View from the Cheap Seats
I’m trying to remember when I put it all together, when it dawned on me that there were these wonderful movies, shown, at the time, when there were only three local stations and local guys programmed the movies, after the last late show. They were cheap, even I could see that, but there was just something about these black and whites that kept me fascinated and many a long night I would suffer through local commercials just to see either justice done or perverted.
And the titles – Private Hell 36, Shack Out on 101, Kiss the Blood Off My Hands and Five Against the House. And the actors, has-beens and wanna-bes, but they were just terrific. Tom Neal and Ann Savage and Dennis O’Keefe and Preston Foster and Lawrence Tierney. And this was the “B” list. [Read on here...]
I had to sit on maybe the biggest movie story in America. For a long time. And now that it’s been completed and is over, I’m shocked that the whole thing hasn’t been on the front page of The New York Times.
I’ve perhaps casually mentioned that I helped create (didn’t get in the way of) a film school here in Oklahoma City, actually at Oklahoma City Community College. The idea was, unlike film degrees that are based on watching and studying themes and points of view and reading scripts, the creative side, so to speak, to offer a technical, hands on degree program, why a community college was selected in the first place. And to enhance the experience, we got the finest equipment in the world – Avid editors and cameras and lenses and lights and then, through a lot of hard work from a lot of good people, here came the ultimate – a full end studio, built to the specs of an actual Hollywood soundstage. If another state funded school has a facility like this, I’d like to see it. [Read on here...]
(Photo by Robin Holland Photography)
Robert Altman said his last “that’s a wrap,” can you believe it, some eight or nine years ago and it seems as though any hope of mainstream studio films with emotional weight, sharp characters, social satire and natural, cliché free dialogue was buried right next to him.
Every Hollywood director since the beginning of the medium owes a debt to Robert Altman. His style was so distinctive, so fresh and so natural that people would say to themselves, “Oh that’s what directors do.” [Read on here...]
Darn that Facebook.
I’ve gotten a hoot out of it – have loved reconnecting with high school friends and long lost family and have discovered as well that there are people in the world with pages dedicated to interests close to my heart, such as those kept by my favorite authors, pictures of the New York I loved in the 70s and 80s and tributes to great character actors such as Timothy Carey. [Read on here...]
Now where was I?
Sorry, I’ve not been here. I missed a bit – I’ll admit it and it for sure wasn’t to do with health or disinterest or a lack in passion. I just had to do stuff. But now I’m back.
But I come with good stories. Specifically regarding how movie awards season works. [Read on here...]