Displaying items by tag: The Beyond 4K

We have three new disc reviews to start the week out right for you this afternoon, including...

Dennis’ thoughts on Leigh Whannell’s Wolf Man (2025) in 4K Ultra HD from Blumhouse via Universal (with an assist on the 4K AV portion by Tim Salmons).

Stuart’s look at Albert Zugsmith’s College Confidential (1960) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Hemdale via Vinegar Syndrome.

Also today, we’ve got a new update of our 4K Ultra HD Release List here at The Bits, and I also shared a new My Two Cents: A Video Blog update for subscribers on our Patreon page over the weekend, with some exciting catalog news. As always, we have very affordable subscription options for our Patreon and it’s a great way to help support our work here at The Bits website. So we hope you’ll consider joining us there! [Read on here...]

We’ve got one more new disc review to round out the week here at The Bits this afternoon...

Dennis has taken a look at Robert Day’s Two-Way Stretch (1960) on Blu-ray from Kino Lorber Studio Classics, a classic heist caper starring Peter Sellers.

The big release news today is that our friends at The Criterion Collection have just announced their June slate, which is absolutely fantastic! Look for 4K Ultra HD upgrades of Terry Gilliam’s Brazil (1985) (Spine #51) and Paul Schrader’s Mishima: A Life in Four Chapters (1985) (Spine #432) on 6/3, followed by Sidney Lumet’s The Wiz (1978) (Spine #1264) in 4K UHD and Blu-ray on 6/10, Charlotte Zwerin’s Thelonious Monk Straight, No Chaser (1988) (Spine #1265) and Mitchell Leisen’s Midnight (1939) (Spine #1266) both on Blu-ray on 6/17, and François Girard’s Thirty Two Short Films About Glenn Gould (1993) (Spine #1268) and William Friedkin’s Sorcerer (1977) (Spine #1267) in 4K Ultra HD and Blu-ray on 6/24. Of these, Brazil, The Wiz, and Sorcerer will have Dolby Vision HDR. You can read more here and you can see the cover art for these above left and also below the break. [Read on here...]