Displaying items by tag: 20th Century Studios

We have six new disc reviews for all of you to enjoy today, including...

Stuart’s look at Denys Arcand’s Dirty Money (1972) and Paul Vecchiali’s The Strangler (1970) both on Blu-ray from Vinegar Syndrome.

Dennis’ take on Norman Jewison’s The Thomas Crown Affair (1968) on Blu-ray from Kino Lorber Studio Classics

And Stephen’s look at Robert Benton’s Kramer vs. Kramer (1979) and Stanley Kramer’s Guess Who’s Coming to Dinner (1967) in 4K from Sony’s Columbia Classics 4K Ultra HD Collection: Volume 4 box set, as well as Michael Mann’s Ferrari (2023) in Blu-ray from Neon via Decal Releasing.

All are well worth a look, so we hope you enjoy them. And more are forthcoming.

Before we get to announcement news today, Amazon has finally made Andor: The Complete First Season and Obi-Wan Kenobi: The Complete Series available for pre-order in 4K Ultra HD Steelbook format. (The Blu-ray Steelbook pre-orders should soon be live as well.) We’ve included the links and cover art below. [Read on here...]

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminator—producer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

Afternoon, folks! I certainly hope that those of you who celebrate it have had a great Christmas holiday, and that the rest of you are enjoying the holiday season.

I’ve got just a quick update here for you today and I’ll post a little more as the week goes on. This time of year there’s typically very little news-wise worth reporting, but there are some odds and ends to cover.

First though, I want to catch you up on the latest disc reviews we’ve posted here at The Bits since our last news post last week. Now available for your reading pleasure here are...

My reviews of James Cameron’s Avatar: Collector’s Edition (2009) and Avatar: The Way of Water – Collector’s Edition (2022) in 4K Ultra HD from Lightstorm and 20th Century Studios.

Tim’s thoughts on Richard Donner’s Scrooged: 35th Anniversary Edition (1988) in 4K from Sony and George Mihalka’s My Bloody Valentine: Collector’s Edition (1981) in 4K from Scream Factory.

Dennis’ takes on David Gordon Green’s The Exorcist: The Believer (2023) in both Blu-ray and 4K Ultra HD from Universal, as well as Oren Rudavsky’s The Treatment (2006) on Blu-ray from Kino Lorber, and Richard Attenborough’s In Love and War (1996) on Blu-ray from the Warner Archive Collection.

Stephen’s reviews of Charles Kaufman’s Mother’s Day (1980) in 4K from Troma via Vinegar Syndrome, Emma Tammi’s Five Nights at Freddy’s in 4K from Universal, and Ti West’s Pearl (2022) in 4K from A24 via Turbine Media.

And finally Stuart’s look at Succession: The Complete Series on DVD from HBO, Alain Resnais’ La Guerre est finie (1966) on Blu-ray from The Film Desk and Vinegar Syndrome, and Paul Lynch’s The Hard Part Begins (1973) on Blu-ray from Canadian International Pictures via Vinegar Syndrome. [Read on here...]

We’re rounding out the week here with three more new disc reviews, including...

Dennis’ take on Costa-Gravas’ Mad City (1997) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Frederic C. Hobbs’s Godmonster of Indian Flats (1973) on Blu-ray from AGFA, Something Weird, and Vinegar Syndrome, and the Villages of the Damned: Three Horrors from Spain Blu-ray release also from Vinegar Syndrome, which includes Pedro Olea’s The Forest of the Beast (1970), Silvio Narizzano’s The Sky Is Falling (1975), and Gonzalo Suárez’s Beatriz (1976).

Meanwhile, the rest of us are already working on a bunch more new Blu-ray and 4K UHD reviews for next week. And I do mean a bunch. So be sure to watch for them.

We also have a couple significant pieces of catalog news for you this afternoon before we go...

The first is that Kino Lorber Studio Classics has just officially set Ivan Reitman’s Kindergarten Cop (1990) for release on 4K Ultra HD on 1/23, featuring two new audio commentaries (by film historians Alexandra Heller-Nicholas and Josh Nelson, and a second by film historian Samm Deighan). [Read on here...]

All right, Digital Bits readers...

Having reported on the long and twisted saga of The Abyss and True Lies on Blu-ray and 4K Ultra HD for over thirteen years now—and having first broken news of this release all the way back in March—it gives me enormous pleasure to be able to share this with all of you: The day has come at last!

Not only are The Abyss and True Lies finally coming to 4K Ultra HD and Blu-ray, so too are Aliens, the recently-announced Titanic, and new versions of both Avatar (with all three versions of the film) and Avatar: The Way of Water!

Here’s the full text of Disney and Lightstorm’s official press release today…

SIX ICONIC JAMES CAMERON FILMS INCLUDING FOR THE FIRST TIME EVER ON 4K UHD™ ALIENS, THE ABYSS AND TRUE LIES!

IN ADDITION, SPECIAL COLLECTOR EDITIONS FOR TITANIC, AVATAR AND AVATAR: THE WAY OF WATER WITH:

BURBANK, CA. (November 15, 2023) – A piece of cinema history comes home this year when six box-office juggernauts from Oscar®-winning director James Cameron are released. The six titles—The Abyss, True Lies, Aliens, Titanic, Avatar and Avatar: The Way of Water—will be made available in 4K Digital and 4K Ultra HD + Blu-ray.

Cameron, who has helmed three of the five highest grossing movies of all time, says “There’s a world of emotions in revisiting these films and I hope we’ve captured some of that in the new bonus materials we created for our fans.”

Oscar®-winning producer Jon Landau added, “We really wanted to deliver the best possible experience at home so viewers could immerse themselves both in the films and the journeys we went through to make them.”

The 4K transfer for each release will be presented in superb Dolby Vision HDR and with an immersive Atmos audio mix. Additionally, most of the releases will arrive with several hours of captivating all-new bonus features. From the eight hours of Avatar: The Way of Water bonus including all-new deleted scenes to the five hours of new and legacy Titanic extras, fans will delight in the numerous hours of never-before-seen materials. [Read on here...]

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

Afternoon, Bits readers and welcome to the new week and, of course, Halloween Eve!

We’ve got a little bit of ground to cover here today, but first I wanted to personally thank all those of you who have signed up to support The Digital Bits via Patreon. Since we first launched our Patreon five days ago, we’re up to 77 backers (and 104 members total), and we really appreciate your support. It means a lot, and it will make a real difference here, let me tell you.

Already, I’ve decided on a couple things: I’m making regular (almost daily) blog posts exclusively for our Patreon supporters that are a little different than the kind of thing I post here and on our social media. For example... my first-take thoughts on things I’m hearing from sources (release news, industry developments, and the like), first impressions on new review discs that I’ve had the chance to look at (before I publish the full in-depth reviews here on the site), and other odds and ends—the kinds of things that offer you a essentially a more personal and candid look behind the scenes here at The Bits. I’m also making the occasional public post for all members there, with information that’s relevant to all our readers—the kind of thing I’m going to share here in a minute today (disc replacement news, a PS5 firmware update of relevance to disc fans, the occasional piece of significant breaking news). And we’ll add more Patreon-exclusive features over time as we get used working there, learning what kinds of perks are possible, and what we can do without dramatically increasing our workload.

Anyway, just know that we really, really appreciate those of you who are willing to support our work with your hard-earned money. Thanks to all 77 paying backers (here’s to reaching 100!) and thanks to all of you who are following us there.

Now then... I’m going to be spending the rest of my day working on a review of Paramount’s Mission: Impossible – Dead Reckoning Part One in 4K UHD for posting here hopefully tomorrow. But first, there’s some important breaking news... [Read on here...]

I’ve been thinking a lot, in recent days, about the future of physical media.

Frankly, I can’t recall a time in this industry that’s offered greater cognitive dissonance than this past week, which began with the news that Best Buy is exiting the disc business—and saw a Digital Bits headline on the subject appear in Jimmy Fallon’s Tonight Show monologue—but ended not only with the release of Barbie and The Exorcist in 4K, but also with the Ultra HD announcement of Titanic, The Color Purple, and Oppenheimer, to say nothing of the revelation (by Kino Lorber Studio Classics) that Stanley Kubrick’s earliest films are coming to the format!

What’s the opening line of A Tale of Two Cities again? “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity.” Charlies Dickens was nothing if not a visionary.

This coming December, I’ll mark my twenty-sixth year as editor of The Digital Bits, and my thirty-fifth as a working professional in the business of media more generally. For most of that time, I’ve had a front row seat from which to view the ebbs and flows of the disc business—both its public-facing portion, as well a singularly-unique insider’s perspective. I launched The Bits website in 1997, at the height of LaserDisc and the dawn of DVD, to create a nexus between fans of these formats and the industry professionals who create them.

Soon afterwards, I gave the world its first look at Circuit City’s pay-per-view DIVX format, then led the crusade against it. I co-led a campaign that convinced George Lucas to begin releasing his beloved Star Wars films on DVD. I reported from the trenches on—and correctly predicted the outcome of—the high-definition format war between Blu-ray and HD-DVD. And I’ve covered every minute of the Golden Age of Physical Media, the rise and stumbles of Digital and streaming, and the continuing adventures of our favorite little format that could… 4K Ultra HD. [Read on here...]

All right, we’ve got some ground to cover today here at The Bits, so first things first. We have a trio of new disc reviews for you to enjoy this afternoon, including...

Tim’s take on Amando de Ossorio’s Tombs of the Blind Dead (1972) on Blu-ray from Synapse Films.

And Dennis’ thoughts on William A Wellman’s Westward the Women (1951) on Blu-ray from the Warner Archive Collection, as well as James Foley’s After Dark, My Sweet (1990) on Blu-ray from Kino Lorber Studio Classics.

Don’t forget, Amazon’s Prime “Big Deal” Days Sale continues until the end of the day today, so be sure to take advantage of all the great prices on Blu-ray, DVD, and 4K Ultra HD titles, box sets, and collections. Click here and here to see what’s on sale and act fast!

For the record, some of today’s deals include...

• Universal Classic Monsters: Icons of Horror 4K UHD (regularly $79.99) Now $29
• The Alfred Hitchcock Classics Collection 4K UHD (regularly $69.98) Now $38
• The Alfred Hitchcock Classics Collection #2 4K UHD (regularly $69.98) Now $38

• Game of Thrones: The Complete Collection 4K UHD (regularly $219) Now $94
• Batman: The Complete Animated Series Blu-ray (regularly $79) Now $24
• Superman: The Complete Animated Series Blu-ray (regularly $69) Now $19
• The Last of Us: The Complete First Season Blu-ray (regularly $49) Now $26
• Battlestar Galactica: The Complete Series Blu-ray (regularly $99) Now $49
• Bonanza: The Complete Series DVD (regularly $244) Now $159

• Back to the Future: The Ultimate Trilogy 4K UHD (regularly $55) Now $23
• The Lord of the Rings: The Motion Picture Trilogy (Extended & Theatrical) 4K UHD (regularly $89) Now $39
• Harry Potter: 8-Film Collection 4K UHD (regularly $178) Now $59
• Mission: Impossible 6-Movie Collection 4K UHD (regularly $83) Now $50
• The Godfather Trilogy 4K UHD (regularly $90) Now $54
• The James Bond Collection 24-Films Blu-ray (regularly $144) Now $54

So be sure to act fast if you’re interested.

Also today here at the site, we’ve got word on some long-awaited 4K Ultra HD catalog titles... [Read on here...]