Displaying items by tag: Paramount

Today’s new disc reviews here at The Bits include...

Stuart’s look at Edward Dmytryk’s The Carpetbaggers (1964) on Blu-ray from Paramount via Kino Lorber Studio Classics.

Dennis’ take on William Dieterle’s All That Money Can Buy (1941) on Blu-ray from The Criterion Collection.

And Stephen’s thoughts on Saul Bass’s Phase IV (1974) on 4K Ultra HD from Paramount via Vinegar Syndrome.

Also, today on our Patreon page we’ve invited our supporters to offers their two cents on catalog films they would most like to see released on 4K Ultra HD. We’re going to compile those lists and pass them on to the relevant studios, so do consider joining is there and offering your take!

In announcement news today, Paramount has officially set Bob Marley: One Love for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release on 5/28. Extras will include multiple featurettes (Join Kingsley B, Becoming Bob Marley, The Story, The Cast, On Location: Jamaica and England, and The Band), plus extended and deleted scenes. You can see the cover art at left and also below. [Read on here...]

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

Well, yesterday was kind of a big day in terms of industry news, but as it happens, there have been quite a lot of interesting 4K Ultra HD and Blu-ray announcements in the last 24 hours too!

But before we get to those, we have a few more new disc reviews for you...

I’ve just taken a look at John Sturges’ Gunfight at the O.K. Corral (1957) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Ron Maxwell’s cult classic Little Darlings (1980) in 4K UHD from Vinegar Syndrome’s new Cinématographe Films label.

Stephen has turned in his thoughts on Nia DaCosta’s The Marvels (2023) in 4K Ultra HD from Marvel and Disney, along with Yoshimitsu Banno’s Godzilla vs. Hedorah (1971) on 4K UHD (sans English subs) from Toho Studios in Japan.

Dennis has given Ted Kotcheff’s Split Image (1982) a look on Blu-ray from Kino Lorber Studio Classics, along with Vincente Minnelli’s Madame Bovary (1949) on Blu-ray from the Warner Archive Collection.

And Stuart has reviewed Andrew V. McLaglen’s The Devil’s Brigade (1968) on Blu-ray from Kino Lorber Studio Classics and Steve Zaillian’s Searching for Bobby Fischer (1993) on Blu-ray from Imprint Films.

Many more reviews are forthcoming, including Footloose, Conan the Destroyer, and Justice League: Crisis on Infinite Earths – Part One in 4K, so be sure to keep your eyes peeled for them.

Now then... in terns of title announcements, Paramount’s just dropped a couple of big ones starting with confirmation of a title we’ve mentioned here at The Bits recently: Alex Proyas’ The Crow (1994) officially streets on 4K Ultra HD and 4K Steelbook on 5/7. The 4K disc will include Dolby Vision and HDR10 high dynamic range. [Read on here...]

There’s some good title announcement news to report today, including a long-awaited music release.

But first, we wanted to let you all know that the 3/12 James Cameron 4K titles—The Abyss (1989), True Lies (1994), and Aliens (1986)—are finally available for pre-order on Amazon. And while they currently show full price, the usual 30% off discount should be applied soon. (Anyone who pre-orders now will get that discount when it is finally applied.)

Also now available for pre-order on Amazon is John Guillermin’s King Kong (1975) in 4K Ultra HD Steelbook from Paramount. This is a title that’s been available for a couple of years in the UK from StudioCanal, but it’s finally coming to the US. The film stars Jessica Lange, Jeff Bridges, Charles Grodin, and René Auberjonois (of Star Trek: Deep Space Nine fame).

Click on the title links above to find their respective pre-order pages (and as always, whenever you order literally anything from Amazon after clicking to them through our links, you’re helping to support our work here at The Bits and we appreciate it).

Now then, the big announcement news today is that A24 is finally taking pre-orders for Jonathan Demme’s remastered Stop Making Sense (1984) in A24 Shop-exclusive Blu-ray and 4K Ultra HD Collector’s Editions. Both will include Dolby Atmos audio and the original stereo mix, plus extras (including a 25-minute documentary and 2 bonus tracks—Cities and Big Business/I Zimbra) as well as a 64-page booklet. The 4K will also include Dolby Vision HDR. The title is expected to ship in sometime in May. You can find the pre-order page here. We don’t yet know if there will be a wide-release version eventually, though one is certainly possible. [Read on here...]

More new disc reviews and more release news—that’s the order of business for today here at The Bits!

We start with Tim’s look at S.S. Wilson’s Tremors 2: Aftershocks (1996) in 4K Ultra HD from our good friends over at Arrow Video. Looks like they’ve done a nice job on this title, so do check it out.

Speaking of which, we’ve gotten a look at Arrow’s new Conan the Barbarian (1982) and Conan the Destroyer (1984) 4K Ultra HDs, and—by Crom—they’re fantastic! Watch for our in-depth reviews over the next few days here at the site.

Also today, we have another Toho Japanese kaiju 4K review from Stephen, who takes a look at Ishirō Honda’s Mothra vs. Godzilla (1964) on Ultra HD. Keep in mind, these titles do not include English subtitles, but there’s a workaround for that with certain models of UHD player. Stephen explains it all in the review.

In announcement news this morning, Neon has finally officially set the Blu-ray and DVD release of Michael Mann’s Ferrari (2023) for 3/12, with the 4K Digital release expected to drop tomorrow. Extras will include 5 behind-the-scenes featurettes, among them Michael Mann: Building the World, Building Perfection, The Mille Miglia, Adam Driver on Enzo Ferrari, and Penélope Cruz on Laura Ferrari. The Blu-ray will include Dolby Atmos audio. You can see the cover artwork at left and also below. [Read on here...]

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

We’re just chiming in here quickly again today with a few more pieces of industry news…

The first is physical media related: Paramount Home Entertainment has just listed Gregory Goblit’s Primal Fear (1996) as a new 4K Ultra HD Paramount Presents release on 3/26.

Paramount has also listed David S. Ward’s Major League (1989) for release in 4K Ultra HD and 4K UHD Steelbook format on 4/2 in honor of the film’s 35th anniversary.

We don’t have further details on these yet, but we except the studio to make an official announcement very soon. You can see the cover artwork at left and also below the break. [Read on here...]

We have three more new disc reviews for you again today here at The Bits, including...

Stuart’s thoughts on Wojciech Jerzy Has’ The Saragossa Manuscript (1965) on Blu-ray from Yellow Veil Pictures via Vinegar Syndrome.

Dennis’ take on the vintage Rin Tin Tin double feature of Clash of the Wolves (1925) and Where the North Begins (1923) on Blu-ray from Kino Lorber Studio Classics.

And Tim’s take on another Shawscope: Volume One Blu-ray title from Arrow Video: Lau Kar-Leung’s Heroes of the East (1978), also known as Challenge of the Ninja, Shaolin vs. Ninja, and/or Shaolin Challenges Ninja.

In announcements today, the big news is that Warner Bros. Discovery Home Entertainment and DC Studios have officially set Andy Muschietti’s The Flash for release on Blu-ray, DVD, and 4K Ultra HD on 8/29, with the Digital and “Web3 Movie Experience” expected on 7/18. [Read on here...]

Today’s new disc reviews here at The Bits include...

Stephen’s review of Robert Aldrich’s The Longest Yard (1974) in 4K Ultra HD from Kino Lorber Studio Classics.

His take on James Wan’s Insidious (2010) in 4K Steelbook from Sony Pictures Home Entertainment.

Tim’s reviews of The Five Venoms (1978) and Crippled Avengers (1978) from Arrow’s Shawscope: Volume One Blu-ray box set.

And Stuart’s look at Philippe Le Guay’s The Man in the Basement (2021) on DVD from Kino Lorber and Greenwich Entertainment.

Don’t forget that today is the final day of Amazon’s Prime Day Deals, and there are still LOTS of them to be had on 4K Ultra HD titles, movie and TV collections, and much more. And if you click to Amazon through one of our links (like this one) before you start shopping with them, it makes a huge difference in helping us to keep The Digital Bits going. So we appreciate the support! [Read on here...]

We have three new disc reviews and a nice batch of Blu-ray and 4K Ultra HD title announcements to start the week off for you today...

First, Dennis has reviewed Dave Thomas’ The Experts (1989) on Blu-ray from Kino Lorber Studio Classics.

Dennis and Tim have jointly reviewed Jan de Bont’s The Haunting (1999) in 4K Ultra HD from Scream Factory.

And Tim has reviewed another Shaw Brothers title on disc, in this case Chang Cheh’s Chinatown Kid (1977) from Arrow Video’s fantastic Shawscope: Volume One Blu-ray box set.

In announcement news this morning, Paramount has just made Steven Caple Jr.’s Transformers: Rise of the Beasts (2023) official for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 10/10, with the Digital release set to drop tomorrow (7/11). Extras will apparently include extended and deleted scenes (including an alternate opening and ending) and 9 behind-the-scenes featurettes (Human Affairs, Life in the 90s, Heroes, Villains, The Chase, The Battle of Ellis Island, Into the Jungle, The Switchback Attack, and The Final Conflict). Unfortunately, we don’t have any disc specs. But you can see what we believe is the near-final cover artwork at left and also below the break. [Read on here...]