Displaying items by tag: 4K Ultra HD Release List update

We’re picking things up here at The Bits today with more new disc reviews...

I’ve recently posted my thoughts on Gareth Edwards’ Godzilla (2014) in 4K from Warner Bros., Pete Docter’s Soul in 4K from Pixar, Mel Brooks’ Spaceballs in Blu-ray and 4K from Kino Lorber Studio Classics, and Paul Greengrass’ News of the World in 4K from Universal.

Meanwhile, Tim has just posted a look at Alex de la Iglesia’s The Day of the Beast (1995) in 4K from Severin Films.

And Dennis has turned in his review of George Sidney’s Show Boat (1951) on Blu-ray from the Warner Archive Collection.

In announcement news today, Warner Bros. Home Entertainment has officially set Shaka King’s Judas and the Black Messiah for release on Blu-ray and DVD on 5/4 (SRP $35.99 and $28.98), with the Digital release expected on 4/27, and PVOD available on 4/2. Extras on the disc-based versions will include 2 featurettes (Fred Hampton for the People and Unexpected Betrayal). [Read on here...]

Published in My Two Cents

All right, we’ve got an announcement news update for you here at The Bits this afternoon...

First up today, Kino Lorber Studio Classics has officially set their long-awaited Spaceballs (1987) 4K Ultra HD for release on 4/12. The 4K disc will include Dolby Vision HDR and audio commentary by Mel Brooks. Audio will be includes in 5.1 and 2.0 (format TBA) with optional English subs. You’ll also get the film on Blu-ray, which will include lots of additional legacy extras. You can see the 4K art at left. We’ve updated our 4K Ultra HD Release List here at The Bits accordingly.

The company also has a nice March slate of catalog Blu-ray titles, which is expected to include Sidney Lanfield’s My Favorite Blonde (1942), David Butler’s Caught in the Draft (1941), and Elliott Nugent’s Nothing But the Truth (1941) on 3/2 (all Bob Hope films), followed by Don Jones’ The Forest (1982, for Code Red), Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), Robert Aldrich’s The Choirboys (1977), and Richard Fleischer’s The Don is Dead (1973) on 3/9, Jim O’Connoly’s Tower of Evil (1972, for Scorpion Releasing), Andy Anderson’s Positive I.D. (1986), Francis Megahy’s Taffin (1988), Andrei Konchalovsky’s Runaway Train (1985), and Marty Feldman’s The Last Remake of Beau Geste (1977) and In God We Trust (1980) on 3/16, Don Jones’ Schoolgirls in Chains (1973, for Code Red), Frank Perry’s Doc (1971), George Seaton’s Showdown (1973), Henry Hathaway’s Shoot Out (1971), and Richard Fleischer’s Crossed Swords (1977, aka The Prince and the Pauper) on 3/23, and Otto Preminger’s Rosebud (1975), Andrew Bergman’s Isn’t She Great (2000), Édouard Molinaro’s A Pain in the Ass (1973), and Ang Lee’s Lust, Caution (2007) on 3/30. [Read on here...]

Published in My Two Cents

Afternoon, folks! We’ve got a late Bits post for you today with some reviews and catch up on a bit of release news as well. First, those reviews...

Tim has checked in with his thoughts on Douglas Trumbull’s Silent Running (1972), now available on Blu-ray from our friends at Arrow Video.

He’s also posted a review of Douglas Sirk’s Taza, Son of Cochise (1954), a classic Technicolor western staring Rock Hudson, now available on Blu-ray from Kino Lorber Studio Classics. The disc includes a new 3D presentation restored by the 3D Film Archive as well.

Not done yet: Tim has also reviewed Terence Fisher’s The Brides of Dracula (1960), the Hammer Films classic staring Peter Cushing newly available on Collector’s Edition Blu-ray from the good folks over at Scream Factory.

And finally, Dennis has checked in with his thoughts on Mario Camerini and Mario Bava’s Ulysses (1954) on Blu-ray, also from Kino Lorber Studio Classics. [Read on here...]

Published in My Two Cents

All right Bits readers, we’ve got a pretty significant news update for you today...

We’ve been tracking many of these titles, but a few of the 4K catalog titles we’re going to talk about today are breaking news, thanks to our old friends over at Media Play News.

They’ve just issued the September 2020 Digital edition of their magazine, which features an extensive look at the recent surge of 4K Ultra HD catalog releases. The publication’s editor, Stephanie Prange (who, full disclosure, I’ve known for many years), wrote a great longform piece for the issue called 4K Ultra HD: Into the Vaults about the process of preparing classic catalog films for release on the format.

Not only is it informative (and I should note that I was among the people interviewed therein), it includes some great news about forthcoming titles. [Read on here...]

Published in My Two Cents
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Today on The Bits – Escape from LA & Touch of Evil are coming in #4K, plus Sony finally sets Looper for US #UltraHD release, and lots more #UHD & #Bluray announcement news thedigitalbits.com/columns/my-two…
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