Displaying items by tag: The Digital Bits

All right, thanks for your patience everyone. As you’ve probably noticed, news updates here at the site have been sparing over the past week or two, and there’s been a couple of reasons for that.

First, we’ve had to do a round of software updating and patching on The Bits website software—routine maintenance type of stuff, required to keep the site going—but every time we do that it inevitably breaks a couple of things that have to be hunted down and fixed. So that process has been ongoing.

Also, we’ve switched to a great new advertising network partner that we hope is going to bring in more revenue, which in turn will helps us to keep the site going indefinitely. We’re tweaking the layout on some of that, and trying to figure out the right amount and placement of ads that do what we need them to without being obtrusive. But obviously times are tight and we need to survive, so we appreciate your understanding. [Read on here...]

[Editor’s Note: This interview was originally posted on The Digital Bits on 9/17/02, coinciding with the Columbia TriStar Home Video DVD release of Enough and Enigma. We would like to dedicate it to the memory of Michael Apted.]

There are some directors who find a genre they’re particularly comfortable with or adept at and make an entire career out of it. Think Wes Craven with horror movies or the Farrelly brothers in comedy. Michael Apted is not one of these directors. Apted is a jumper, having tackled everything from courtroom dramas to comedy to rock and roll. When you look at his filmography, the phrase you are most likely to repeat over and over is, “He directed that, too?”

Apted began his career as a researcher and director for British television. In the 1970’s, he crossed over to theatrical films with movies like Stardust, a terrific, criminally underrated movie that traces the rise and fall of a rock group (note to the studios: Stardust needs to be released on DVD and the sooner the better). His major American breakthrough came in 1980 with Coal Miner’s Daughter, for which Sissy Spacek won the Oscar as Best Actress. Since that time, Apted has worked with some of the best actors in recent memory, including Sigourney Weaver (also Oscar nominated for her work in Apted’s Gorillas in the Mist), Jodie Foster (Nell), Val Kilmer (Thunderheart), and Gene Hackman (Class Action and Extreme Measures). Oh yeah, he also helmed one of the most recent adventures of some guy named James Bond (The World is Not Enough). [Read on here...]

Afternoon, folks. We’ve got another new disc review for you today, and some more interesting release news as well.

First up, that review: Tim has taken a look at Henry Levin and Mario Bava’s The Wonders of Aladdin (1961), now available on Blu-ray from Kino Lorber Studio Classics.

In terms of announcement news, Visual Entertainment is releasing Stargate Universe: The Complete Series on Blu-ray Disc on 1/15. This includes all 40 episodes, plus over 2 hours of extras. This, by the way, follows in the wake of the company’s recent release of Stargate SG-1: The Complete Series on Blu-ray. The latter features the early seasons upscaled, while the later seasons were native HD. We believe Stargate Universe was produced in HD, so it should be of fairly good quality. [Read on here...]

Afternoon, folks. And welcome to 2021!

The news in the home video industry is pretty slow this week, as we’d expect given the recent holiday and the still unfolding (and industry-slowing) pandemic.

But we do have a couple new 4K Ultra HD reviews for you all to enjoy this afternoon.

First, Tim has taken a look at Don Coscarelli’s The Beastmaster (1982), as newly-remastered in 4K by our friends over at Vinegar Syndrome. The limited release appears now to be back in stock at the Vinegar Syndrome website, and we expect it to eventually be released in more traditional Amaray packaging on Amazon at some point in the coming months. [Read on here...]

All right, this is our final Bits post of 2020. And it’ll be a quick one.

This has certainly been a difficult year for all of us here and no doubt it has been for all of you, our readers, as well. But a new year at least brings the hope that things can and will get better on Planet Earth going forward.

On a personal note, I’m pleased to say that—though it’s been a struggle—The Digital Bits is still here. We’ve made it through some difficult times, we’re still alive and ticking. And we intend to keep cracking on in 2021 and beyond.

I’ve also been working on a second science fiction novel, and hope to see my first actually published sometime in 2021—something I’ve had to put on the back-burner this past year in order to keep the site going. But the writing process has certainly been personally satisfying, and it’s kept me going in dark moments. That, plus having a telescope to look at the stars a few times a month, and of course great family and friends—even though we’ve only been able to see them from afar.

In any case, I know I speak for all of us here at the site when I say that we’re grateful to have each and every one of you as readers of The Digital Bits.

So with that, we’d like to wish you all a very happy and safe New Year! And together we’ll make 2021 a better time for all of us.

See you back here on Monday. Peace out!

(You can follow Bill on social media at these links: Twitter and Facebook) 

“On my thirteenth viewing, which was the first time I saw it at a different theater than the one I’d gone to since opening day, I knew there were noticeable changes when the final scene began with different music.” — film music historian Mike Matessino

The Digital Bits and History, Legacy & Showmanship are pleased to present a continuation of our 40th anniversary coverage of the release of The Empire Strikes Back, the middle act of George Lucas’s original Star Wars trilogy and one of the most celebrated and beloved sequels of all time. Part One of our Empire 40th coverage appeared back in May.

George Lucas’s penchant for making revisions to his work is about as legendary as his movies. The majority of Lucas’s alterations have occurred years after his films’ original releases. With The Empire Strikes Back, however, the first (of several rounds of) revisions were actually made while the movie was in first release, and it is this lesser-known aspect of the otherwise very-well-known production that is the subject of this column. [Read on here...]

Well... we now have just two and a half days left in the damnable misery that has been Planet Earth in the year 2020. But we hope these last few days and weeks at least have found you all safe, well, and enjoying the holiday season as best you can. And to those of you who have lost friends, family members, and other loved ones to COVID this year (and we here at The Bits are among you), we send out our love and support. We certainly wish each and every one of you better times ahead in 2021.

Around this time, of course, seemingly every website and media outlet on the planet starts to roll out their annual “Best of” lists for the previous year. At one time, many years ago, The Digital Bits even held its own Bitsy Awards to honor the best DVD and Blu-ray titles of the previous year. But the home video industry became so inconsistent with its product—and streaming delivery so dominant—that we finally stopped doing it. It was just too frustrating to try to organize and coordinate.

Still, if this pandemic has had any silver lining at all, it’s that the industry as a whole has been reminded that there is yet some profit to be made in the minting of 5-inch silver discs with movies and TV shows on them. The 4K Ultra HD format in particular has benefitted from this trend. And as a number of Bits readers have asked us for our thoughts on the best titles of our collective pandemic year, we decided to put our heads together to compile a list of those we found most notable.

In fact, we’ve decided to revive our old friend Bitsy! So today we’re happy to present The Bitsy List for 2020, honoring the best Blu-ray and 4K Ultra HD titles of the year. [Read on here...]

Hey, looks like we do have a little bit of new announcement news for you today...

First up though, we’ve got a quick Amazon Deal of the Day to report: Network’s Monty Python’s Flying Circus: The Complete Series Blu-ray is just $75 for today only on Amazon (42% off). It’s the same 7 discs found the Deluxe Edition (reviewed here on The Bits), just without the books and deluxe packaging. So strike fast if you’re interested. Here’s the Amazon link.

Also today, we have word that FUNimation’s Akira 4K Ultra HD release doesn’t have HDR. The version released in Japan does, but apparently the discs released in the US and the UK do not. FUNimation has now established an exchange program to get a proper 4K with HDR disc sometime in February via the mail. You can find those details here and here (below):

“For those of you who would like to request the 4K HDR version of AKIRA, please send an email to This email address is being protected from spambots. You need JavaScript enabled to view it. (US/CA) or This email address is being protected from spambots. You need JavaScript enabled to view it. (UK/IRE) with “AKIRA 4K” as the subject, and provide your name, mailing address, email address and proof of purchase (receipt or confirmation email and photo of the disc).”

Okay, now for that announcement news: Kino Lorber Studio Classics has just officially set Sergio Leone’s The Good, The Bad and The Ugly for release on 4K Ultra HD and Blu-ray combo on 4/27. You can see the cover artwork above left. [Read on here...]

All right, we’ve got just a quick update for you today with some great 4K Ultra HD announcement news.

First though, I wanted to let you all know that we’re likely going to be posting fewer news updates over the next week or so, given the forthcoming Christmas holiday. Announcements are sort of ramping down, so while we’ll pop in as needed, it’s quite likely that there won’t be a lot of news to report this week.

Nevertheless, we will check in with new disc reviews now and again over the next week. So there should be new content going up over the holiday.

We do have a great piece of 4K Ultra HD announcement news for you today, however... [Read on here...]

All right, we’ve got another new review for you today, along with some more announcement news and a bit of sad news to report as well...

First up, that review: Tim has just posted his in-depth take on Terence Fisher’s Hammer Films classic The Curse of Frankenstein (1957), now available on Blu-ray in a new 2-disc Special Edition from the Warner Archive Collection. It’s a great film restoration and it sounds like a great disc too, featuring a new audio commentary by our friend Constantine Nasr with Steve Haberman. This is one you’re not going to want to miss if you love the vintage horror genre.

Speaking of the Warner Archive, they’ve just revealed their featured January Blu-ray titles, which are set to include the classic films The Pajama Game, Good News, Room for One More, After the Thin Man, and The Man Who Would Be King, along with The 100: The Seventh and Final Season. Look also for Speedway and Boogie Nights on DVD only.

Paramount has just officially set Arthur Hiller’s Love Story (1970) newly-restored as a Paramount Presents Blu-ray edition on 2/9. Extras will include “a new Filmmaker Focus with film historian Leonard Maltin, with previously released content including a commentary by director Arthur Hiller, an introduction by film critic Ben Mankiewicz, Love Story: A Classic Remembered, and the theatrical trailer, plus access to a Digital copy of the film.” [Read on here...]