History, Legacy & Showmanship

History, Legacy & Showmanship

“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

Our previous celebratory 007 articles include Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]


“I remember thinking as Bond tumbled out of the airplane that this was going to be the greatest film ever. And then, moments later, Jaws flapped his arms falling toward a circus tent. I felt my own internal seismograph plummet. I was for the first time in my life, embarrassed for the filmmakers of a James Bond film.” — John Cork, co-author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Moonraker, the 11th (official) cinematic James Bond adventure and the fourth of seven to feature Roger Moore as cinema’s most popular secret agent.

Our previous celebratory 007 articles include Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1979’s Moonraker. [Read on here...]


Alien (like other 1970s films such as Jaws, Superman, Close Encounters of the Third Kind, The Godfather, and Star Wars) was a seminal landmark in the upgrade of shopworn B-movie clichés — monsters, comic book characters, flying saucers, gangsters, Saturday afternoon serials — into major A-movie assets.” — Paul M. Sammon, author of Ridley Scott: The Making of His Movies

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Alien, the sci-fi/horror classic about the five-man, two-woman (and one cat) crew of the Nostromo, who got more than they bargained for after investigating a distress signal from a mysterious planet.

Suspense, atmospheric moodiness and Oscar-winning visual effects were among the highlights of Alien, directed by Ridley Scott (Blade Runner, Gladiator) and starring Tom Skerritt (Top Gun), Veronica Cartwright (The Right Stuff), Harry Dean Stanton (Repo Man), John Hurt (The Elephant Man), Ian Holm (Chariots of Fire), Yaphet Kotto (Live and Let Die), and Sigourney Weaver (Ghostbusters) as Ellen Ripley. [Read on here...]


The Phantom Menace is the film that caused a generation gap in Star Wars fandom.” — W.R. Miller, author of The Star Wars Historical Sourcebook: Volume One 1971 to 1976

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of Star Wars: Episode IThe Phantom Menace, the first entry in the long-awaited prequel trilogy to the original 1977-83 Star Wars trilogy.

Marking series creator George Lucas’s return to directing, The Phantom Menace opened twenty years ago this month, with some fans camping out for days (plural!) to experience a screening on opening day. And while the movie was an undeniable box-office smash, breaking numerous earnings and attendance records, there was a great disturbance in the Force as the film left a lot of moviegoers and critics underwhelmed and disappointed. [Read on here...]


The Matrix managed to outdo Star Wars in terms of truly reshaping the zeitgeist mere months before George Lucas’ first prequel was supposed to roar into theaters and show everyone how big budget sci-fi is supposed to work.” — Zaki Hasan, co-author of Geek Wisdom: The Sacred Teachings of Nerd Culture

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of The Matrix, the popular, franchise-inspiring action/sci-fi/cyberpunk adventure starring Keanu Reeves (Bill & Ted’s Excellent Adventure, John Wick) and highlighted by Academy Award-winning editing, sound effects editing, sound, and visual effects.

Directed by The Wachowskis (Bound, Speed Racer), produced by Joel Silver (Die Hard, Lethal Weapon) and co-starring Laurence Fishburne (Boyz n the Hood, What’s Love Got to Do with It), Carrie-Anne Moss (Memento, Disturbia), Hugo Weaving (V for Vendetta, The Lord of the Rings), and Joe Pantoliano (Midnight Run, The Fugitive), The Matrix introduced moviegoers to Bullet Time and featured the music of Deftones, Marilyn Manson, Prodigy, Rage Against the Machine, Rammstein, and Rob Zombie. [Read on here...]


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