his take on another of Toho’s recent Godzilla 4K UHD releases, in this case Ishirō Honda’s Destroy All Monsters (1968). Once again, this is a region-free Japanese import release, but with no English subtitles.

The big announcement news today is that our friends at the Criterion Collection have officially unveiled their May release slate, which is set to include an upgrade of A Story of Floating Weeds/Floating Weeds: Two Films by Yasujiro Ozu (1934/1959) (Spine #232 – Blu-ray and DVD) on 5/7, followed by an upgrade of Michael Powell’s Peeping Tom (1960) (Spine #58 – 4K UHD + Blu-ray and Blu-ray) on 5/14, Three Revolutionary Films by Ousmane Sembène (Spine #1217 – Blu-ray and DVD)—which includes Emitaï (1971), Xala (1975), and Ceddo (1977)—on 5/21, and Justine Triet’s Anatomy of a Fall (2023) (Spine #1218 – Blu-ray and DVD) and Karyn Kusama’s Girlfight (2000) (Spine #1219 – Blu-ray) on 5/28.

You can see the cover art for Peeping Tom at left, and all of them below the break. We’ve updated our Criterion Spines Project listing here at The Bits accordingly. [Read on here...]

We’ve got two new disc reviews for you to enjoy this afternoon, both of them Blu-ray titles…

First, Stephen has taken a look at John Dahl’s Red Rock West (1993) on Blu-ray, which is one of the first titles in Vinegar Syndrome’s new Cinématographe line, curated by our friend (and producer) Justin LaLiberty.

And I’ve reviewed Umbrella Entertainment’s recent Frank Herbert’s Dune Complete Collection Blu-ray box set, which includes John Harrison’s Dune (2000) miniseries along with Greg Yaitanes’ Children of Dune (2003) miniseries, as well as a ton of great special features and swag, all in super-deluxe packaging.

More reviews are forthcoming, including—in the next day or two—my take on Francis Lawrence’s The Hunger Games: The Ballad of Songbirds & Snakes (2023) from Lionsgate and Ronald F. Maxwell’s Little Darlings (1980), both of them in 4K Ultra HD. Little Darlings, I should note, is the other debut title in Vinegar Syndrome’s new Cinématographe line. So watch for those very soon.

We’ve also updated our 4K Ultra HD Release List here at The Bits, along with our Release Dates & Artwork section, both of which now include all the latest announced titles, with Amazon pre-order links.

And over on The Digital Bits’ Patreon, we’ve shared a new piece by Stephen on the ethics of altering films for release in other forms (for example B&W), and the challenges in trying to determine how films should look sometimes years later on home video, as well as some fun content from our friends over at The Bigger Pictures Film Restoration (more on that in a minute). As always, we really appreciate your support of The Digital Bits, which helps us to continue our work here at the site in support of physical media. And becoming a Patreon member is a great way to do that. We’re working to build a pretty terrific little community over there where Bits readers can hang out and share their thoughts and experiences. So you’re all welcome to join us there! [Read on here...]

All right, if you thought yesterday’s post was busy with news, we’ve got another banger for you here today! But first, the day’s disc reviews...

Stuart has offered his thoughts on Henri Verneuil’s I... for Icarus (1979) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Neil Burger’s The Marsh King’s Daughter (2023) on Blu-ray from Lionsgate.

And just one more thing... Tim has delivered his take on Kino Lorber Studio Classics’ new Columbo: The 1970s – Seasons 1-7 Blu-ray box set as well. Enjoy!

Now then, a quick note: All of the Criterion Collection April titles we shared the cover artwork for in yesterday’s post now have Amazon pre-order links, though the actual pre-orders have yet to begin. But that should happen very soon. We’ve added the links to our 4K Ultra HD Release List here at The Bits as well.

We’re starting today with exciting news for music, concert film, and Talking Heads fans: A24 is going to begin pre-orders for their forthcoming 4K Ultra HD and Blu-ray Collector’s Edition release of Jonathan Demme’s Stop Making Sense (1984) on 1/27. The official street date and other details are still TBA. And per Variety, the film will return to IMAX theaters around the country that same day for month-long residence screenings. You can read more here.

Following up on yesterday’s news column, Warner Bros. Discovery Home Entertainment and DC have just officially announced the Blu-ray, DVD, and 4K Ultra HD release of James Wan’s Aquaman and the Lost Kingdom on 3/12. The Digital release will be available on 1/23. Extras on all versions will include 7 featurettes (Finding the Lost Kingdom, Aquaman: Worlds Above and Below, It’s a Manta World, Necrus, the Lost Black City, Escape from the Deserter World, Brawling at Kingfish’s Lair, and Oh TOPO!). To this, the Digital version will add the exclusive Aquaman Through Fire and Water motion comic. And the Blu-ray and 4K Ultra HD will also add the exclusive Atlantean Blood Is Thicker Than Water featurette. Note that the 4K Ultra HD will also feature Dolby Vision HDR and Dolby Atmos audio. You can see the cover artwork at left and also below. [Read on here...]

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

This is the Martin Luther King Jr. Day holiday here in the States, so there’s not a lot of release news happening at the moment. But we do have a few things to report for you today, plus some new disc reviews including...

Stuart’s thoughts on Kino Classics’ Soundies: The Ultimate Collection Blu-ray set, featuring short films of the 1940s, and E.A. Dupont’s Picadilly (1929) Blu-ray from Milestone Films and Kino Lorber.

Dennis’ take on Miloš Forman’s Valmont (1989) and Robert Wise’s Odds Against Tomorrow (1959) on Blu-ray from Kino Lorber Studio Classics, as well as W.S. Van Dyke’s Tarzan the Ape Man (1932) on Blu-ray from the Warner Archive Collection.

And Stephen’s look at Michael Mann’s Blackhat (2015) on 4K Ultra HD from Arrow Video, as well as Joel M. Reed’s Bloodsucking Freaks (1976) and Michael Armstrong’s Mark of the Devil (1970) in 4K Ultra HD from Vinegar Syndrome.

More reviews are forthcoming all this week, so be sure to keep your eyes peeled for them!

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Blitz Bazawule’s The Color Purple (2023) for release on Blu-ray, DVD, and 4K Ultra HD on 3/12, with the Digital release expected tomorrow on 1/16. Extras will include 4 behind-the-scenes featurettes (including Creating The Color Purple: A Bold New Take on the Beloved Classic, Hell Yes! The Iconic Characters of The Color Purple, In the Flow: Creating The Color Purple’s Biggest Musical Moments, and A Story For Me: The Legacy of The Color Purple). You can see the cover art below. [Read on here...]

We’re finishing the week here at The Bits first with more new disc reviews, including…

Stuart’s take on Fran Rubel Kuzui’s Tokyo Pop (1988) and Michael Powell’s The Edge of the World (1937) both on Blu-ray from Kino Lorber Studio Classics.

Dennis’ thoughts on Allen Baron’s Blast of Silence (1961) on Blu-ray from Criterion, Josh Greenbaum’s Strays (2023) on Blu-ray from Universal, Bernard Girard’s Dead Heat on a Merry-Go-Round (1966) on Blu-ray from Imprint Films, and Val Guest’s The Quartermass Xperiment (1955) on Blu-ray from Hammer Films via Kino Lorber Studio Classics.

And Stephen’s review of The Films of Doris Wishman: The Daylight Years on Blu-ray from AGFA, Something Weird, and Vinegar Syndrome, Justice League x RWBY: Super Heroes & Huntsmen – Parts One and Two (2023) on 4K Ultra HD from Warner Bros. and DC, and Jannik Hastrup and Flemming Quist Møller’s animated classic Benny’s Bathtub (1971) on Blu-ray from Deaf Crocodile via Vinegar Syndrome.

As always, more reviews are forthcoming next week, so be sure to watch for them.

Also, we’ve posted a few interesting things on our new Patreon page, including a new film review (not a disc review) from Stephen of Takashi Yamazaki’s Godzilla Minus One (2023) as well as a blog post from yours truly about the future 4K Ultra HD plans of a major studio we tend to talk a lot about here at the site. I’ll have more to say about that subject here on The Bits in the weeks and months ahead, but the blog posts I’ve been doing on Patreon felt like the more appropriate place to vent a little bit on the subject. [Read on here...]

Afternoon, folks! I certainly hope that those of you who celebrate it have had a great Christmas holiday, and that the rest of you are enjoying the holiday season.

I’ve got just a quick update here for you today and I’ll post a little more as the week goes on. This time of year there’s typically very little news-wise worth reporting, but there are some odds and ends to cover.

First though, I want to catch you up on the latest disc reviews we’ve posted here at The Bits since our last news post last week. Now available for your reading pleasure here are...

My reviews of James Cameron’s Avatar: Collector’s Edition (2009) and Avatar: The Way of Water – Collector’s Edition (2022) in 4K Ultra HD from Lightstorm and 20th Century Studios.

Tim’s thoughts on Richard Donner’s Scrooged: 35th Anniversary Edition (1988) in 4K from Sony and George Mihalka’s My Bloody Valentine: Collector’s Edition (1981) in 4K from Scream Factory.

Dennis’ takes on David Gordon Green’s The Exorcist: The Believer (2023) in both Blu-ray and 4K Ultra HD from Universal, as well as Oren Rudavsky’s The Treatment (2006) on Blu-ray from Kino Lorber, and Richard Attenborough’s In Love and War (1996) on Blu-ray from the Warner Archive Collection.

Stephen’s reviews of Charles Kaufman’s Mother’s Day (1980) in 4K from Troma via Vinegar Syndrome, Emma Tammi’s Five Nights at Freddy’s in 4K from Universal, and Ti West’s Pearl (2022) in 4K from A24 via Turbine Media.

And finally Stuart’s look at Succession: The Complete Series on DVD from HBO, Alain Resnais’ La Guerre est finie (1966) on Blu-ray from The Film Desk and Vinegar Syndrome, and Paul Lynch’s The Hard Part Begins (1973) on Blu-ray from Canadian International Pictures via Vinegar Syndrome. [Read on here...]

Good afternoon, everyone! We’re well into the week before Christmas now and—as seems to be true every year—the period right around the holiday tend to be packed with review work, as all of the big fourth quarter titles keep rolling in. Last week was certainly that way, and this week is proving to be no different. So with that in mind, here’s a look at...

Stephen’s review of Gareth Edwards’ terrific sci-fi tale The Creator (2023) in 4K Ultra HD from 20th Century Studios via Buena Vista Home Entertainment.

Tim’s look at Fred Dekker’s The Monster Squad (1987) in 4K Ultra HD form Kino Lorber Studio Classics, Andrzej Zulawski’s Possession: Collector’s Edition (1981) in 4K Ultra HD from Umbrella Entertainment, and ALF: The Complete Series on DVD from Shout! Factory.

Dennis’ take on Marcel Sarmiento and Gadi Harel’s Deadgirl: 15th Anniversary Edition (2008) on Blu-ray from Dark Sky Films via Unearthed Films.

And Stuart’s thoughts on Georg Fenady’s Arnold (1973) on Blu-ray from Vinegar Syndrome.

Of course, that’s not all. We’re still working on several more new disc reviews that we hope to share before the Christmas holiday. For my own part, I’m currently checking out Umbrella Entertainment’s new Frank Herbert’s Dune & Children of Dune: Collector’s Edition Blu-ray box set, and I expect any time now have the new Avatar and Avatar: The Way of Water – Collector’s Edition 4K Ultra HDs in hand for review. So watch for those and more in the days ahead. [Read on here...]

All right, as you’ve probably seen here on The Digital Bits, I’ve now shared my thoughts on the 4K Digital remasters of James Cameron’s The Abyss, True Lies, and Aliens. These reviews have been shared after looking at each of the remasters as they currently appear on Vudu, Movies Anywhere, and Apple TV/iTunes, allowing for streaming quality variations in each. So if you’re interested in those, you’ll find my take on each via the title links provided in this paragraph.

Rest assured, I will also be reviewing the forthcoming 4K Ultra HD disc versions of those films, and the forthcoming Avatar and Avatar: The Way of Water collector’s editions when they arrive. And the rest of The Bits team is working on a whole slate of disc reviews for next week and beyond… allowing of course for the usual holiday season distractions of family and the like.

Based on some of the interesting… I’ll generously call them conversations (but they’re more like angry bitch-fests)… on social media over the past couple weeks about some of these 4K titles, I’m also written a essay entitled A Word About Screenshots, Reviewing, and Trusting Opinions on the Internet that you can find over on The Digital Bits’ new Patreon page.

Not only is subscribing to our Patreon page a great way to support our work here at The Digital Bits—if you believe in it and find that it brings your enjoyment of physical media some value—it’s also becoming a great place to respectfully share your thoughts and ideas about these topics with like-minded people without risking getting attacked or worrying about having snark and scorn heaped upon you… and there’s definitely some value in that too. So please consider check it out, and know that we appreciate each and every one of you, our readers, regardless. [Read on here...]

We’ve got more new disc reviews from The Bits’ team for you this evening...

They start with Stephen’s look at Richard Lester’s Juggernaut (1974) on Blu-ray from Kino Lorber Studio Classics.

Dennis has offered his thoughts on Tod Browning’s The Devil Doll (1936) on Blu-ray from the Warner Archive Collection, along with Jagoda Szelc’s Tower. A Bright Day. and Monument (2018) on Blu-ray from Yellow Veil Pictures via Vinegar Syndrome.

And Stuart has checked in with a look at Dušan Vukotić’s Visitors from the Arkana Galaxy (1981) on Blu-ray from Deaf Crocodile via Vinegar Syndrome, as well as Imprint’s excellent Directed by Sidney J. Furie Blu-ray box set, which includes The Lawyer, Little Fauss and Big Halsy (both 1970), Hit! (1973), Sheila Levine Is Dead and Living in New York (1975), and The Boys in Company C (1978).

As always, more reviews are forthcoming, so be sure to stay tuned for them.

Speaking of reviews... I had the chance this week to talk directly with Lightstorm about the remastering work done for James Cameron’s Titanic on 4K Ultra HD, a disc which should now be in all your of hands. If that’s the case, you’ll know for yourselves that the film looks and sounds fantastic. When I reviewed the title here at The Bits last week, I promised that I would soon be updating that review with details on exactly how the film was remastered for UHD release. And indeed, I’ll be doing exactly that here at the site tomorrow afternoon. But if you subscribe to The Digital Bits’ new Patreon, you can read those details right now. And hey—it’s a great way to help us in our work here at the website if you believe, as we do, in supporting cause of physical media. [Read on here...]