Displaying items by tag: The Digital Bits

We’ve got a couple more new disc reviews, some release news, and more big 4K Ultra HD catalog updates for you all this afternoon to start Christmas week off right. First up, the reviews...

I’ve taken a look at Blue Underground’s new wide-release 4K Ultra HD edition of Don Taylor’s The Final Countdown (1980), with a bit of help from our own Tim Salmons.

Dennis has turned in his thoughts on George Seaton’s The Counterfeit Traitor (1962) on Blu-ray from Kino Lorber Studio Classics and also Daniel Mann’s The Rose Tattoo (1955) on Blu-ray from Imprint Films and Via Vision Entertainment.

And Stephen has delivered a look at Neil Marshall’s Dog Soldiers (2002) in 4K Ultra HD from Scream Factory.

We’ve got a few more new disc reviews on the way this week before the holiday, so be sure to watch for them. [Read on here...]

We’ve got some breaking release news to cover today here at The Bits, so let’s get right to it...

Criterion has just announced their new March 2023 titles, and fans of David Lynch should be very pleased. The slate includes a 4K upgrade of Michael Curtiz’s classic noir Mildred Pierce (Spine #860 – 4K + Blu-ray Combo) on 3/7, John Woo’s Last Hurrah for Chivalry (Spine #1174 – Blu-ray only) on 3/14, David Lynch’s long awaited remaster of Inland Empire (Spine #1175 – Blu-ray only) on 3/21, and Joan Micklin Silver’s Chilly Scenes of Winter (Spine #1176 – Blu-ray only) on 3/28.

We’ve been hoping for an actual 4K UHD release of Lynch’s Inland Empire, but like so many of the other Criterion titles that have been remastered in 4K yet released on Blu-ray first (only to be upgraded later), we suspect that an Ultra HD edition will come in time.

Also coming to 4K Ultra HD from Dark Sky Films on 2/28 is Tobe Hooper’s Texas Chain Saw Massacre, with Dolby Vision HDR, Dolby Atmos audio, and a new documentary called The Legacy of the Texas Chain Saw Massacre. [Read on here...]

We start with two more new disc reviews today (and there might be one more from me later this evening, but it should certainly be up by tomorrow morning)...

Tim has reviewed Crane Wilbur’s The Bat (1959), which is available in a fine new Blu-ray edition from our friends at The Film Detective.

And Dennis has offered his thoughts on Lynne Littman’s Testament (1983), a post-apocalyptic drama from PBS’ American Playhouse and Paramount Pictures that includes William Devane, Jane Alexander, Kevin Costner, Rebecca De Mornay, and Lukas Haas. That’s new on Blu-ray from the good folks at Imprint Films.

Now then, the big announcement news today is that Disney has just officially set Don Hall and Qui Nguyen’s animated Strange World for release on Blu-ray, DVD, and 4K Ultra HD on 2/14. Look for the Digital and Disney+ streaming release to happen on 12/23. Audio will be Dolby Atmos on the 4K and DTS-HD MA on Blu-ray, as always. Extras will include 4 featurettes (Anatomy of a Scene: Creating A Strange World, Strange Science, Creature Feature, and The Hidden Secrets of Strange World), outtakes, and 4 deleted scenes (The Ballad of Jaeger Clade, Lightning Lynx, Funerals and Promises, and Ethan and Searcher). You can see the cover artwork at left and also below. [Read on here...]

Today’s My Two Cents update begins as always with more new disc reviews...

Tim and I have taken a look at Kino Lorber Studio Classics’ new 4K Ultra HD upgrade of the classic Joseph Sargent heist thriller The Taking of Pelham One Two Three (1974), which stars Robert Shaw and Walter Matthau. Among other things, it’s a great New York City movie and if you’ve ever wondered where director Quentin Tarantino got the idea for his character names in Reservoir Dogs, look no further.

Also today, we’ve gone in-depth on Via Vision’s new Dirty Dancing: Limited Edition Steelbook 4K Ultra HD release, which takes Lionsgate’s already fine remastering work on the title and adds a few more extras via their own exclusive bonus Blu-ray Disc.

And Tim has also reviewed Bob Clark’s Children Shouldn’t Play with Dead Things: 50th Anniversary Edition in 4K Ultra HD from VCI Entertainment, which includes a new 4K scan and remaster but only Standard Dynamic Range, as well as Nico Mastorakis’s Nightmare at Noon (1988) on Blu-ray from our friends at Arrow Video.

More reviews are on the way tomorrow and beyond, so be sure to watch for them. [Read on here...]

All right, obviously we broken some significant news over the weekend, namely that director James Cameron has confirmed to a French reporter (during the PR push for Avatar: The Way of Water) that The Abyss is finally coming to 4K Ultra HD by March of next year. (See our reporting on this yesterday here at The Bits. The director also mentioned The Abyss in an interview with Space.com last year). So rest assured we’ll post more details as soon as we have them.

In the meantime, we have some more great 4K catalog news to share with you today, as well as new disc reviews. So let’s start with the latter first, as always...

On Friday evening, I posted my in-depth review of Phil Tippett’s stunning stop-motion magnum opus Mad God on limited edition Steelbook Blu-ray from the folks at Shudder. The film is just astonishing. It’s really something—definitely not for all tastes, but boy is it something to see.

I also posted my review of the John Krasinski TV actioner Jack Ryan: Season One in 4K Ultra HD from Paramount. Both that and Season Two are being released in UHD in anticipation of the debut of Season Three on Amazon Prime on 12/21. And the picture quality is stunning.

Tim has also reviewed another Amazon Original on Blu-ray from Paramount, specifically Reacher: Season One which also has tremendous image quality. It’s also available in 4K and soon as we have our hands on that (and Jack Ryan: Season Two in 4K), we’ll post the reviews here.

In addition, Tim has reviewed a pair of new Scream Factory 4K Ultra HD titles, including Brian De Palma’s Carrie (1976) and Bob Clark’s Black Christmas (1974).

And I’m not kidding when I say that we have a lot more Blu-ray and 4K UHD reviews coming over the next week or two, so be sure to check back for them. [Read on here...]

All right, I’m very pleased to break in with a rare weekend My Two Cents post here on The Bits this evening to report some very good news: Director James Cameron has now confirmed the impending 4K Ultra HD release of The Abyss!

The news comes from French journalist Arthur Cios of Konbini, who had the chance to interview the director briefly this weekend about the upcoming theatrical release of Avatar: The Way of Water.

After the formal interview was completed, Cios asked Cameron about The Abyss, who confirmed that he “had a new master and it would be out by March 2023 max.”

You can read Cios’ own comments directly here on Twitter. (And special thanks to Bits reader Stéphane L. for the heads up!) [Read on here...]

All right, we’ve got a bunch of ground to cover today, and the subject for today’s My Two Cents post is what we’re hearing from our industry and retail sources about forthcoming 4K Ultra HD catalog titles expected in the new year. But first, we have a pair of new reviews for you this afternoon...

Dennis has turned in his thoughts on Daniel Man’s 1952 drama Come Back, Little Sheba, which is now available on region-free Blu-ray from the Aussie label Imprint Films. The film stars Burt Lancaster and Shirley Booth.

And Stephen has delivered his in-depth take on AGFA and Something Weird Video’s nine-film, three-disc The Films of Doris Wishman: The Moonlight Years Blu-ray box set, distributed by Vinegar Syndrome.

As always, more new disc reviews are on the way over the coming days, so be sure to keep your eyes peeled for them.

Now then, we’ve been circling back with our many industry and retail sources here at The Bits, and we’ve got an update on some interesting titles that are coming to 4K Ultra HD in the months ahead. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

We’ve got no less than five more new disc reviews for you all to enjoy today...

I’ve just posted my thoughts on Quentin Tarantino’s Reservoir Dogs (1992) in 4K Ultra HD from Lionsgate.

Stephen has checked in with a look at Tobe Hooper’s The Texas Chainsaw Massacre 2 (1986) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Julien Temple’s Earth Girls Are Easy (1988), the new Vestron Video Collector’s Series title on Blu-ray from Lionsgate.

And Tim has taken a look at Lewis Gilbert’s Damn the Defiant! (1962) on Blu-ray from Imprint Films, as well as Montgomery Tully and Dennis O’Keefe’s The Diamond Wizard (1954) on Blu-ray 3D from Kino Lorber Studio Classics, via a great new restoration by the 3-D Film Archive.

In announcement news today, Lionsgate has set Hype Williams’ Belly for release on 4K Ultra HD on 1/24/23. There will be a wide release that includes a Blu-ray and Digital copy, along with a Best Buy-exclusive Steelbook package. Look for the package to have a new Dolby Atmos mix, along with the following special features: audio commentary with Williams, Spoken Word, a deleted scene, and the Grand Finale music video. [Read on here...]

Well, today is Cyber Monday, which means there are still a number of good deals to be had on things around the Internet. So rather than repeating my comments from last week about Black Friday, I’ll just remind you that if you go looking for deals on Amazon today, please be sure to use one of our affiliate links (if you’d care to support our work here at The Bits in the process).

Now then, our own holiday was lovely here in SoCal. My wife’s cousin joined us for Thanksgiving, which involved eating some great food (both the usual turkey and stuffing, as well as mighty fine barbecue the day after), watching a lot of football as well as some terrific movies (including revisiting David Mackenzie’s Hell or High Water and James Mangold’s Ford v Ferrari) and a few TV series too (the season finale of Andor is fantastic—I haven’t enjoyed Star Wars this much since 1983). I also did a little bit of actual shopping, which amounted to picking up a hooded vest to wear in the office when it gets chilly and upgrading my old Pixel 3a phone to a new 6a thanks to an offer from Google that was too good to refuse. Finally, we got our Christmas tree up and decorated. So all in all, it was an enjoyable long weekend. And I certainly hope you all had a good one as well!

We’re starting today with a pair of new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on the Terry Jones comedy Monty Python’s The Meaning of Life (1983) in 4K Ultra HD from Universal, as well as John Badham’s Saturday Night Fever (1977) in 4K Ultra HD from Paramount. Sadly, that latter is something of a disappointment. But I’ll let Tim explain that to you.

Again, watch for more new disc reviews all this week here on The Digital Bits. [Read on here...]