Solo: A Star Wars Story (4K UHD Review)

  • Reviewed by: Bill Hunt
  • Review Date: Sep 12, 2018
  • Format: Blu-ray Disc
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Solo: A Star Wars Story (4K UHD Review)


Ron Howard

Release Date(s)

2018 (September 25, 2018)


Lucasfilm (Walt Disney Studios)
  • Film/Program Grade: B-
  • Video Grade: A-
  • Audio Grade: A
  • Extras Grade: B-

Solo: A Star Wars Story (4K Ultra HD Blu-ray)



Han (no last name initially, played by Alden Ehrenreich) is an orphaned young man trapped in a life of crime on Corellia with his girlfriend Qi’ra (Emilia Clarke). One day, he steals a bit of valuable coaxium fuel to buy them both passage off-planet to freedom. But the plan goes wrong; Han escapes while Qi’ra is left behind. Now alone and with criminal enforcers hot on his heels, Han enlists in the Imperial Navy. Years later, he’s slogging his way through a battle on the planet Mimban as an Imperial foot-soldier, when he meets a familiar Wookiee (Joonas Suotamo) and a band of pirates led by Tobias Beckett (Woody Harrelson). Desperate for a way out of his servitude to the Empire, Han and his new friend Chewie join Beckett’s crew, a path that leads back into the criminal underworld. One train heist later, they find themselves indebted to the crime lord Dryden Vos (Paul Bettany) and forced to make the dreaded Kessel Run. But things begin looking up when Qi’ra reenters Han’s life unexpectedly... and when he meets a fellow pirate named Lando Calrissian (Donald Glover), captain of a ship called the Millennium Falcon.

Even before Solo: A Star Wars Story went into production, word in the industry from those inside Lucasfilm was that the screenplay, by veteran Star Wars scribe Lawrence Kasdan and his son Jonathan, was terrific. But in an effort to find new filmmaking talent, producer Kathleen Kennedy took a risk in hiring directors Phil Lord and Christopher Miller (The Lego Movie). It was a bold move, but one that ultimately failed. Lord and Miller apparently veered wildly from the script as written, encouraging their actors to ad-lib and go in a very different direction. The production was in such trouble that Lucasfilm fired the pair at the eleventh hour and recruited veteran director Ron Howard (Apollo 13) to take over. Howard reportedly reshot nearly 70% of Solo and in short order. The result, edited by the equally veteran Pietro Scalia, is an enjoyable experience with many good parts, but one that never quite manages to become more than the sum of them. Still Ehrenreich is solid and likable as a young and still idealistic Han Solo and Glover absolutely shines as Lando. Fans of Chewie will be pleased to know that he has more to do here than in any previous Star Wars film to date. The supporting cast, including Clark, Harrelson, Bettany, and Thandie Newton, all add nicely to the mix. And there are enough little touches and references to make longtime fans smile. In the end, the fact that this film manages to be as good as it is testifies to Howard’s skill behind the camera… and thank the Maker for it.

Solo was shot digitally in the ARRIRAW codec (at 3.4 and 6.5K) using Arri Alexa cameras with a variety of lenses, finished as a native 4K Digital Intermediate at the 2.39:1 aspect ratio, and graded for high dynamic range (HDR10 only is availalble on this disc). The image quality is quite good, though it should be noted that the film’s dark, low-light cinematography and extensive use of on-set atmospherics (smoke, fog, clouds, etc) means that you’re not always going to see abundant detail. When you do see it though, that detail and texturing are nicely refined and pleasing. The HDR grade deepens the blacks a bit and definitely intensifies the brightest areas of the frame; they’re sometimes eye-reactive and always more natural. The blacks are still occasionally a bit grey looking though, not due to an image defect but the aforementioned atmospherics. Hues are rich and accurate, with added vibrance and nuance thanks to the wider color gamut. There’s a shot of the “magic hour” sky just as the heist scene concludes (and the coaxium explodes) that illustrates this perfectly. Bradford Young’s cinematography is absolutely beautiful, and this 4K disc certainly presents it in the best possible light.

Primary audio on the 4K disc is included in English Dolby Atmos, adapted from the theatrical mix. The reference level is set a little bit low, but the good news is that once you turn up the volume a bit, you’ve got a strong full range mix. Bass is solid, with good reinforcement from the low end. It’s not as deep, thunderous, and punchy as some other 4K Atmos mixes, to be sure, but it should be noted that Solo’s theatrical mix wasn’t that way either. None of the new era Star Wars mixes have featured especially thunderous bass, so this is accurate to the theatrical experience. The soundstage is nicely big, wide, and constantly active, with smooth, accurate positioning and movement. The height channels kick in often, especially in set pieces, including the train heist, the battle on Kessel, and the Kessel Run in the Falcon. John Williams’ new Han Solo theme sounds lovely, as does the rest of the score by John Powell. Additional audio options include English 2.0 Descriptive Audio, French and Spanish 7.1 Dolby Digital Plus, and Thai 5.1 Dolby Digital, with optional subtitles available in English for the Hearing Impaired, French, Spanish, Korean, and two forms of Chinese.

There are no extras on the 4K disc, but the package does include the film in 1080p HD on Blu-ray, along with a bonus Blu-ray that adds some nice special features. Sadly, there is no audio commentary available for this film on any disc. One with Howard and the Kasdans would have been welcome and no doubt interesting. Given the film’s complicated production history though, the lack of commentary is probably not surprising. What you do get includes the following (all in HD):

  • Solo: The Director & Cast Roundtable (21:44)
  • Kasdan on Kasdan (7:50)
  • Remaking the Millennium Falcon (5:36)
  • Escape from Corellia (9:59)
  • The Train Heist (14:30)
  • Team Chewie (6:41)
  • Becoming a Droid: L3-37 (5:06)
  • Scoundrels, Droids, Creatures, and Cards: Welcome to Fort Ypso (8:02)
  • Into the Maelstrom: The Kessel Run (8:28)
  • Deleted Scene: Proxima’s Den (1:16)
  • Deleted Scene: Corellian Foot Chase (1:39)
  • Deleted Scene: Han Solo: Imperial Cadet (1:54)
  • Deleted Scene: The Battle of Mimban: Extended (1:58)
  • Deleted Scene: Han Versus Chewie: Extended (5:29)
  • Deleted Scene: Snowball Fight! (:44)
  • Deleted Scene: Meet Dryden: Extended (1:10)
  • Deleted Scene: Coaxium Double-Cross (:36)

The content adds up to a little under two hours, which feels a bit light. Still, all of it is enjoyable. The Roundtable is fascinating as Howard asks each of the cast questions about their characters and their experiences. They don’t really get into the circumstances before he took over, but they do hint at it and it’s clear the cast likes and respects Howard enormously. Escape from Corellia is a fun look at the speeder chase, more of which was shot practically than you might think. For longtime Star Wars fans, Kasdan on Kasdan are Team Chewie are definitely the favorites. The deleted scenes are interesting in that some are sort of good and some are very clearly not. You do get to see Han as a TIE pilot trainee, though, and there’s an extended Han/Chewie fight that has some nice unseen beats. A Target-exclusive version of this film on Blu-ray and 4K included an additional featurette, The Millennium Falcon: From Page to Park (on the creation of the new Disney theme park ride), but you won’t find it here. There’s also a Blu-ray 3D version of the film available only in the UK. You do at least get a Movies Anywhere Digital code on a paper insert in the packaging. And the 4K Digital presentation also includes Dolby Vision HDR for those who prefer it.

Solo: A Star Wars Story is somewhat uneven, but it’s also better the second time around, without a veteran Star Wars fan’s legacy anxiety getting in the way of one’s enjoyment. While their initial reaction was tepid, I have a feeling that Solo will grow in the estimation of fans with time. The film also offers a strong (if not reference grade) 4K Ultra HD experience, so it’s definitely recommended on the format.

- Bill Hunt

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