Displaying items by tag: Cauldron Films

All right, we've had another bout with AI scraping and other AI-related shenanigans here at The Bits website this week, but our meat-brain team has fought back valiantly and all is well here at the site again.

As such, we've got a bunch of news to catch you all up on here today and we have lots more new disc reviews to share with you, including...

Tim’s take on Hal Ashby’s Let’s Spend the Night Together (1983) on Blu-ray from Kino Lorber Studio Classics and Jess Franco’s Vampyros Lesbos (1971) in 4K UHD from Severin Films.

Stephen’s look at Huang Chiang-hua’s Legend of the Sacred Stone (2000) on Blu-ray from Deaf Crocodile, Lucio Fulci’s Conquest (1983) in 4K UHD from Cauldron Films, and William Dear’s Harry and the Hendersons (1987) in 4K UHD from Kino Lober Studio Classics.

Todd thoughts on Imprint’s Directed by John Mackenzie (1980-92) Blu-ray box set, and Bradley Bell and Pablo Jones-Soler’s Charli XCX: Alone Together (2021) on Blu-ray from Kino Lorber.

Stuart’s take on Lewis Allen’s Another Time, Another Place (1958) and the Directed by David Lean: Volume II (1949-55) box set both on Blu-ray from Imprint.

And finally, Dennis’ look at Brian Levant’s Beethoven (1992) and Tomas Alfredson’s The Snowman (2017) both on Blu-ray from Kino Lorber Studio Classics.

As always, more reviews are forthcoming, so be sure to keep checking back!

Now then, we have a few pieces of great title announcement news for you today. First, Sony has officially set Ben Stiller’s The Cable Guy (1996) for 30th anniversary 4K UHD release on 10/6—something we first revealed was coming to our Patreon subscribers several weeks ago! The disc will include a new 4K Dolby Vision presentation restored from the original camera negative, with both a new Dolby Atmos mix and the original English 5.1 audio mix. The package will also include legacy extras as well as a new feature: A 30th Anniversary Conversation with Ben Stiller and Matthew Broderick, from the 2026 Tribeca Film Festival. Great news indeed! [Read on here...]

We’ve got three more new disc reviews for all of you to enjoy today, including…

Tim’s thoughts on Jess Franco’s The Castle of Fu Manchu (1969) in 4K Ultra HD from Blue Underground as well as David Schmoeller’s Crawlspace (1986) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Stephen Sayadian’s Café Flesh (1982) on Blu-ray from Mondo Macabro.

Before we get going today, it looks like we finally know what the next two Steven Spielberg films are that are going to be released in 4K Ultra HD: Multiple retail sources are reporting that both Minority Report (2002) and Catch Me If you Can (2002) are coming to the format before the end of the year from Paramount. Street date for each is TBA, but this isn’t entirely surprising—both films have been recently available Digitally in 4K. As more information comes in, we’ll be sure to let you know.

Speaking of Paramount, their long-delayed 4K Ultra HD Steelbook release of Karyn Kusama’s Æon Flux (2005) is finally set for 10/7.

Also, we have a street date for Christopher McQuarrie’s Mission: Impossible – The Final Reckoning (2025) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook. Look for it to arrive on 10/14. [Read on here...]

We’ve got quite a bit of ground to cover here at The Bits today to wind down the week, starting with a pair of new disc reviews...

Tim has offered his thoughts on Russell Mulcahy’s Razorback (1984) on Blu-ray from Scream Factory.

And Dennis has taken a look at Cecile B. DeMille’s The Crusades (1935) on Blu-ray from Kino Lorber Studio Classics.

As always, lots more new disc reviews are on the way next week, so be sure to check back for them.

Now then, we’ve got quite a lot of great new 4K Ultra HD and Blu-ray release news to report today, starting with our friends at The Criterion Collection, who have just announced their July slate. [Read on here...]

All right, there hasn’t been a lot of release news to report over the last couple of days, but we do have a bunch of new disc reviews for you to enjoy...

I’ve taken a look at the Criterion Collection’s new 4K Ultra HD release of Ingmar Bergman’s The Seventh Seal (1957), which streets next week.

Tim has reviewed the DreamWorks animated spin-off/sequel Puss in Boots: The Last Wish in 4K Ultra HD from Universal.

Dennis has checked in with his thoughts on Elliott Nugent’s Never Say Die (1939) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his take on Fernando Trueba’s Memories of My Father (2020) on Blu-ray from the Cohen Media Group via Kino Lorber.

And finally, Stephen has reviewed Christopher Berkeley and Sam Liu animated Batman: The Doom That Came to Gotham in 4K Ultra HD from DC and Warner Bros., as well as Adrian Lyne’s Flashdance (1983) in 4K Ultra HD from Paramount.

As always, more reviews are forthcoming, so be sure to keep checking back for them. [Read on here...]

All right, we’ve got a lot of ground to cover today. We have several new disc reviews—at least one from each member of the Bits review team—and plenty of announcement news for you as well. First, those reviews...

First, I’ve posted my review of John Huston’s first film, The Maltese Falcon (1941), in a beautiful new 4K Ultra HD restoration from Warner Bros.

Stephen has reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from Cauldon Films.

Dennis has turned in his thoughts on Jim McBride’s Breathless (1983) in Blu-ray from Fun City Editions via Vinegar Syndrome.

Stuart has offered his thoughts on Joseph McGrath’s The Bliss of Miss Blossom (1968) on Blu-ray from Kino Lorber Studio Classics, as well as Sam Woods’s Goodbye Mr. Chips (1939) on Blu-ray from the Warner Archive Collection.

And Tim rounds things out with his reviews of William Peter Blatty’s The Exorcist III (1990) in 4K Ultra HD from Scream Factory, as well as Tope Hoper’s The Texas Chain Saw Massacre (1974) in 4K Ultra HD from Turbine Medien in Germany.

More new reviews are on the way as well in the coming days, so be sure to keep checking back for them. [Read on here...]

All right, it’s been a busy couple of days here at The Bits, and we’re starting as always with more new disc reviews for you to enjoy...

First up, Stephen has taken a look a pair of titles, including Matthew Bright’s Freeway (1996) in 4K Ultra HD from Vinegar Syndrome, along with Dan Wolman’s Maid in Sweden (1971) on Blu-ray from Code Red.

Also, Dennis has reviewed Richard Pearce’s No Mercy (1986) on Blu-ray from Kino Lorber Studio Classics.

And Tim has offered his thoughts on Douglas Grossman’s Hell High (1989) on Blu-ray from Arrow Video, along with the first film from Arrow’s fantastic Shawscope: Volume One Blu-ray box set. He’s working his way through the set title by title, and today he covers Jeong Chang-Hwa’s King Boxer (1972, aka Five Fingers of Death).

As always, more reviews are on the way all week, so be sure to keep your eyes peeled for them. [Read on here...]