My Two Cents

Displaying items by tag: Arrow Video

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

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This is the Martin Luther King Jr. Day holiday here in the States, so there’s not a lot of release news happening at the moment. But we do have a few things to report for you today, plus some new disc reviews including...

Stuart’s thoughts on Kino Classics’ Soundies: The Ultimate Collection Blu-ray set, featuring short films of the 1940s, and E.A. Dupont’s Picadilly (1929) Blu-ray from Milestone Films and Kino Lorber.

Dennis’ take on Miloš Forman’s Valmont (1989) and Robert Wise’s Odds Against Tomorrow (1959) on Blu-ray from Kino Lorber Studio Classics, as well as W.S. Van Dyke’s Tarzan the Ape Man (1932) on Blu-ray from the Warner Archive Collection.

And Stephen’s look at Michael Mann’s Blackhat (2015) on 4K Ultra HD from Arrow Video, as well as Joel M. Reed’s Bloodsucking Freaks (1976) and Michael Armstrong’s Mark of the Devil (1970) in 4K Ultra HD from Vinegar Syndrome.

More reviews are forthcoming all this week, so be sure to keep your eyes peeled for them!

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Blitz Bazawule’s The Color Purple (2023) for release on Blu-ray, DVD, and 4K Ultra HD on 3/12, with the Digital release expected tomorrow on 1/16. Extras will include 4 behind-the-scenes featurettes (including Creating The Color Purple: A Bold New Take on the Beloved Classic, Hell Yes! The Iconic Characters of The Color Purple, In the Flow: Creating The Color Purple’s Biggest Musical Moments, and A Story For Me: The Legacy of The Color Purple). You can see the cover art below. [Read on here...]

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Good afternoon, everyone! We’re well into the week before Christmas now and—as seems to be true every year—the period right around the holiday tend to be packed with review work, as all of the big fourth quarter titles keep rolling in. Last week was certainly that way, and this week is proving to be no different. So with that in mind, here’s a look at...

Stephen’s review of Gareth Edwards’ terrific sci-fi tale The Creator (2023) in 4K Ultra HD from 20th Century Studios via Buena Vista Home Entertainment.

Tim’s look at Fred Dekker’s The Monster Squad (1987) in 4K Ultra HD form Kino Lorber Studio Classics, Andrzej Zulawski’s Possession: Collector’s Edition (1981) in 4K Ultra HD from Umbrella Entertainment, and ALF: The Complete Series on DVD from Shout! Factory.

Dennis’ take on Marcel Sarmiento and Gadi Harel’s Deadgirl: 15th Anniversary Edition (2008) on Blu-ray from Dark Sky Films via Unearthed Films.

And Stuart’s thoughts on Georg Fenady’s Arnold (1973) on Blu-ray from Vinegar Syndrome.

Of course, that’s not all. We’re still working on several more new disc reviews that we hope to share before the Christmas holiday. For my own part, I’m currently checking out Umbrella Entertainment’s new Frank Herbert’s Dune & Children of Dune: Collector’s Edition Blu-ray box set, and I expect any time now have the new Avatar and Avatar: The Way of Water – Collector’s Edition 4K Ultra HDs in hand for review. So watch for those and more in the days ahead. [Read on here...]

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Afternoon folks! I just wanted to chime in here quickly this afternoon with a couple of quick updates.

I’m currently working on my 4K Ultra HD reviews of James Cameron’s Titanic and James Mangold’s Indiana Jones and the Dial of Destiny, so I’ll be busy for the rest of the day on those.

In the meantime, we have three more new disc reviews for you all to enjoy this afternoon...

Tim has reviewed Roger Vadim’s Barbarella (1968) in 4K Ultra HD from the good people of Arrow Video.

Stephen has offered his thoughts on Stelvio Massi’s giallo Five Women for the Killer (1974) on Blu-ray from Vinegar Syndrome.

And Dennis has turned in his take on Larry Yang’s Ride On (2023), a Jackie Chan actioner on Blu-ray from Well Go USA Entertainment. [Read on here...]

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All right, today’s news update here is going to be a quick one, as I’ve got a couple disc reviews to start working on this afternoon. But first, we’ve got a couple more reviews to share with you this afternoon...

Tim has delivered an in-depth look at Brian De Palma’s Carlito’s Way (1993), which is now available in 4K Ultra HD from our friends at Arrow Video.

Tim’s also just posted his thoughts on Menahem Golan’s Enter the Ninja (1981), a Cannon Films actioner new on Blu-ray from the good people over at Kino Lorber Studio Classics.

And I’m about to start work on reviews of Sony’s For All Mankind: Season One on U.S. Blu-ray, as well as their new 4K Ultra HD Steelbook release of David Anspaugh’s Rudy (1993), both titles I have a great deal of affection for. So watch enjoy today’s reviews, and watch for more here on Monday.

In terms of release news on this lovely Friday afternoon, Kino Lorber Studio Classics has just signaled that their long-awaited 4K Ultra HD release of Ivan Reitman’s Kindergarten Cop (1990) is going to street on 1/23/24. It looks like they’re just awaiting the final cover artwork to share the news on their social media, but we expect that to happen anytime now. And thanks to Bits reader Brian B. for the heads-up. [Read on here...]

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We’ve got some interesting release news for you today, as well as updates on forthcoming 4K catalog titles we’ve been tracking for a while, and of course more new disc reviews. So let’s get to the latter first...

Our own Stephen Bjork has posted his in-depth review of Loki: The Complete First Season in 4K Ultra HD Steelbook from Marvel Studios and Disney. The short version is that the studio really does seem to have done this title right, in terms of AV quality, which bodes well for forthcoming Disney+ streaming series in 4K UHD.

Stephen has also turned in a look at Barry Levinson’s Rain Man (1988) in 4K Ultra HD from the MVD Marquee Collection.

And Stuart has delivered his take on Kino Lorber Studio Classic’s Audie Murphy Collection II on Blu-ray, which features Sierra (1950), Kansas Raiders (1950), and Destry (1954).

In terms of new release news, we’re hearing from retail sources that Universal’s forthcoming Blu-ray, DVD, and 4K Ultra HD release of David Gordon Green’s The Exorcist: Believer (2023) will arrive in stores on 12/19.

Lionsgate has also delayed their 4K Ultra HD + Blu-ray release of Jean-Luc Godard’s Contempt (1963) from 9/26 to 10/24. Adjust your plans accordingly. [Read on here...]

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Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]

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Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]

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All right, we’ve got a bunch more great new 4K Ultra HD catalog news to report today, and more new disc reviews as well...

As expected, I posted my review of producer Glen A. Larson’s original Battlestar Galactica (1978) in 4K Ultra HD from Universal late last night, and it’s a pretty detailed look at the film and its history.

Also today, Tim has gone in-depth on Martin Scorsese’s Hugo (2011), which is now available in a terrific new 4K Ultra HD and Blu-ray 3D package from the good people of Arrow Video.

Dennis has checked in today as well with a look at Robert Wise’s Helen of Troy (1956) on Blu-ray from the always excellent Warner Archive Collection.

And Stuart rounds things out this afternoon with his thoughts on Marcel Ophul’s fascinating documentary on the Nazi occupation of France during World War II, The Sorrow and the Pity (1969) on Blu-ray from Kino Lorber.

Back to Arrow briefly: The company has just revealed on their social media feed that—in response to customer requests—they’re going to be including Michael Mann’s excellent Blackhat: Director’s Cut on Blu-ray in their forthcoming 4K UHD and Blu-ray packages! Thus the street date is going to be pushed back from 10/31 to 11/28. But the Director’s Cut—which has never been released on home video—is significantly different that the other two cuts of the film already being included on the release, so this is a terrific and welcome addition. Tip of the hat to Arrow for going the extra mile on this one. [Read on here...]

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We’ve got a quick rundown of release news for you to close out the week today, and some new reviews as well. I suspect some of you are interested in a follow-up to the State of 4K and Physical Media editorial we posted on Wednesday. Rest assured, there will be a follow-up, and I hope to get that posted here sometime next week. So stay tuned.

In the meantime, we have several new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on John Hughes’ Weird Science (1985) in 4K Ultra HD from our friends at Arrow Video.

Stephen has shared his take on Chad Stahelski’s John Wick: Chapter 4 in 4K UHD from Lionsgate, Brian De Palma’s Blow Out (1981) in 4K UHD from Criterion, and also John Henry Johnson’s Curse of the Blue Lights (1990) on Blu-ray from Vinegar Syndrome.

Dennis has delivered a look at Charles Walters’ Dangerous When Wet (1953) on Blu-ray from the Warner Archive Collection.

And Stuart has weighed in with a look at René Clément’s Joy House (1964) on Blu-ray from Kino Lorber Studio Classics.

Now then, the big news today is that Universal Pictures Home Entertainment has set Wes Anderson’s Asteroid City for Blu-ray and DVD release on 8/15, with the Digital release due next week on 8/11. Extras will include the 4-part The Making of Asteroid City documentary (which includes Desert Town, Doomsday Carnival, Montana and Ranch Hands, and The Players), as well as 2 additional Digital-exclusive features (The Alien and The Roadrunner). You can see the cover artwork at left and also below the break. [Read on here...]

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