Displaying items by tag: Vinegar Syndrome

All right, I trust you all had a fine and long Memorial Day weekend—those of you here in the States at least. We’ve got some good Blu-ray and 4K news to report today, but first more new disc reviews...

Tim has posted his thoughts on John Guillerman’s King Kong (1976), now available as a Collector’s Edition Blu-ray from Scream Factory.

He’s also weighed in on Vincent Robert’s The Fear (1995) on Blu-ray from Vinegar Syndrome.

Meanwhile, Dennis has turned in a look at George Abbott and Stanley Donen’s Damn Yankees (1958) on Blu-ray from the Warner Archive Collection.

And Stephen has weighed in as well with a look Michael Ritchie’s Smile (1975) on Blu-ray from Fun City Editions. [Read on here...]

All right, we have some big catalog announcement news to report on today. But first, a few more new disc reviews...

Tim has posted his thoughts on Steve Wang’s Drive (1997), which is newly released on Blu-ray as part of the MVD Rewind Collection.

And Dennis has taken a look at another classic Mae West film, Lowell Sherman’s She Done Him Wrong (1933), which is coming on 6/29 from our friends at Kino Lorber Studio Classics.

Just to let you know, I do expect to have a copy of Zack Snyder’s Justice League in 4K soon, imported from Zavvi, and I will be reviewing it here on The Bits as soon as it comes in, probably next week. And there are more Blu-ray and 4K reviews on the way for later next week after the long Memorial Day holiday here in the States. [Read on here...]

We’re starting off the new week with a brand new review... and a brand new reviewer!

We’re very pleased to welcome Stephen Bjork to The Digital Bits team. Like many of us, Stephen is a lifelong student of film, who worked for many years as a district manager for the Video Update brick-and-mortar movie rental chain, back in the VHS, Beta, Laserdisc and early DVD days, before moving into sales. In that capacity, he attended many industry events—I probably bumped into him without realizing it at the old Video Software Dealers Association (VSDA) trade shows. Stephen knows film, and he’s more than fluent with the state-of-the-art in home video technology, up to and including Digital and 4K Ultra HD. He’s also been a Digital Bits reader for many years, and a friend on social media into the bargain. So we’re confident he’s going to fit right in around here.

Stephen will be reviewing both Blu-ray and 4K titles for us, and he’s kicking that work off with his thoughts on an import 4K title that might be new to some of you: Robert D. Krzykowski’s The Man Who Killed Hitler and Then the Bigfoot (2018). It’s a surprisingly great little drama starring Sam Elliott that a lot of you might have overlooked a I did. There was a US release of the film on Blu-ray and DVD from RLJE back in 2019, but our friends at Capelight Pictures in Germany actually did a proper physical Ultra HD release. And it turns out, it’s pretty damn good. You can import it from Amazon Germany and a few copies are available on US Amazon as well. The 4K works on all players, but note that the Blu-ray and DVD disc in the package are region locked. In any case, we hope you enjoy the review! And you can look forward to more from Stephen in the weeks and months ahead.

Welcome aboard, Stephen! [Read on here...]

We’re starting the new week off today with a bunch of new disc reviews. I’ve gone on a 4K Ultra HD review spree over the last week, and have completed and posted my looks at the following titles:

Jan de Bont’s Speed in 4K from 20th Century Studios and Disney, which streets tomorrow.

Ric Roman Waugh’s Greenland in 4K, a German import disc that came out earlier this year from Tobis Film and LEONINE Distribution. (It’s worth importing if you like the film, as Universal and STX seem to have no plans as yet to release it in 4K here in the States).

Sergio Leone’s The Good, the Bad and the Ugly in 4K from Kino Lorber Studio Classics, a must-have disc which came out last week but is out of stock almost everywhere at the moment. (Rest assured, the company says more copies are on the way very soon, so do NOT pay scalper prices).

And Don Taylor’s The Final Countdown in 4K from Blue Underground, which streets on 5/25.

Meanwhile, Dennis has just offered his thoughts on Shaka King’s Judas and the Black Messiah on standard Blu-ray from Warner Bros, a disc which also streets tomorrow. [Read on here...]

Let’s close out the week today with another new disc review and more release news...

First, Dennis has just turned in his thoughts on Cecile B. DeMille’s The Greatest Show on Earth (1952) on Blu-ray from Paramount Home Entertainment, the 16th title in their Paramount Presents line. It sounds as if the remaster is a nice one, so do give it a look.

A quick disc update: FUNimation is now shipping out fixed replacement discs for their recent release of Akira in 4K Ultra HD. As some of you know, the original discs lacked the HDR option they were supposed to include. The new fixed discs correct this. My own replacement copy arrived a couple of days ago and I’m really pleased with the HDR grade overall, so I’m going to try to get a review of the fixed version up here at The Bits next week.

On a similar note, Amazon UK has just listed Speed for pre-order in 4K and naturally the cover artwork they’ve posted has caused still more confusion in that it correctly lists DTS-HD MA audio in the features grid on the back, but also (incorrectly) shows a Dolby Atmos logo. What’s more, there’s no mention of any special features. [Read on here...]

We’re picking things up here at The Bits today with more new disc reviews...

I’ve recently posted my thoughts on Gareth Edwards’ Godzilla (2014) in 4K from Warner Bros., Pete Docter’s Soul in 4K from Pixar, Mel Brooks’ Spaceballs in Blu-ray and 4K from Kino Lorber Studio Classics, and Paul Greengrass’ News of the World in 4K from Universal.

Meanwhile, Tim has just posted a look at Alex de la Iglesia’s The Day of the Beast (1995) in 4K from Severin Films.

And Dennis has turned in his review of George Sidney’s Show Boat (1951) on Blu-ray from the Warner Archive Collection.

In announcement news today, Warner Bros. Home Entertainment has officially set Shaka King’s Judas and the Black Messiah for release on Blu-ray and DVD on 5/4 (SRP $35.99 and $28.98), with the Digital release expected on 4/27, and PVOD available on 4/2. Extras on the disc-based versions will include 2 featurettes (Fred Hampton for the People and Unexpected Betrayal). [Read on here...]

All right, we’re rounding out the week today with some great release news and some new disc reviews too. First up, those reviews...

I’ve just turned in my thoughts on John Carpenter’s They Live, as recently released in 4K Ultra HD by Scream Factory. Both the UHD and included Blu-ray are mastered from the 2018 4K scan and restoration, and Scream has tossed in a new Dolby Atmos mix to boot. It’s a fine release, so don’t miss it.

I’ve also reviewed Roland Emmerich’s epic disaster flick 2012 on 4K Ultra HD from Sony Pictures Home Entertainment, and I’ve given a great little indie release a review on Blu-ray too: Dmitriy Kiselev’s Spacewalker (2017) from MPI Home Video, which tells the story of cosmonaut Alexey Leonov and humanity’s first spacewalk in 1965.

Tim’s also posted a review of William Campbell’s Ingagi (1930), recently released on Blu-ray by Kino Classics as part of their Something Weird line-up. Ingagi is definitely something weird.

And just a heads-up: We’re working on reviews of Prince of Darkness in 4K from Scream Factory, along with the new 4K releases of Spike Lee’s Do the Right Thing from Universal and Lupin the 3rd: The Castle of Cagliostro from Discotek Media, among other titles. So watch for those starting on Monday. [Read on here...]

All right, we’ve got a few new reviews for you today...

I’ve taken a look at Neill Blomkamp’s Elysium (2013) coming to 4K Ultra on 2/9 from Sony Pictures Home Entertainment. It’s a nice upgrade of the existing Blu-ray release. You’ll find that here.

Also, Tim has reviewed Park Chan-wook’s JSA: Joint Security Area (2000) on Blu-ray from Arrow Video.

And Dennis has given Robert Siodmak’s The Suspect (1944) a look on Blu-ray from Kino Lorber Studio Classics.

More reviews are on the way this week, including 2012 and Lupin III: The Castle of Cagliostro both in 4K, plus more new and catalog Blu-rays, so be sure to watch for them.

Let’s start with some 4K Ultra HD news... [Read on here...]

Afternoon, folks. And welcome to 2021!

The news in the home video industry is pretty slow this week, as we’d expect given the recent holiday and the still unfolding (and industry-slowing) pandemic.

But we do have a couple new 4K Ultra HD reviews for you all to enjoy this afternoon.

First, Tim has taken a look at Don Coscarelli’s The Beastmaster (1982), as newly-remastered in 4K by our friends over at Vinegar Syndrome. The limited release appears now to be back in stock at the Vinegar Syndrome website, and we expect it to eventually be released in more traditional Amaray packaging on Amazon at some point in the coming months. [Read on here...]

Afternoon, folks! Hope you all had a lovely weekend.

We’ve got some new disc reviews for you to enjoy today...

I’ve taken a look at Guy Ritchie’s Sherlock Holmes (2009) on 4K Ultra HD from Warner Bros. Home Entertainment. It’s a nice (if modest) image upgrade on the format that fans of the film especially should appreciate. HDR gives the proceedings a nice boost.

Also, Dennis has taken a look at David Lynch’s The Elephant Man, which is now available on Blu-ray from The Criterion Collection. Sounds like it’s a very worthy upgrade, mastered from the new StudioCanal 4K transfer. And for those of you wondering, the “missing” fade from the StudioCanal 4K is also missing here. But do keep in mind that Lynch approved the remaster, so it’s possible he made the change himself (meaning it might not be an error).

Now then, we’ve got more reviews coming over the next few days. Two are already to go for tomorrow and more should follow. So stay tuned for that. [Read on here...]