Displaying items by tag: Dennis Seuling

All right... we have just a quick update here at The Bits for you today, because I have family visiting this weekend for the first time since before the pandemic.

The big thing we have for you this afternoon is of course this: I’ve posted our in-depth review of the Indiana Jones: 4-Movie Collection in 4K Ultra HD from Paramount Home Entertainment and Lucasfilm. The remastered 4K image on the first three films is spectacular, while the fourth film at least benefits some from HDR and some 4K-scanned footage from the camera negative here and there (shots without VFX). Meanwhile, the new Ben Burtt Dolby Atmos mixes are all demo-worthy across the board.

There are no new extras in the set and the packaging is terrible, but the picture and sound upgrade is so significant that most fans will be willing to overlook it. The set is definitely not to be missed, and you’ll find all the in-depth details right here in our review. [Read on here...]

All right, we’ve got a quick update for you today. Sorry for the lack of a post on Monday, but there’s a bunch of stuff going on that’s drawn me down multiple Blu-ray and/or 4K UHD-related rabbit-holes over the last couple of days.

First up today, more disc reviews...

Tim has posted his thoughts on Joe D’Amato and Raffaele Donatos’ 1989 sharksploitation film Deep Blood, now on Blu-ray from the good folks at Severin Films.

Also, Dennis has turned in a look at the new Criterion Collection edition of Amy Heckerling’s Fast Times at Ridgemont High on Blu-ray. You can find that here. Sounds like it’s pretty great.

And Stephen has given Robert Altman’s Fool for Love a spin on Blu-ray from Scorpion Releasing. The film stars Kim Basinger, Sam Shepard, and Harry Dean Stanton and is well worth a look.

Now then... we’ve been informed by Paramount that our 4K review copy of the Indiana Jones 4-Movie Collection will ship out sometime around midweek. Which means the earliest we expect to have it in hand is Thursday, but it could be Friday or Saturday. Rest assured, I’ll drop everything when it arrives to get the review completed thoroughly and posted on The Bits for you all to check out. And that brings me to the main topic of today’s news post... [Read on here...]

All right, I trust you all had a fine and long Memorial Day weekend—those of you here in the States at least. We’ve got some good Blu-ray and 4K news to report today, but first more new disc reviews...

Tim has posted his thoughts on John Guillerman’s King Kong (1976), now available as a Collector’s Edition Blu-ray from Scream Factory.

He’s also weighed in on Vincent Robert’s The Fear (1995) on Blu-ray from Vinegar Syndrome.

Meanwhile, Dennis has turned in a look at George Abbott and Stanley Donen’s Damn Yankees (1958) on Blu-ray from the Warner Archive Collection.

And Stephen has weighed in as well with a look Michael Ritchie’s Smile (1975) on Blu-ray from Fun City Editions. [Read on here...]

All right, we have some big catalog announcement news to report on today. But first, a few more new disc reviews...

Tim has posted his thoughts on Steve Wang’s Drive (1997), which is newly released on Blu-ray as part of the MVD Rewind Collection.

And Dennis has taken a look at another classic Mae West film, Lowell Sherman’s She Done Him Wrong (1933), which is coming on 6/29 from our friends at Kino Lorber Studio Classics.

Just to let you know, I do expect to have a copy of Zack Snyder’s Justice League in 4K soon, imported from Zavvi, and I will be reviewing it here on The Bits as soon as it comes in, probably next week. And there are more Blu-ray and 4K reviews on the way for later next week after the long Memorial Day holiday here in the States. [Read on here...]

We have a quick news column for you here at The Bits today. But first, a couple more disc reviews...

Dennis has taken a look at Basil Dearden’s The Blue Lamp (1950), an Ealing Studios film noir now available on Blu-ray Disc from Kino Lorber Studio Classics.

He’s also posted his thoughts on Florian Zeller’s The Father (2020), the recent film drama that won Anthony Hopkins an Oscar for Best Actor, newly-available on Blu-ray from Lionsgate. Enjoy!

Now then... our friends at Severin Films have announced four new Blu-ray titles due to street in August (on 8/24), including Cannibal Man (1972), No One Heard the Scream (1973), Eloy de la Iglesia’s Quinqui Collection (1980-84 – which includes Navajeros, El Pico, and El Pico 2), and—surprise!—Overboard (1987), the MGM film starring Goldie Hawn and Kurt Russell. You can visit their website here for additional details. [Read on here...]

We begin today’s My Two Cents column with another big new 4K Ultra HD review...

Our own Tim Salmons has taken a look at Richard Kelly’s Donnie Darko (2001), as recently released in a 4K Ultra HD Limited Edition box set by our friends at Arrow Video. It sounds like an excellent set from start to finish, so do give that a look here.

On the same note, we know that some of you have been experiencing a video frame rate/studdering issue on some models of 4K player on this title that Arrow has been quietly investigating for a couple of weeks now. Well, the good news is that they’ve just announced an official disc replacement program for those of you who are having an issue, and you can now find out how to apply for a fixed copy via this page on their website.

Also today, Dennis has posted a review of A. Edward Sutherland’s Every Day’s a Holiday (1937), a classic Mae West film now available on Blu-ray from Kino Lorber Studio Classic. Enjoy! [Read on here...]

All right, we’ve got a bit of ground to cover today. First, we’ve got a few new disc reviews for you to enjoy...

I’ve posted my thoughts Doug Liman’s Chaos Walking in 4K from Lionsgate. It’s not a great science fiction film, but it looks fantastic in 4K (it was shot with the Alexa 65 camera) and it features some very nice special features too created by our old friend Cliff Stephenson. So it’s well worth a look.

I’ve also posted my review of George Cukor’s My Fair Lady (1964) on 4K Ultra HD from Paramount, and that is absolutely a reference-grade title. As some of you may know, it was shot using the Super Panavision-70 camera and was restored by our old friend Robert A. Harris back in 2015 in 4K using an 8K scan of the original camera negative. The film just looks absolutely fantastic and it’s a classic Hollywood musical too. Don’t miss it.

Also seriously worth a look is Arrow Video’s new Battle Royale: Limited Edition in 4K Ultra HD, a UK import boxset that I’ve reviewed in-depth here at the site as well. It features both versions of Kinji Fukasaku’s original film in beautifully-remastered 4K, along with both versions of the sequel on Blu-ray, plus an amazing collection of special features and swag. And even though it’s a UK import, the 4K discs will play fine worldwide. The two Blu-rays in the box are Region B locked, but one of them will still play on any US player anyway (details in my review). If you’re a fan of the film, this is a must-have box. [Read on here...]

We start our post today with two new Blu-ray Disc reviews...

Tim has taken a look at Richard Fleischer’s Million Dollar Mystery (1987) on Blu-ray from Kino Lorber Studio Classics, which streets on 5/25.

And Dennis has chimed in with his thoughts on Gilbert Cates’ The Last Married Couple in America (1980), which just arrived last week (on 5/4) also from Kino Lorber Studio Classics.

Also, though I forgot to mention it in our last post, Dennis has also recently reviewed Hubert Cornfield’s The Night of the Following Day (1969) on Blu-ray from Kino Lorber Studio Classics, a film that stars Marlon Brando and Richard Boone and also streets on 5/25. So do give those a look if you’re interested.

Now then, in announcement news today, Warner Bros. Home Entertainment has officially set Space Jam for release on 4K Ultra HD and Digital 4K on 7/6, just as we expected. [Read on here...]

All right, we haven’t posted a news update in a few days, because frankly there hasn’t been a ton of news to report, and also because we’ve been working on more new discs reviews. To that end we’ve recently posted...

My thoughts on Rob Reiner’s The Princess Bride, as released late last year on 4K Ultra HD by Turbine Media in Germany. The accompanying Blu-ray is locked to Region B, but the 4K disc is compatible with UHD players worldwide, and the image quality is absolutely gorgeous.

My review of Tim Burton’s Big Fish, newly released on 4K Ultra HD here in the States by Sony Pictures Home Entertainment.

Tim’s take on Rolf de Heer’s Bad Boy Bubby (1993), which dropped back in February on region-free Blu-ray from Umbrella Entertainment.

And Dennis’ look at Richard C. Sarafian’s Eye of the Tiger (1986), coming soon on Blu-ray from Scorpion Releasing via Kino Lorber Studio Classics.

More reviews will follow next week, including my thoughts on Arrow Video’s recent UK release of Kinji Fukasaku’s Battle Royale in 4K, among others. So be sure to check back then. [Read on here...]

We’re starting the new week off today with a bunch of new disc reviews. I’ve gone on a 4K Ultra HD review spree over the last week, and have completed and posted my looks at the following titles:

Jan de Bont’s Speed in 4K from 20th Century Studios and Disney, which streets tomorrow.

Ric Roman Waugh’s Greenland in 4K, a German import disc that came out earlier this year from Tobis Film and LEONINE Distribution. (It’s worth importing if you like the film, as Universal and STX seem to have no plans as yet to release it in 4K here in the States).

Sergio Leone’s The Good, the Bad and the Ugly in 4K from Kino Lorber Studio Classics, a must-have disc which came out last week but is out of stock almost everywhere at the moment. (Rest assured, the company says more copies are on the way very soon, so do NOT pay scalper prices).

And Don Taylor’s The Final Countdown in 4K from Blue Underground, which streets on 5/25.

Meanwhile, Dennis has just offered his thoughts on Shaka King’s Judas and the Black Messiah on standard Blu-ray from Warner Bros, a disc which also streets tomorrow. [Read on here...]